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SIX GUITARISTS IN UNIQUE NAPA RECITAL
by Gary Digman
Sunday, July 25, 2021
The first Napa Valley Guitar Festival was held at Napa’s First Presbyterian Church July 25, and featured performances from six classical guitarists. The Church is an iconic structure in downtown Napa, its huge white presence dominating the scene, and the white theme continues inside punctuated by be
Chamber
CLARA SCHUMANN TRIO COMMANDS VOM CHAMBER MUSIC CONCERT AT HANNA
by Terry McNeill
Saturday, July 24, 2021
The Valley of the Moon Chamber Music Series has begun several virtual and a few live concerts in its new seventh season, some broadcast from Sonoma’s Hanna Center Hall and some in posh local venues. July 24’s video had a small live audience and a well-produced video program of three works. Titled “
Chamber
EXEMPLARY QUARTET PLAYING IN MENDO FESTIVAL FT. BRAGG CONCERT
by Terry McNeill
Wednesday, July 21, 2021
Faced with the impossibility of presenting concerts in the iconic large white tent on the bluff, the Mendocino Music Festival opted to use Ft. Bragg’s Cotton Auditorium for ten events in the abbreviated 35th season. San Francisco’s Alexander String Quartet played July 21 to a fully masked audience
Chamber
ECLECTIC PROGRAMMING AT PIANOSONOMA CONCERT IN SCHROEDER HALL
by Pamela Hicks Gailey
Tuesday, July 20, 2021
After a dark year bereft of live performance, pianoSonoma launched July 20 the first Vino & Vibrato concert of the 2021 season in Sonoma State's Schroeder Hall, albeit sadly senza vino due to Covid protocols. Three exceptional musicians showered the audience with an interesting variety of pia
Chamber
RARELY-PLAYED SCHUMANN HIGHLIGHTS HEALDSBURG RECITAL
by Terry McNeill
Saturday, July 10, 2021
Brave New Music sporadically produces concerts in and around Healdsburg, and July 10’s violin recital in downtown St. Paul’s Church must have been one of the first post-lockdown, post-be-extra-careful classical music concerts in Sonoma County's summer season. New Music Founder Gary McLaughlin with
Chamber
ECHOS ON A WARM SUMMER NIGHT
by Abby Wasserman
Saturday, July 10, 2021
ECHO Chamber Orchestra’s first concert in a year and a half, “A Musical Promenade,” was a promenade indeed. When patrons arrived at San Anselmo’s First Presbyterian Church for the 6:00 performance July 10, they were funneled through the garden to the Duncan Hall patio, where folding chairs were set
Chamber
LONG DISTANCE LOVE BEGINS VOM SUMMER FESTIVAL
by Pamela Hicks Gailey
Thursday, June 24, 2021
The Valley of the Moon Music Festival offered a 7th season preview June 24 with a stunning online concert, aptly named Long Distance Love, featuring inspired performances of Beethoven's short song cycle An die ferne Geliebte,, and selections from Brahms’ beloved Liebeslieder Wal
Recital
ROMERO'S ARTISTRY IN SLV RECITAL PROGRAMMING AND PERFORMANCE
by Terry McNeill
Wednesday, June 2, 2021
Gustavo Romero has been an admired visitor to North Bay stages, playing over a decade recitals at Dominican University, the Music at Oakmont concerts and at the Spring Lake Village Concert Series. He returned June 2 to SLV in a virtual recital, videoed from his home concert hall the University of N
RUBICON'S VIRTUAL CONCERT A MALANGE OF CONTRASTS
by Terry McNeill
Sunday, May 16, 2021
The inaugural concert of a new Mendocino County chamber group is a reason for celebration, and the Rubicon Trio made the most of a mixed musical menu during a May16 virtual concert. Presented by the Ukiah Symphony Orchestra as the last in their “Salons with the Symphony” Series, the Rubicon began w
Recital
PIANO VIRTUOSITY IN YAKUSHEV'S REDWOOD ARTS RECITAL
by Nicki Bell
Sunday, May 16, 2021
Russian pianist Ilya Yakushev’s recital for the Redwood Arts Council was perhaps the local season’s virtual music at the greatest distance, as the filming May 16 came from a church in St. Petersburg. And good filming it was, with multiple camera viewpoints of the church, full and split screens and
CHAMBER REVIEW

