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SIX GUITARISTS IN UNIQUE NAPA RECITAL
by Gary Digman
Sunday, July 25, 2021
The first Napa Valley Guitar Festival was held at Napa’s First Presbyterian Church July 25, and featured performances from six classical guitarists. The Church is an iconic structure in downtown Napa, its huge white presence dominating the scene, and the white theme continues inside punctuated by be
Chamber
CLARA SCHUMANN TRIO COMMANDS VOM CHAMBER MUSIC CONCERT AT HANNA
by Terry McNeill
Saturday, July 24, 2021
The Valley of the Moon Chamber Music Series has begun several virtual and a few live concerts in its new seventh season, some broadcast from Sonoma’s Hanna Center Hall and some in posh local venues. July 24’s video had a small live audience and a well-produced video program of three works. Titled “
Chamber
EXEMPLARY QUARTET PLAYING IN MENDO FESTIVAL FT. BRAGG CONCERT
by Terry McNeill
Wednesday, July 21, 2021
Faced with the impossibility of presenting concerts in the iconic large white tent on the bluff, the Mendocino Music Festival opted to use Ft. Bragg’s Cotton Auditorium for ten events in the abbreviated 35th season. San Francisco’s Alexander String Quartet played July 21 to a fully masked audience
Chamber
ECLECTIC PROGRAMMING AT PIANOSONOMA CONCERT IN SCHROEDER HALL
by Pamela Hicks Gailey
Tuesday, July 20, 2021
After a dark year bereft of live performance, pianoSonoma launched July 20 the first Vino & Vibrato concert of the 2021 season in Sonoma State's Schroeder Hall, albeit sadly senza vino due to Covid protocols. Three exceptional musicians showered the audience with an interesting variety of pia
Chamber
RARELY-PLAYED SCHUMANN HIGHLIGHTS HEALDSBURG RECITAL
by Terry McNeill
Saturday, July 10, 2021
Brave New Music sporadically produces concerts in and around Healdsburg, and July 10’s violin recital in downtown St. Paul’s Church must have been one of the first post-lockdown, post-be-extra-careful classical music concerts in Sonoma County's summer season. New Music Founder Gary McLaughlin with
Chamber
ECHOS ON A WARM SUMMER NIGHT
by Abby Wasserman
Saturday, July 10, 2021
ECHO Chamber Orchestra’s first concert in a year and a half, “A Musical Promenade,” was a promenade indeed. When patrons arrived at San Anselmo’s First Presbyterian Church for the 6:00 performance July 10, they were funneled through the garden to the Duncan Hall patio, where folding chairs were set
Chamber
LONG DISTANCE LOVE BEGINS VOM SUMMER FESTIVAL
by Pamela Hicks Gailey
Thursday, June 24, 2021
The Valley of the Moon Music Festival offered a 7th season preview June 24 with a stunning online concert, aptly named Long Distance Love, featuring inspired performances of Beethoven's short song cycle An die ferne Geliebte,, and selections from Brahms’ beloved Liebeslieder Wal
Recital
ROMERO'S ARTISTRY IN SLV RECITAL PROGRAMMING AND PERFORMANCE
by Terry McNeill
Wednesday, June 2, 2021
Gustavo Romero has been an admired visitor to North Bay stages, playing over a decade recitals at Dominican University, the Music at Oakmont concerts and at the Spring Lake Village Concert Series. He returned June 2 to SLV in a virtual recital, videoed from his home concert hall the University of N
RUBICON'S VIRTUAL CONCERT A MALANGE OF CONTRASTS
by Terry McNeill
Sunday, May 16, 2021
The inaugural concert of a new Mendocino County chamber group is a reason for celebration, and the Rubicon Trio made the most of a mixed musical menu during a May16 virtual concert. Presented by the Ukiah Symphony Orchestra as the last in their “Salons with the Symphony” Series, the Rubicon began w
Recital
PIANO VIRTUOSITY IN YAKUSHEV'S REDWOOD ARTS RECITAL
by Nicki Bell
Sunday, May 16, 2021
Russian pianist Ilya Yakushev’s recital for the Redwood Arts Council was perhaps the local season’s virtual music at the greatest distance, as the filming May 16 came from a church in St. Petersburg. And good filming it was, with multiple camera viewpoints of the church, full and split screens and
SYMPHONY REVIEW

