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Chamber
CLARA SCHUMANN TRIO COMMANDS VOM CHAMBER MUSIC CONCERT AT HANNA
by Terry McNeill
Saturday, July 24, 2021
The Valley of the Moon Chamber Music Series has begun several virtual and a few live concerts in its new seventh season, some broadcast from Sonoma’s Hanna Center Hall and some in posh local venues. July 24’s video had a small live audience and a well-produced video program of three works. Titled “
Chamber
EXEMPLARY QUARTET PLAYING IN MENDO FESTIVAL FT. BRAGG CONCERT
by Terry McNeill
Wednesday, July 21, 2021
Faced with the impossibility of presenting concerts in the iconic large white tent on the bluff, the Mendocino Music Festival opted to use Ft. Bragg’s Cotton Auditorium for ten events in the abbreviated 35th season. San Francisco’s Alexander String Quartet played July 21 to a fully masked audience
Chamber
ECLECTIC PROGRAMMING AT PIANOSONOMA CONCERT IN SCHROEDER HALL
by Pamela Hicks Gailey
Tuesday, July 20, 2021
After a dark year bereft of live performance, pianoSonoma launched July 20 the first Vino & Vibrato concert of the 2021 season in Sonoma State's Schroeder Hall, albeit sadly senza vino due to Covid protocols. Three exceptional musicians showered the audience with an interesting variety of pia
Chamber
RARELY-PLAYED SCHUMANN HIGHLIGHTS HEALDSBURG RECITAL
by Terry McNeill
Saturday, July 10, 2021
Brave New Music sporadically produces concerts in and around Healdsburg, and July 10’s violin recital in downtown St. Paul’s Church must have been one of the first post-lockdown, post-be-extra-careful classical music concerts in Sonoma County's summer season. New Music Founder Gary McLaughlin with
Chamber
ECHOS ON A WARM SUMMER NIGHT
by Abby Wasserman
Saturday, July 10, 2021
ECHO Chamber Orchestra’s first concert in a year and a half, “A Musical Promenade,” was a promenade indeed. When patrons arrived at San Anselmo’s First Presbyterian Church for the 6:00 performance July 10, they were funneled through the garden to the Duncan Hall patio, where folding chairs were set
Chamber
LONG DISTANCE LOVE BEGINS VOM SUMMER FESTIVAL
by Pamela Hicks Gailey
Thursday, June 24, 2021
The Valley of the Moon Music Festival offered a 7th season preview June 24 with a stunning online concert, aptly named Long Distance Love, featuring inspired performances of Beethoven's short song cycle An die ferne Geliebte,, and selections from Brahms’ beloved Liebeslieder Wal
Recital
ROMERO'S ARTISTRY IN SLV RECITAL PROGRAMMING AND PERFORMANCE
by Terry McNeill
Wednesday, June 2, 2021
Gustavo Romero has been an admired visitor to North Bay stages, playing over a decade recitals at Dominican University, the Music at Oakmont concerts and at the Spring Lake Village Concert Series. He returned June 2 to SLV in a virtual recital, videoed from his home concert hall the University of N
RUBICON'S VIRTUAL CONCERT A MALANGE OF CONTRASTS
by Terry McNeill
Sunday, May 16, 2021
The inaugural concert of a new Mendocino County chamber group is a reason for celebration, and the Rubicon Trio made the most of a mixed musical menu during a May16 virtual concert. Presented by the Ukiah Symphony Orchestra as the last in their “Salons with the Symphony” Series, the Rubicon began w
Recital
PIANO VIRTUOSITY IN YAKUSHEV'S REDWOOD ARTS RECITAL
by Nicki Bell
Sunday, May 16, 2021
Russian pianist Ilya Yakushev’s recital for the Redwood Arts Council was perhaps the local season’s virtual music at the greatest distance, as the filming May 16 came from a church in St. Petersburg. And good filming it was, with multiple camera viewpoints of the church, full and split screens and
Chamber
STYLISH HAYDN QUARTETS CLOSE GREEN ROOM SERIES
by Terry McNeill
Sunday, May 9, 2021
Completing the Green Music Center’s spring series series of “Green Room” virtual concerts, the St. Lawrence String Quartet played May 9 a lightweight program of two Haydn works. Lightweight perhaps, but in every way satisfying. The G Major Quartet (Op. 76, No.1) began the music that was supplement
SYMPHONY REVIEW

Brigitte Armenier Receiving Applause May 6 (Andreas Knuttel photo)

SONIC SPLENDOR IN FINAL APSC CONCERT AT WELLS

by Terry McNeill
Sunday, May 6, 2012

May 6 marked the American Philharmonic Sonoma County's final concert in the Wells Fargo Center, and with the Santa Rosa Symphony leaving Wells after mid-May, orchestra events may soon be a dim memory in the venerable hall.