Soprano Carol Menke

FROM TRIO TO SEXTET

by Terry McNeill
Sunday, November 18, 2012

Sonoma State’s estimable Trio Navarro, long at the center of the North Bay chamber music scene, morphed into the Navarro Chamber Players on Nov. 18 in a Weill Hall concert that was both exhilarating and puzzling. The trio’s violinist Roy Malan and cellist Jill Rachuy Brindel were absent. Taking their chairs and more were violinists Joseph Edelberg and Kathryn Marshall, violist Betsy London and SSU faculty cellist Judiyaba. The sole Trio Navarro representative was Marilyn Thompson, who anchored the ensemble at piano.

The first half was devoted solely to Schumann’s E-Flat Major Quintet. In these capable hands, this celebrated work became enigmatic. Though the performance was in every way professional, the splendor of Schumann was defeated by the Weill Hall acoustics. How could this be in a hall now celebrated from Mumbai to Reykjavik? The usual pristine sound of the ensemble was lost when 100 people occupied a hall that seats 1,417 and has a 53-foot ceiling. From a sixth-row center seat, the opening Allegro with the lovely main theme was dull, the instrumental lines cloudy. The top tenor to the piano was only partially audible and didn’t carry.

Moving way back to Row R helped, but now everything in this hard-charging piece was a little distant. The Scherzo was echt Schumann and produced the most distinctive impact. The problem was that Schumann’s lush harmonies, string doublings and constant legato would have been a delight in a full house, but in an essentially empty hall they were bouncing all over. Where is Schroeder Hall when we need it?

Following intermission, the ambiance and acoustical picture sharply changed. Joaquin Turina, a composer familiar to the Navarro, wrote his “Las Musas de Andelucia” in 1942. The ensemble performed six of the nine movements, being joined for two (“Melpómene” and “Erato”) by soprano Carole Menke.

Beginning with Mr. Edelberg and Ms. Thompson playing “Euterpe,” the rhythms were rumba-like but always clean, the light vibrato adding a snazzy touch. Even though Turina was from Seville, there was nothing Spanish in this bright section and the following “Talia,” a slow and amiable suite for string quartet, with a snappy pizzicato ending. Cellist Judiyaba was featured in the easygoing “Polomnia,” where the piano line has a Gershwinesque character. The piece was almost a threnody for cello, with a haunting note at the bottom of the instrument’s register carrying throughout the hall.

Ms. Menke sang the fourth section in high tessitura, accompanied by Ms. Thompson’s block chords, and in powerful Spanish, ended in a thrilling top note. String quartet tremolos introduced the penultimate “Erato” section, where Ms. Menke was again comfortable in her top register with unison strings. The concluding “Caliope” began somberly but sprang to life in a slow and beguiling dance.

Four lovely songs from Vaughan Williams came next, selections from “Along the Field,” with Ms. Menke joined by Mr. Edelberg’s solo violin. It was a perfect combination, especially when in the song “In the Morning,” the descending violin part intertwined with Ms. Menke’s elegant voice.

Three tangos from SSU resident composer Brian Wilson closed the concert. The first, “They Say Hope is Happiness,” features short blocks of sound with the piano weaving in and out. “It Is the Hour” had a syncopated dance-hall flavor with gentle dissonant chords, almost palm court. The slinky “O but Our Treacherous BB Guns” (from Kherdian Songs) was an adventurous composition with the quartet in frequent pizzicato.

All three tangos were gracefully written for the instruments and were a highlight of the evening, earning the composer (who was present) standing applause from performers and audience alike.