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Chamber
SPARKLING WIND, STRING, HARP MUSIC AT DEVON HOUSE GARDEN CONCERT
by Abby Wasserman
Saturday, October 9, 2021
Take a mild autumn evening, a garden gazebo with patterned rugs and lit with soft bulbs, shake in a fine chamber ensemble, add a rising new moon, and you have a recipe for the musical delight that violist Elizabeth Prior presented Oct. 9 in her Devon House Garden Concert series. The Marin Terra Li
Recital
AUTHORITATIVE BEETHOVEN SONATA IN KLEIN'S OCCIDENTAL RECITAL
by Terry McNeill
Friday, October 8, 2021
People attending the first Redwood Arts Council Occidental concert in 20 months found a surprise – a luxurious new lobby attached to the Performing Arts Center. It was a welcome bonus to a recital given by pianist Andreas Klein where the music seemed almost as familiar as was the long shuttered hal
Symphony
MOVIE MUSIC ON THE WINDSOR GREEN IN SO CO PHIL SEASON OPENER
by Terry McNeill
Sunday, October 3, 2021
People approaching the Windsor Green bandstand Oct. 3 for the Sonoma County Philharmonic’s season opening concert had some cause for concern. After 18 months of silence would the all-volunteer orchestra have enough musicians for a big movie music program? After all, performers can move, retire, or
Symphony
SANTA ROSA SYMPHONY RETURNS IN TRIUMPH
by Steve Osborn
Sunday, October 3, 2021
It is often the case that a single piece or performer steals the show at a symphony concert, but at the Oct. 3 performance of the Santa Rosa Symphony, the show itself stole the show. The concert opened with a serene 1982 tone poem by Libby Larsen, followed by a masterful performance by soloist Julia
Symphony
TWO WIND SOLOISTS CHARM AT SSU ORCHESTRA CONCERT IN WEILL
by Terry McNeill
Sunday, September 26, 2021
The house of music has many rooms. That dusty adage was never truer than when Weill Hall Sept. 25 hosted a roaring New Orleans-style musical party, and less than a day later a mostly sedate Sonoma State University student orchestra performance. Before a crowd of 200 conductor Alexander Kahn led a
Other
CLEARY'S NEW ORLEANS BAND IGNITES PARTY FOR THE GREEN AT SSU
by Terry McNeill
Saturday, September 25, 2021
A dramatic and unique start to the new Green Music’s Center’ 2021-2022 season exploded in a “Party for the Green” Sept. 25, a New Orleans (NO) style commotion featuring Jon Cleary and his Absolute Monster Gentlemen band, inside and outside of Weill Hall. Beginning with a private gourmet dinner in t
GAULIST FLAVOR IN FINAL SF PIANO FESTIVAL CONCERT AT OLD FIRST
by Terry McNeill
Sunday, August 29, 2021
Final summer music festival programs are often a mix of what has come before, with the theme and even a featured composer taking a last stage appearance, with a dramatic wrap up composition. San Francisco’s International Piano Festival defied the norm August 29 with an eclectic French-flavored prog
SPARE DUO PRECEDES MYSTEROUS DUO AT DEN BOER RECITAL
by Terry McNeill
Friday, August 27, 2021
In a departure from usual summer festival fare Julia Den Boer played an August 27 virtual recital in the San Francisco Piano Festival’s 4.5 season with four works, all mostly quiet but all in separate ways insistently demanding of artist and listener. Throughout the 40 minutes there was nary a powe
HARMONIC COMPLEXITY IN PHILLIPS' ALL-GRIFFES RECITAL
by Terry McNeill
Friday, August 20, 2021
Charles Griffes’ piano music is similar to that of Busoni, Reger and even Poulenc, in that there is a sporadic flourish of interest with concerts and scholarly work, then a quick fade into another long period of obscurity. So, it was a delight to have an all-Griffes recital August 20 on the San F
Chamber
ONE PIANO, TWO PIANO, THREE PIANO, FORE
by Terry McNeill
Thursday, July 29, 2021
Schroeder Hall was nearly full July 29 for the final pianoSonoma concert of their season, and presumably the draw and highlight for many of the 150 attending was Bach’s Concerto for Four Pianos. And that performance was probably going to be a North Bay premiere. However, it wasn’t the highl
CHAMBER REVIEW

Antonio Iturrioz

ITURRIOZ AND URSULINE AN UNEASY MIX

by Terry McNeill
Sunday, July 13, 2008

Antonio Iturrioz may not be a familiar name in local classical music households, but he has quietly become the most active solo pianist in the North Bay. He also seems to be intrigued by rarely performed virtuoso music—works other pianists avoid at every turn—and he is a scholar of Leopold Godowsky’s life and art.

July 13 found Iturrioz playing a benefit for Restorative Justice, a support group in the criminal detention system, in a dormitory at Santa Rosa’s Ursuline High School. Ninety people attended the concert, which was preceded by a tasty ice cream social. The dormitory was not an ideal spot for Bach and Strauss, the audience being sprinkled with noisy youngsters yearning to be outside, and often getting there.

Likewise, Iturrioz was not at his best the entire afternoon, with a combination of factors derailing a successful musical experience. A key part of the problem was the school’s piano, a 112-year-old Knabe concert grand. This 90-note behemoth was once a great orchestral piano, with power to spare—but those days are dim history, and artistic control and sonic projection were mostly impossible. A fine rebuilder should take on this project. Think of a great Victorian San Francisco mansion that desperately needs plumbing, a new roof, floors and lots of colorful paint.

Iturrioz also chose to adopt such slow tempos in most of the program’s pieces, perhaps as a result of the uncooperative instrument, that he was seldom able to sustain a cogent music line. He also found small breaks and “hesitations” in sections of Chopin’s Aeolian Harp Etude, Op. 25, No. 1, and the Bishop-Godowsky Home Sweet Home, which diminished rhythmic vigor and continuity.

More successful were the Schubert-Godowsky Litany, which had a wonderful lyrical pulse, and the dramatic work that ended the first half, Liszt’s Legend No. 2, “St. Francis Walking On The Waves.” Here the broken left-hand octaves had powerful impact, with Iturrioz’s bravura technique carrying the day.

There was one encore, Lecuona’s Noche Azul, played with seductive tone colors and chaste phrasing.

The writer produces Concerts Grand recitals, where Mr. Iturrioz will perform on April 12, 2009.