An audience of 950 sat through the usual bevy of announcements and raffle prizes, along with candidate conductor Norman Gamboa's slightly inane descriptions of what the concert's two compositions meant to him. But it was that kind of event, and the crowd was heavily sprinkled with young people, much to the delight of APSC's board.

But what of the music? Saint Saëns' monumental "Organ" Symphony occupied the second half of the program, with James Warren playing the minimal organ part. The opening Adagio began with a whisper, the string sections matching perfectly with richly hued solos from clarinetist Jeff Chan and flutist Emily eynolds. Though Mr. Gamboa gave little subtlety to the long Saint Saëns phrases, he sculpted the sensuous arching theme in the second movement deftly. And what a theme it is, reminiscent of the closing first movement melody in the same composer's C Minor Piano Concerto. The slow tempos favored by the conductor throughout the afternoon were here delicately precise.

The Allen organ, a massive electric instrument driving a line of speakers behind the brass section, sounded made for the hall, but its sparing use made one want to hear it more often. Mr. Warren, who apparently supplied the instrument, was a capable performer, but he sat by for long stretches without much to do.

The Allegro Moderato third movement was played with bounce but lacked clarity. Perhaps playing Presto sections without overlapping balances and phrase cutoffs is beyond the Philharmonic. In any event, the effect was scrappy. In the finale, the energy of the music carried the day, beginning with a wonderfully loud 32-foot organ stop and generating the requisite menace as the movement grew. There was outstanding playing by oboist Chris Krive and clarinetist Chan, both leading to an abbreviated fugue that began in the strings.

Mr. Gamboa was clearly in his element towards the end the symphony. The APSC created a tsunami of sound that drew the audience to its feet after the last chord. The conductor then recognized individual sections and players while enjoying the ovation.

Beethoven's E Flat Concerto, Op. 73, opened the program, with local pianist Brigitte Armenier playing the demanding solo part. Here again the conductor chose spacious tempos, which seemed to suit the pianist. Ms. Armenier lacks a big technique and a heroic approach to this most heroic of pieces; but what she brought to the work was a compelling intensity without extraneous details. She is an artist focused on the job at hand without sartorial puffery or platform theatrics. Her scale playing was lucid, and she offered brilliant right-hand trills.

The opening Allegro went smoothly with just a hint of problems to come in connecting the piano part with the orchestra. Several of the ascending runs began with the tuttis still ringing in the hall. Perhaps this was Ms. Armenier's choice, as she didn’t begin the runs with dampers raised to mimic the ambient sound, a method used in long-past "Emperor" performances.

The following B Major middle movement was gorgeous, with Nick Xenelis providing beguiling clarinet solos and Ms. Armenier's tone the most lustrous of the day, even in the top register. The effect was captivating. Moving directly into the Rondo finale, Mr. Gamboa had difficulty keeping the APSC in sync with the pianist, the latter gamely jumping ahead when possible. Technically Ms. Armenier was in good form, her right-hand skips on target. In a surprising deviation from contemporary practice, she doubled the left-hand B Flats at bars 229 and 237 to resounding effect.

To have a local and largely unsung pianist play this masterwork on an auspicious occasion with Mr. Gamboa's committed if wayward direction was a fitting end for the Wells Fargo chapter of APSC's 13 years of unconventional music making.

Next season the APSC will revisit the format of two-set programs, four in all, at the refurbished 900-seat Santa Rosa High School Auditorium. This hall was once the home of the Santa Rosa Symphony under Corrick Brown. What remains to be seen is if the APSC can transfer the palpable glamor of the "people's orchestra" into the small space on Mendocino Avenue.