Choral and Vocal
CELEBRATORY MARIN ORATORIO CONCERT AT THE JAMES DUNN THEATER
by Abby Wasserman
Saturday, December 14, 2024
Symphony
MAHLERTHON AT SRS WEILL HALL CONCERT
by Peter Lert
Sunday, December 8, 2024
Chamber
UNIQUE TRIO FOR THE ROMANTIC ERA IN SONG
by Pamela Hicks Gailey
Saturday, November 16, 2024
Chamber
JASPER'S LUSH PERFORMANCES OF STILL, DVORAK AND FUNG QUARTETS
by Abby Wasserman
Sunday, November 10, 2024
A SHOUT AND SONIC WARHORSES AT NOVEMBER'S SRS CONCERT
by Peter Lert
Saturday, November 9, 2024
ECLECTIC WORKS IN CANTIAMO SONOMA'S SEASON OPENING CONCERT
by Pamela Hicks Gailey
Sunday, October 27, 2024
Symphony
FRANKENSTEIN THRILLS IN UNIQUE SO CO PHIL CONCERT IN JACKSON THEATER
by Peter Lert
Saturday, October 26, 2024
Choral and Vocal
BAROQUE EXTRAVAGANZA AT AMERICAN BACH MARIN CONCERT
by Abby Wasserman
Friday, October 25, 2024
Recital
LARGE AUDIENCE HEARS AX IN WEILL PIANO RECITAL
by Terry McNeill
Thursday, October 24, 2024
SRS' NEW SEASON OPENS WITH BEETHOVEN AND COPLAND IN WEILL
by Terry McNeill
Saturday, October 19, 2024
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Organist Adam Detzner |
DETZNER PLAYS MENDELSSOHN AND BACH IN TWILIGHT ORGAN RECITAL
by Harold Julander
Friday, October 12, 2012
Adam Detzner presented on Oct. 12 the second recital in the fourth season of the “Twilight Pipe Organ Mini Recitals” in Santa Rosa’s the Church of the Incarnation. The short recital featured the works of Mendelssohn and Bach.
Mr. Detzner opened with the first movement of Mendelssohn’s Organ Sonata No. 3 in A major, Op. 65. This multi sectional piece, written for Fanny Mendelssohn’s wedding, is grand in its opening and “duplicated” closing, the inner two portions of the piece featuring intricate musical passages that eventually build to a dramatic pedal solo. The young organist, a Stanford student, gave an excellent interpretation of these sections, flawlessly executing the technical complexities and all the while drawing the audience along to the climax.
Next was a Bach Partita based upon the chorale Sei gegrusset, Jesu gutig, BWV 768. The chorale was presented, followed by 11 variations, each masterfully demonstrating Bach’s imaginative genius. Mr. Detzner drew on the 33 stops of the church’s pipe organ to present these variations with period appropriate registrations, contrasting reed with flue pipes and using everything from the full organ with reeds to the a simple four-foot flute stop. The phrasing and articulation of the chorale variations by Mr. Detzner drew the listener into hearing how Bach used rhetoric in his music, creating repeated motifs that many times are drawn from the theme of the chorale or are symbolically representative of a religious idea. Each variation was stunningly performed, leaving the audience pensively waiting for the next.
Overall, Mr. Detzner offered a superb performance executed with the greatest musicality and technique. His teacher, virtuoso Stanford organist Robert Huw Morgan, performed in last year’s Twilight series and one could hear the master’s influence.
The Twilight series continues at 6 p.m. Nov. 9, again at Incarnation, with organist James Hicks. Mr. Hicks has programmed Scandinavian organ compositions.
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