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SIX GUITARISTS IN UNIQUE NAPA RECITAL
by Gary Digman
Sunday, July 25, 2021
The first Napa Valley Guitar Festival was held at Napa’s First Presbyterian Church July 25, and featured performances from six classical guitarists. The Church is an iconic structure in downtown Napa, its huge white presence dominating the scene, and the white theme continues inside punctuated by be
Chamber
CLARA SCHUMANN TRIO COMMANDS VOM CHAMBER MUSIC CONCERT AT HANNA
by Terry McNeill
Saturday, July 24, 2021
The Valley of the Moon Chamber Music Series has begun several virtual and a few live concerts in its new seventh season, some broadcast from Sonoma’s Hanna Center Hall and some in posh local venues. July 24’s video had a small live audience and a well-produced video program of three works. Titled “
Chamber
EXEMPLARY QUARTET PLAYING IN MENDO FESTIVAL FT. BRAGG CONCERT
by Terry McNeill
Wednesday, July 21, 2021
Faced with the impossibility of presenting concerts in the iconic large white tent on the bluff, the Mendocino Music Festival opted to use Ft. Bragg’s Cotton Auditorium for ten events in the abbreviated 35th season. San Francisco’s Alexander String Quartet played July 21 to a fully masked audience
Chamber
ECLECTIC PROGRAMMING AT PIANOSONOMA CONCERT IN SCHROEDER HALL
by Pamela Hicks Gailey
Tuesday, July 20, 2021
After a dark year bereft of live performance, pianoSonoma launched July 20 the first Vino & Vibrato concert of the 2021 season in Sonoma State's Schroeder Hall, albeit sadly senza vino due to Covid protocols. Three exceptional musicians showered the audience with an interesting variety of pia
Chamber
RARELY-PLAYED SCHUMANN HIGHLIGHTS HEALDSBURG RECITAL
by Terry McNeill
Saturday, July 10, 2021
Brave New Music sporadically produces concerts in and around Healdsburg, and July 10’s violin recital in downtown St. Paul’s Church must have been one of the first post-lockdown, post-be-extra-careful classical music concerts in Sonoma County's summer season. New Music Founder Gary McLaughlin with
Chamber
ECHOS ON A WARM SUMMER NIGHT
by Abby Wasserman
Saturday, July 10, 2021
ECHO Chamber Orchestra’s first concert in a year and a half, “A Musical Promenade,” was a promenade indeed. When patrons arrived at San Anselmo’s First Presbyterian Church for the 6:00 performance July 10, they were funneled through the garden to the Duncan Hall patio, where folding chairs were set
Chamber
LONG DISTANCE LOVE BEGINS VOM SUMMER FESTIVAL
by Pamela Hicks Gailey
Thursday, June 24, 2021
The Valley of the Moon Music Festival offered a 7th season preview June 24 with a stunning online concert, aptly named Long Distance Love, featuring inspired performances of Beethoven's short song cycle An die ferne Geliebte,, and selections from Brahms’ beloved Liebeslieder Wal
Recital
ROMERO'S ARTISTRY IN SLV RECITAL PROGRAMMING AND PERFORMANCE
by Terry McNeill
Wednesday, June 2, 2021
Gustavo Romero has been an admired visitor to North Bay stages, playing over a decade recitals at Dominican University, the Music at Oakmont concerts and at the Spring Lake Village Concert Series. He returned June 2 to SLV in a virtual recital, videoed from his home concert hall the University of N
RUBICON'S VIRTUAL CONCERT A MALANGE OF CONTRASTS
by Terry McNeill
Sunday, May 16, 2021
The inaugural concert of a new Mendocino County chamber group is a reason for celebration, and the Rubicon Trio made the most of a mixed musical menu during a May16 virtual concert. Presented by the Ukiah Symphony Orchestra as the last in their “Salons with the Symphony” Series, the Rubicon began w
Recital
PIANO VIRTUOSITY IN YAKUSHEV'S REDWOOD ARTS RECITAL
by Nicki Bell
Sunday, May 16, 2021
Russian pianist Ilya Yakushev’s recital for the Redwood Arts Council was perhaps the local season’s virtual music at the greatest distance, as the filming May 16 came from a church in St. Petersburg. And good filming it was, with multiple camera viewpoints of the church, full and split screens and
CHAMBER REVIEW
Green Music Center / Sunday, March 31, 2013
Trio Navarro and Friends. Roy Malan, violin; Jill Rachuy Brindel,cello, William Klingelhoffer, horn; Natalie Parker, clarinet; Marilyn Thompson, piano

Brian Wilson, William Klingelhofffer, Roy Malan, Marilyn Thompson In Weill March 31

THE FAMILIAR, THE RARE AND THE NEW

by Terry McNeill
Sunday, March 31, 2013

Sonoma State's resident Trio Navarro has a well-earned reputation for eclectic programming, and in their Easter Sunday concert in Weill Hall, they chose the familiar, the rare and the new.

The new was SSU faculty composer Brian Wilson's "And Ezra the Scribe Stood Upon a Pulpit," a trio for horn, violin and piano. It proved to be a tantalizing 14-minute score, beginning with a rumble and a descending sets of chords, with William Klingelhoffer's delicately audible horn emitting hushed staccato notes. The piece's air of mystery suited the references to the Torah, and it had insistent rhythms throughout.

Violinist Roy Malan had extended solo passages in sections reminiscent of jazz motifs, often over an Alberti bass figure from pianist Marilyn Thompson. The work ended with the violin the top of its range, to eerie effect. Similar to all of Mr. Wilson's music I have heard, "Ezra" is deftly written and uses instrumental timbres effectively to create absorbing music.

Brahms' familiar E Flat Horn Trio, Op. 40, came next in a capable performance that never quite soared in the large Weill space. Mr. Klingelhoffer played in a seamless style that melded well with the violin and piano, but the sonic fabric in both the Scherzo and Adagio movements was sporadically muddy. As was the case with one of the Trio's previous performances in Weill, the piano sound was indistinct and tended to recede into the mix, moving the violin to the forefront.

The thick and muted sonics in the Brahms may have been a byproduct of the size of the crowd. With only 150 people in Weill's 1,400 seats, the sound lacked focus. Possible solutions to this sonic anomaly include shutting the east-side curtains, installing a shell, or moving chamber music concerts to the soon-to-be-completed Schroeder Hall.

Curiously, the acoustics of the concluding work--Vaughan Williams' rarely hear early Quintet in D--were distinct. Clarinetist Natalie Parker and cellist Jill Brindel joined the three other musicians to play this four-movement composition, which is long on bucolics but short on concise structure. Fragments of themes abound, and the march-like Andantino features a lovely tune, but the overall impression of this 1898 work is one of youth and more important things to come.