Home  Reviews  Articles  Calendar  Presenters  Add Event     
Other
SIX GUITARISTS IN UNIQUE NAPA RECITAL
by Gary Digman
Sunday, July 25, 2021
The first Napa Valley Guitar Festival was held at Napa’s First Presbyterian Church July 25, and featured performances from six classical guitarists. The Church is an iconic structure in downtown Napa, its huge white presence dominating the scene, and the white theme continues inside punctuated by be
Chamber
CLARA SCHUMANN TRIO COMMANDS VOM CHAMBER MUSIC CONCERT AT HANNA
by Terry McNeill
Saturday, July 24, 2021
The Valley of the Moon Chamber Music Series has begun several virtual and a few live concerts in its new seventh season, some broadcast from Sonoma’s Hanna Center Hall and some in posh local venues. July 24’s video had a small live audience and a well-produced video program of three works. Titled “
Chamber
EXEMPLARY QUARTET PLAYING IN MENDO FESTIVAL FT. BRAGG CONCERT
by Terry McNeill
Wednesday, July 21, 2021
Faced with the impossibility of presenting concerts in the iconic large white tent on the bluff, the Mendocino Music Festival opted to use Ft. Bragg’s Cotton Auditorium for ten events in the abbreviated 35th season. San Francisco’s Alexander String Quartet played July 21 to a fully masked audience
Chamber
ECLECTIC PROGRAMMING AT PIANOSONOMA CONCERT IN SCHROEDER HALL
by Pamela Hicks Gailey
Tuesday, July 20, 2021
After a dark year bereft of live performance, pianoSonoma launched July 20 the first Vino & Vibrato concert of the 2021 season in Sonoma State's Schroeder Hall, albeit sadly senza vino due to Covid protocols. Three exceptional musicians showered the audience with an interesting variety of pia
Chamber
RARELY-PLAYED SCHUMANN HIGHLIGHTS HEALDSBURG RECITAL
by Terry McNeill
Saturday, July 10, 2021
Brave New Music sporadically produces concerts in and around Healdsburg, and July 10’s violin recital in downtown St. Paul’s Church must have been one of the first post-lockdown, post-be-extra-careful classical music concerts in Sonoma County's summer season. New Music Founder Gary McLaughlin with
Chamber
ECHOS ON A WARM SUMMER NIGHT
by Abby Wasserman
Saturday, July 10, 2021
ECHO Chamber Orchestra’s first concert in a year and a half, “A Musical Promenade,” was a promenade indeed. When patrons arrived at San Anselmo’s First Presbyterian Church for the 6:00 performance July 10, they were funneled through the garden to the Duncan Hall patio, where folding chairs were set
Chamber
LONG DISTANCE LOVE BEGINS VOM SUMMER FESTIVAL
by Pamela Hicks Gailey
Thursday, June 24, 2021
The Valley of the Moon Music Festival offered a 7th season preview June 24 with a stunning online concert, aptly named Long Distance Love, featuring inspired performances of Beethoven's short song cycle An die ferne Geliebte,, and selections from Brahms’ beloved Liebeslieder Wal
Recital
ROMERO'S ARTISTRY IN SLV RECITAL PROGRAMMING AND PERFORMANCE
by Terry McNeill
Wednesday, June 2, 2021
Gustavo Romero has been an admired visitor to North Bay stages, playing over a decade recitals at Dominican University, the Music at Oakmont concerts and at the Spring Lake Village Concert Series. He returned June 2 to SLV in a virtual recital, videoed from his home concert hall the University of N
RUBICON'S VIRTUAL CONCERT A MALANGE OF CONTRASTS
by Terry McNeill
Sunday, May 16, 2021
The inaugural concert of a new Mendocino County chamber group is a reason for celebration, and the Rubicon Trio made the most of a mixed musical menu during a May16 virtual concert. Presented by the Ukiah Symphony Orchestra as the last in their “Salons with the Symphony” Series, the Rubicon began w
Recital
PIANO VIRTUOSITY IN YAKUSHEV'S REDWOOD ARTS RECITAL
by Nicki Bell
Sunday, May 16, 2021
Russian pianist Ilya Yakushev’s recital for the Redwood Arts Council was perhaps the local season’s virtual music at the greatest distance, as the filming May 16 came from a church in St. Petersburg. And good filming it was, with multiple camera viewpoints of the church, full and split screens and
REVIEW

Dawn Harms, Anna Kruger, Thalia Moore and Roxanne Michaelian at Oakmont

INSTRUMENTAL EQUALITY IN JAN. 14 OAKMONT CONCERT

by Terry McNeill
Thursday, January 14, 2010

Innovative but not necessarily exciting programming characterized the Kirkwood Piano Quartet’s Jan. 14 performance in Oakmont’s Berger Auditorium.

Unfamiliar works were perhaps the reason for an audience count far less than the usual Oakmont Concerts Series event, and the Kirkwood played a first half of rarely-heard music: Bridge’s one-movement “Phantasy” and a Stanford Quartet in F Major, Op. 15. The dreamy Bridge, from 1911, has many contrasting sections with echoes of late Faure. The playing was lovely, idiomatic and made the most of the subtle duos of viola and cello. The textures were homogeneous, right up to the deft arpeggios from pianist Roxanne Michaelian at the conclusion.

Charles Villiers Stanford is remembered mostly for choral works, though Oakmont resident and Stanford expert Harry Fry reminds associates that the English composers of the Victorian era were successful in other genres. The 1879 Quartet featured harmonies reminiscent of Brahms and Rubinstein, and the bucolic opening allegro con brio was richly played, the themes traded with clarity between violinist Dawn Harms and cellist Thalia Moore. Ms. Harms’ tone can be thin at the top, but Ms. Moore has an exceptionally sonorous bottom register, spacious and frequently doing the voice leading chores. This was especially apparent in the long and lush adagio movement, the Kirkwood catching the majesty of the writing with hints of Elgar. The concluding allegro was spirited, Brahmsian in the lower registers, the piano never covering the other instruments.

It was a fluent if not a particularly powerful reading, and the music must have been novel for just about everyone in Berger. Not so for the familiar Quartet in E-Flat Major, Op. 47, of Schumann, that closed the program. Here all was in place and the Kirkwood’s interest in a blended instrumental texture foremost. Tempos seemed right throughout and the famous andante cantabile saw each player having a chance at the nostalgic and opulent main theme. Mid way through this glowing and vocal movement violist Anna Kruger took up the theme with Ms. Moore in a poignant melodic statement, every note expressive.

Without pause the finale began, quick fugal-like sections ending quickly. Here again the Kirkwood favored equality of sound over fervor, the reading fluent and beautiful without ever raising the audience’s temperature. There was no encore.