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Recital
MUSICAL POT POURRI AT SPRING LAKE VILLAGE RECITAL
by Terry McNeill
Friday, January 31, 2025
CELLO AND CLARINET HIGHLIGHT TRIO NAVARRO'S CONCERT
by Ron Teplitz
Sunday, January 26, 2025
SONGS OF LOVE, IN A WARM TRIO
by Pamela Hicks Gailey
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Symphony
EARTHLY PLEASURES AT THE VALLEJO SYMPHONY
by Peter Lert
Sunday, January 19, 2025
Symphony
EARTHLY PLEASURES AT THE VALLEJO SYMPHONY
by Abby Wasserman
Sunday, January 19, 2025
Recital
TWO AND FOUR HANDS DELIGHT AT THE 222
by Nicki Bell
Sunday, January 19, 2025
Chamber
NEW CENTURY'S BRILLIANT STRING PLAYING IN WEILL
by Terry McNeill
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SYMPHONIC CONTRASTS IN SRS WEILL HALL CONCERT
by Peter Lert
Saturday, January 11, 2025
Choral and Vocal
CELEBRATORY MARIN ORATORIO CONCERT AT THE JAMES DUNN THEATER
by Abby Wasserman
Saturday, December 14, 2024
Symphony
MAHLERTHON AT SRS WEILL HALL CONCERT
by Peter Lert
Sunday, December 8, 2024
RECITAL REVIEW
Spring Lake Village Classical Music Series / Friday, January 31, 2025
Cristiana Pegoraro, piano

Pianist Cristiana Pegoraro

MUSICAL POT POURRI AT SPRING LAKE VILLAGE RECITAL

by Terry McNeill
Friday, January 31, 2025

Spring Lake Village’s Concert Series tend to be short one hour events, often with a pot pourri of works, and Jan. 31 found Italian pianist Cristiana playing 15 works in a concise and novel group format.

In a rare standing room only concert for 150 SLV residents, Ms. Pegoraro’s charming spoken introductions prefaced four groups of mostly transcriptions, beginning with slam bang reading of her version of Rossini’s Barber of Seville (Largo al Factotum) and concluding with a raucous damper-pedal-always down transcription of Piazzolla’s popular Libertango.

The large audience helped to muffle the notoriously bright flat hard floor acoustics, and the more lyrical selections fared best – Schumann’s Träumerei, Schubert/Liszt’s Ständchen, a speedy Beethoven Für Elise and the Bach/Gounod Ave Maria.

A highlight came at the program’s conclusion with three of the pianist’s original works – The Wind and the Sea, Colors of Love and Sailing Away. Here there was ample tenderness, deft phrasing, long melodic lines and often syrupy emotional messages that reminded one of splendid movie background music.

Ms. Pegoraro’s reworking of Beethoven’s Ode to Joy (final movement in his D Minor Symphony) was sonorous and effective, and good to hear played on the piano.

A standing ovation ensued after the last notes of the Libertango, and the gracious artist mingled with the appreciative audience.