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SIX GUITARISTS IN UNIQUE NAPA RECITAL
by Gary Digman
Sunday, July 25, 2021
The first Napa Valley Guitar Festival was held at Napa’s First Presbyterian Church July 25, and featured performances from six classical guitarists. The Church is an iconic structure in downtown Napa, its huge white presence dominating the scene, and the white theme continues inside punctuated by be
Chamber
CLARA SCHUMANN TRIO COMMANDS VOM CHAMBER MUSIC CONCERT AT HANNA
by Terry McNeill
Saturday, July 24, 2021
The Valley of the Moon Chamber Music Series has begun several virtual and a few live concerts in its new seventh season, some broadcast from Sonoma’s Hanna Center Hall and some in posh local venues. July 24’s video had a small live audience and a well-produced video program of three works. Titled “
Chamber
EXEMPLARY QUARTET PLAYING IN MENDO FESTIVAL FT. BRAGG CONCERT
by Terry McNeill
Wednesday, July 21, 2021
Faced with the impossibility of presenting concerts in the iconic large white tent on the bluff, the Mendocino Music Festival opted to use Ft. Bragg’s Cotton Auditorium for ten events in the abbreviated 35th season. San Francisco’s Alexander String Quartet played July 21 to a fully masked audience
Chamber
ECLECTIC PROGRAMMING AT PIANOSONOMA CONCERT IN SCHROEDER HALL
by Pamela Hicks Gailey
Tuesday, July 20, 2021
After a dark year bereft of live performance, pianoSonoma launched July 20 the first Vino & Vibrato concert of the 2021 season in Sonoma State's Schroeder Hall, albeit sadly senza vino due to Covid protocols. Three exceptional musicians showered the audience with an interesting variety of pia
Chamber
RARELY-PLAYED SCHUMANN HIGHLIGHTS HEALDSBURG RECITAL
by Terry McNeill
Saturday, July 10, 2021
Brave New Music sporadically produces concerts in and around Healdsburg, and July 10’s violin recital in downtown St. Paul’s Church must have been one of the first post-lockdown, post-be-extra-careful classical music concerts in Sonoma County's summer season. New Music Founder Gary McLaughlin with
Chamber
ECHOS ON A WARM SUMMER NIGHT
by Abby Wasserman
Saturday, July 10, 2021
ECHO Chamber Orchestra’s first concert in a year and a half, “A Musical Promenade,” was a promenade indeed. When patrons arrived at San Anselmo’s First Presbyterian Church for the 6:00 performance July 10, they were funneled through the garden to the Duncan Hall patio, where folding chairs were set
Chamber
LONG DISTANCE LOVE BEGINS VOM SUMMER FESTIVAL
by Pamela Hicks Gailey
Thursday, June 24, 2021
The Valley of the Moon Music Festival offered a 7th season preview June 24 with a stunning online concert, aptly named Long Distance Love, featuring inspired performances of Beethoven's short song cycle An die ferne Geliebte,, and selections from Brahms’ beloved Liebeslieder Wal
Recital
ROMERO'S ARTISTRY IN SLV RECITAL PROGRAMMING AND PERFORMANCE
by Terry McNeill
Wednesday, June 2, 2021
Gustavo Romero has been an admired visitor to North Bay stages, playing over a decade recitals at Dominican University, the Music at Oakmont concerts and at the Spring Lake Village Concert Series. He returned June 2 to SLV in a virtual recital, videoed from his home concert hall the University of N
RUBICON'S VIRTUAL CONCERT A MALANGE OF CONTRASTS
by Terry McNeill
Sunday, May 16, 2021
The inaugural concert of a new Mendocino County chamber group is a reason for celebration, and the Rubicon Trio made the most of a mixed musical menu during a May16 virtual concert. Presented by the Ukiah Symphony Orchestra as the last in their “Salons with the Symphony” Series, the Rubicon began w
Recital
PIANO VIRTUOSITY IN YAKUSHEV'S REDWOOD ARTS RECITAL
by Nicki Bell
Sunday, May 16, 2021
Russian pianist Ilya Yakushev’s recital for the Redwood Arts Council was perhaps the local season’s virtual music at the greatest distance, as the filming May 16 came from a church in St. Petersburg. And good filming it was, with multiple camera viewpoints of the church, full and split screens and
CHAMBER REVIEW
Sonoma Classical Music Society / Saturday, January 5, 2013
Nigel Armstrong, violin. Elizabeth Dorman, piano

Nigel Armstrong and Elizabeth Dorman Jan. 5

NATIVE VIRTUOSITY

by Terry McNeill
Saturday, January 5, 2013

Violinist Nigel Armstrong is becoming a virtuoso staple for North Bay concerts, having played locally over the past three years in private homes, with symphonic groups and in several formal recitals. January 5 found him giving a benefit recital for the Sonoma Classical Music Society in his Sonoma hometown in the west side Kenny residence. It was an exceptional afternoon of music making.

With pianist Elizabeth Dorman, Mr. Armstrong opened with Beethoven’s Romance in G Major, a 10-minute work usually heard with orchestra. The piano reduction worked well, and Ms. Dorman was attentive to the soloist’s suave melodic line, carefully matching a lovely ascending and descending violin line at the midpoint.

The afternoon’s chief work was Schumann’s A Minor Sonata, Op. 105, a surging romantic piece from 1851 that Mr. Armstrong was playing for the first time in public. The warm partnership of the Beethoven Romance continued throughout this restless Sonata. The many modulations in the opening movement (“with passionate expression”) were deftly highlighted by the violinist, and his vibrato was wide and often pulsating. The short intermezzo was well played, ending in a soft series of pizzicato violin notes coupled with expressive, almost somber chords from the piano. Schumann’s restless energy burst forth in the finale. The duo performed the sudden dynamic contrasts pungently, and the rush to a tragic end moved the audience of 50 to loud applause.

Two movements from Bach’s solo Third Sonata (BWV 1005) began the second half. Mr. Armstrong played the opening Adagio soulfully and the long three-part fugue masterfully. A Bach work for solo piano came next, the popular B Flat Partita (BWV 825) with seven brief movements. Ms. Dorman’s committed playing was often too loud, and in the flowing first movement arabesques her rhythms were unstable. She does enjoy extravagant ornamentation on repeats but has yet to acquire much color in her playing.

Ending the recital were Brahms’ Hungarian Dances Four and Five in the Joachim arrangements. Every bit of these virtuosic and gypsy-like compositions was played with soaring vitality by Mr. Armstrong. He often leaned down to his pianist to underscore a phase, beginning with a nod or a wave of his fleet bow tip. The double and sporadic triple stops were faultless.

As an encore treat for violin buffs, Mr. Armstrong played Ernst’s “Variations on The Last Rose of Summer,” the sixth of his Polyphonic Etudes from the 1860s. Curiously, the final two variations and finale were omitted. But no matter, what Mr. Armstrong played was coin of the fiddler’s realm and uniquely thrilling.

The Sonoma Classical Music Society’s spring season of three more concerts can be seen at www.sonomaclassical.org.

Bronislaw Irving contributed to this review