Home  Reviews  Articles  Calendar  Presenters  Add Event     
Chamber
SPARKLING WIND, STRING, HARP MUSIC AT DEVON HOUSE GARDEN CONCERT
by Abby Wasserman
Saturday, October 9, 2021
Take a mild autumn evening, a garden gazebo with patterned rugs and lit with soft bulbs, shake in a fine chamber ensemble, add a rising new moon, and you have a recipe for the musical delight that violist Elizabeth Prior presented Oct. 9 in her Devon House Garden Concert series. The Marin Terra Li
Recital
AUTHORITATIVE BEETHOVEN SONATA IN KLEIN'S OCCIDENTAL RECITAL
by Terry McNeill
Friday, October 8, 2021
People attending the first Redwood Arts Council Occidental concert in 20 months found a surprise – a luxurious new lobby attached to the Performing Arts Center. It was a welcome bonus to a recital given by pianist Andreas Klein where the music seemed almost as familiar as was the long shuttered hal
Symphony
MOVIE MUSIC ON THE WINDSOR GREEN IN SO CO PHIL SEASON OPENER
by Terry McNeill
Sunday, October 3, 2021
People approaching the Windsor Green bandstand Oct. 3 for the Sonoma County Philharmonic’s season opening concert had some cause for concern. After 18 months of silence would the all-volunteer orchestra have enough musicians for a big movie music program? After all, performers can move, retire, or
Symphony
SANTA ROSA SYMPHONY RETURNS IN TRIUMPH
by Steve Osborn
Sunday, October 3, 2021
It is often the case that a single piece or performer steals the show at a symphony concert, but at the Oct. 3 performance of the Santa Rosa Symphony, the show itself stole the show. The concert opened with a serene 1982 tone poem by Libby Larsen, followed by a masterful performance by soloist Julia
Symphony
TWO WIND SOLOISTS CHARM AT SSU ORCHESTRA CONCERT IN WEILL
by Terry McNeill
Sunday, September 26, 2021
The house of music has many rooms. That dusty adage was never truer than when Weill Hall Sept. 25 hosted a roaring New Orleans-style musical party, and less than a day later a mostly sedate Sonoma State University student orchestra performance. Before a crowd of 200 conductor Alexander Kahn led a
Other
CLEARY'S NEW ORLEANS BAND IGNITES PARTY FOR THE GREEN AT SSU
by Terry McNeill
Saturday, September 25, 2021
A dramatic and unique start to the new Green Music’s Center’ 2021-2022 season exploded in a “Party for the Green” Sept. 25, a New Orleans (NO) style commotion featuring Jon Cleary and his Absolute Monster Gentlemen band, inside and outside of Weill Hall. Beginning with a private gourmet dinner in t
GAULIST FLAVOR IN FINAL SF PIANO FESTIVAL CONCERT AT OLD FIRST
by Terry McNeill
Sunday, August 29, 2021
Final summer music festival programs are often a mix of what has come before, with the theme and even a featured composer taking a last stage appearance, with a dramatic wrap up composition. San Francisco’s International Piano Festival defied the norm August 29 with an eclectic French-flavored prog
SPARE DUO PRECEDES MYSTEROUS DUO AT DEN BOER RECITAL
by Terry McNeill
Friday, August 27, 2021
In a departure from usual summer festival fare Julia Den Boer played an August 27 virtual recital in the San Francisco Piano Festival’s 4.5 season with four works, all mostly quiet but all in separate ways insistently demanding of artist and listener. Throughout the 40 minutes there was nary a powe
HARMONIC COMPLEXITY IN PHILLIPS' ALL-GRIFFES RECITAL
by Terry McNeill
Friday, August 20, 2021
Charles Griffes’ piano music is similar to that of Busoni, Reger and even Poulenc, in that there is a sporadic flourish of interest with concerts and scholarly work, then a quick fade into another long period of obscurity. So, it was a delight to have an all-Griffes recital August 20 on the San F
Chamber
ONE PIANO, TWO PIANO, THREE PIANO, FORE
by Terry McNeill
Thursday, July 29, 2021
Schroeder Hall was nearly full July 29 for the final pianoSonoma concert of their season, and presumably the draw and highlight for many of the 150 attending was Bach’s Concerto for Four Pianos. And that performance was probably going to be a North Bay premiere. However, it wasn’t the highl
CHORAL AND VOCAL REVIEW
Cantiamo Sonoma / Friday, March 29, 2013
St. Cecilia Choir, Cantiamo Sonoma and the Incarnation Chamber Orchestra. Carol Menke, conductor. Clarie Frydenlund, soprano, Marilyn Thompson, organ.

Carol Menke (l) with musicians and singers March 29 at Incarnation

MASTERFUL GOOD FRIDAY CONCERT

by Terry McNeill
Friday, March 29, 2013

Good Friday concerts are always spiritual but often can be monotonous and overly long. Cantiamo and the St. Cecelia Choir’s exceptional program March 29 in Santa Rosa’s packed Church of the Incarnation was anything but mundane, and perhaps too short.

Conductor Carol Menke fashioned a balanced evening, concluding with John Rutter’s animated Requiem, written in 1985 for medium choir, small instrumental ensemble, organ and soprano soloist. The opening Introit (Requiem Aeternam) and Kyrie were beautifully sung by the 30-voice Choir, based at Incarnation, the music beginning menacingly with John Week's hushed timpani playing and a continuo organ part performed by Marilyn Thompson. In the small church the sound had a burnished quality. The following “Out of the Deep” (based on Psalm 130) featured a long and beguiling cello solo by Laura McLellan, winding in and out of the vocal fabric.

Soprano Claire Frydenlund was the soloist in the third-movement motet, Pie Jesu, her high tessitura gleaming and clear. Ms. Menke paced each section with care. The cutoffs were sharp, the conductor at times holding the sound for many seconds and stopping it with a tiny hand movement.

Instrumental charm came forward in the Sanctus and Benedictus with elegant playing from oboist Laura Reynolds and flutist Kathleen Reynolds, punctuated by Tim Dent's crisp glockenspiel execution. Through these movements, harpist Wendy Tamis’ solos could be heard over the high volume of the choir, and her soft arpeggio playing was refined.

Psalm 23 in the sixth movement and the Lux Aeterna finale were captivating, with Ms. Frydenlund’s singing again complementing the polyphony of the choir. It was a polished and even sumptuous performance, guided at every turn by the conductor’s graceful control of phrase.

Sonoma County’s 19-member Cantiamo sang works by Lassus, Rutter, René Clausen, Paul Mealer and Frank Ticheli in the program’s first half. Separated by 413 years, Rutter and Lassus’ music feature striking modulations, especially at the end of the “Open Thou Mine Eyes” and “Taedet Animan Meam,” respectively. The theme throughout in these two works, and in Clausen’s "Deep River," is peace, and Cantiamo captured a lovely tranquility. Ticheli’s “There Will be Rest” ends with the words “I shall find the crystal of peace, above me stars I shall find,” and the calming effect for the beginning of a three-day religious period was palpable.

Numina Center for Spirituality and the Arts produced the concert.