Conductor Norman Gamboa

APSC BRINGS NEW LIFE TO RENOVATED SRHS AUDITORIUM

by Terry McNeill
Saturday, October 20, 2012

In a memorable concert on Oct. 20, the American Philharmonic Sonoma County (APSC) opened a new season with a new music director and a new home in an historic Santa Rosa hall.

It was with some trepidation that old-time audience members, familiar with the Santa Rosa High School Auditorium from the Santa Rosa Symphony’s 30-year residence ending in 1982, arrived at the refurbished 900-seat venue. How would the “people’s orchestra” play in a hall famous for bright but indistinct acoustics? And would there be lengthy speeches and the national anthem as de rigueur at opening concerts? Surprisingly, the remarks of APSC President Steven Peterson and Conductor Norman Gamboa were pointed and brief. There was good music afoot, along with an unusual seating chart. The first violins were stage right, followed clockwise by the violas, cellos and second violins.

In the opening bars of Schubert’s two-movement Symphony in G (“Unfinished”), Mr. Gamboa fashioned a quiet set of chords that led to an expansive B Minor Allegro Moderato, the themes stated throughout by clarinetist Nick Xenelis and flutist Debra Scheuerman. Gamboa’s stick technique is sharply different from the consummate control of Bruno Ferrandis and Michael Tilson Thomas, and it's a more leisurely in direction, animated only rarely, but the results were well-shaped and balanced.

The concluding Andante featured warm and committed orchestral playing, supporting Anton Rubinstein's remark that Schubert was "eternal sunshine in music." The two main themes were deftly and beautifully announced by the cellos and basses, and the clarinet-oboe duet was captivating. Rich and subtle horn playing was heard from Eric Anderson and John Lounsbery. As with the Dvorak work on the second half, Mr. Gamboa conducted without score.

Continuing an evening replete with exemplary brass playing, horn soloist Meredith Brown played Strauss’s Concerto No. 1, Op. 11, with grace and easy virtuosity throughout all three movements, the first two linked without pause. Everything in the solo part was in good order, the strongest playing coming in the higher registers where the lyrical E-Flat Major notes sang out to the back of the hall. The subdued Andante and robust and extended Allegro featured Ms. Brown in a resolute “call and response” with the orchestra to dramatic effect. The half-full auditorium provided a substantial ovation.

The second half was devoted to Dvorak’s Eighth Symphony. The opening Allegro con Brio highlighted Anthony Blake’s resonant timpani playing and the lush string sections. Tuba player Floyd Reinhart and trombonists Jeff Barnard and Bill Welsh were stellar in this movement, paced carefully by Mr. Gamboa. The fugal sections provided dramatic interest and contrast. The lovely nostalgic waltz theme in the Allegretto Grazioso third movement was played elegantly, the honeyed clarinet lines from Mr. Xenelis and Ken Ward again standing out.

Trumpet players Tom Hyde and Philip Beard performed the finale’s fanfare as one, dramatically launching a great finale of visceral emotion. This Allegro, the most Slavic of the symphony, featured an extended solo by Ms. Scheuerman, the principal flutist. Mr. Gamboa expertly built the tension, and in the accelerated coda parts, the orchestra exploded in a cascade of gaiety.

How was the sound in the circa 1924 hall? The acoustics are not warm, but they are thankfully not as bright and diffuse as before the renovations. The reverb is fast, yet the sound is better focused than at the APSC’s old home at the Wells Fargo Center. The APSC can and will make music in its new venue.