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Choral and Vocal
CELEBRATORY MARIN ORATORIO CONCERT AT THE JAMES DUNN THEATER
by Abby Wasserman
Saturday, December 14, 2024
Symphony
MAHLERTHON AT SRS WEILL HALL CONCERT
by Peter Lert
Sunday, December 8, 2024
Chamber
UNIQUE TRIO FOR THE ROMANTIC ERA IN SONG
by Pamela Hicks Gailey
Saturday, November 16, 2024
Chamber
JASPER'S LUSH PERFORMANCES OF STILL, DVORAK AND FUNG QUARTETS
by Abby Wasserman
Sunday, November 10, 2024
A SHOUT AND SONIC WARHORSES AT NOVEMBER'S SRS CONCERT
by Peter Lert
Saturday, November 9, 2024
ECLECTIC WORKS IN CANTIAMO SONOMA'S SEASON OPENING CONCERT
by Pamela Hicks Gailey
Sunday, October 27, 2024
Symphony
FRANKENSTEIN THRILLS IN UNIQUE SO CO PHIL CONCERT IN JACKSON THEATER
by Peter Lert
Saturday, October 26, 2024
Choral and Vocal
BAROQUE EXTRAVAGANZA AT AMERICAN BACH MARIN CONCERT
by Abby Wasserman
Friday, October 25, 2024
Recital
LARGE AUDIENCE HEARS AX IN WEILL PIANO RECITAL
by Terry McNeill
Thursday, October 24, 2024
SRS' NEW SEASON OPENS WITH BEETHOVEN AND COPLAND IN WEILL
by Terry McNeill
Saturday, October 19, 2024
RECITAL REVIEW

Organist James Hicks

DRAMATIC SCANDINAVIAN ORGAN MUSIC IN AGO RECITAL AT INCARNATION

by Harold Julander
Friday, November 9, 2012

The Casavant organ in Santa Rosa’s Church of the Incarnation was on full display Nov. 9 and met the demands of organist James Hicks in a program of music from Nordic lands. The Twilight Pipe Organ Mini Recital was exquisitely played and the organ’s many colorful stops were utilized for the three major works on the program.

Mr. Hicks, from Morristown, New Jersey, opened with a three-part Sonata by the Finnish composer, Vitjo Mikkola. The piece had dramatic attributes of the French symphonic style and Mr. Hicks discovered the unpublished Sonata in a library in Finland.

This was followed by the lyrical Elegi from Suite for Organ, Op. 35, by contemporary composer Kurt Wiklander. Mr. Wicklander’s music, not well known outside of Scandinavia, is formidable and he is virtuoso pianist as well as an organist. The more colorful and delicate stops of the Casavant were featured in this piece. The final work on the program was the Introduction and Passacaglia by the Icelandic composer Pali Isolfssohn, and the performer compared the composition to the style of style of Max Reger. It certainly was romantic, filled with interesting harmonic development and manifold organ registrations from the softest to most bombastic. Mr. Hicks played all of these pieces with musical conviction, technical prowess, and most important with an intent to present this lesser known music to American audiences.

As with all of the Twilight series programs, sponsored by the Redwood Chapter of the American Guild of Organists, the audience members were invited to a no host dinner with the artist following the program.

Sebastopol organist Beth Zucchino will play Dec. 14 in a program featuring Bach, Rheinberger and Alexandre-François-Pierre Boëly’s Recueil de Noels: 14 Preludes sur des Cantiques de Denizot, Op. 15.