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Recital
DYNAMIC PIANISM IN YAKUSHEV MARIN RECITAL
by Terry McNeill
Sunday, January 23, 2022
Russian pianist Ilya Yakushev arrived Jan. 23 at his Mill Valley Chamber Music Society recital with the repute of playing loud and fast and delivering charming introductory musical remarks to his audience. He was true to form in Mill Valley’s Mt. Tamalpais Methodist Church, preceding Haydn’s sple
Symphony
THE SHOW MUST GO ON
by Steve Osborn
Sunday, January 9, 2022
The Jan. 9 Santa Rosa Symphony concert was supposed to feature the world premiere of Gabriella Smith’s first symphony, but it ended up featuring another type of premiere: a concert that was conceived, rehearsed and performed in less than eight hours. Symphony staff learned on Sunday morning that so
Choral and Vocal
AN OLD FRIEND RETURNS TO WEILL IN STERLING ABS MESSIAH PERFORMANCE
by Pamela Hicks Gailey
Sunday, December 19, 2021
A tremendous accomplishment by the American Bach Soloists Dec. 19 was near perfect performance of Handel's Messiah in Weill Hall. Long an annual tradition at San Francisco's Grace Cathedral, the ABS took to the road and delivered a Christmas gift of epic proportions to an obviously thrilled and enth
Symphony
SHOSTAKOVICH FIFTH THUNDERS AT WEILL HALL CONCERT
by Terry McNeill
Sunday, December 5, 2021
In a new season marketed as “Classical Reunion,” the Santa Rosa Symphony made a palpable connection with its audience at the early December set of three standing ovation concerts in Weill Hall. The December 5 concert, with 1,000 attending, is reviewed here. Vaughan Williams’ popular Fantasia on a T
Chamber
THE LINCOLN RETURNS WITH CLARKE'S PUNGENT TRIO
by Terry McNeill
Thursday, November 18, 2021
There were many familiar faces Nov. 18 during Music at Oakmont’s initial concert of the season, but perhaps the most necessary were the three musicians of the Lincoln Piano Trio, the Chicago-based group that has performed often in Oakmont since 2006. A smaller than unusual audience in Berger Audito
Symphony
NOSTALGIC BARBER KNOXVILLE AT SO CO PHIL JACKSON THEATER CONCERT
by Terry McNeill
Sunday, November 14, 2021
In their first Jackson Theater appearance of the new season the Sonoma County Philharmonic presented Nov. 14 a program devoid of novelty, but showcasing the “People’s Orchestra” in splendid performance condition after a long COVID-related layoff. Conductor Norman Gamboa drew a committed and boister
Chamber
THRILLING PIANO QUINTETS IN MILL VALLEY CHAMBER CONCERT
by Abby Wasserman
Sunday, November 14, 2021
The Mill Valley Chamber Music Society sprang back to life on November 14 when a stellar ensemble from the Manhattan Chamber Players, a New York-based collective, arrived to perform two piano quintets: Vaughn-Williams’ in C Minor (1903), little known and rarely performed; and Schubert’s in A Major D.
Chamber
MUSCULAR BRAHMS FROM IVES COLLECTIVE IN GLASER
by Terry McNeill
Sunday, November 14, 2021
Leaving SRJC’s Newman Auditorium for the first time in decades, the College’s Chamber Concert Series presented a season-opening concert Nov. 14 in Santa Rosa’s Glaser Center with the four-musician Bay-Area based Ives Collective. The season, the first given since 2020, is dedicated to Series Founder
Symphony
MONUMENTAL BRAHMS SYMPHONY HIGHLIGHTS MARIN SYMPHONY RETURN
by Terry McNeill
Sunday, November 7, 2021
In the waning COVID pandemic the Marin Symphony is one of the last Bay Area orchestras to return to the stage, and they did with considerable fanfare Nov. 7 before 1,200 in Civic Center Auditorium, with resident conductor Alasdair Neale leading a demanding concert of Brahms, Schumann and New York-ba
Symphony
APOLLO'S FIRE LIGHTS UP VIVALDI'S FOUR SEASONS IN WEILL
by Terry McNeill
Saturday, October 30, 2021
Long ago the Canadian violin virtuoso Gil Shaham played a program in Weill Hall of solo Bach, with a visual backdrop of slowly developing visuals, such as a pokey flower opening over four minutes. The Bach was sensational, and some in the audience liked the photos but many found them disconcerting,
OPERA REVIEW

Rossini Opera Cast Curtain Call July 19 at Festival

ROSSINI'S FROTHY FARCE AN AUDIENCE HIT AT MENDO FESTIVAL

by Terry McNeill
Monday, July 22, 2013

Mendocino Music Festival’s Alan Pollack usually has some musical surprises up his conductor’s sleeve, and at the July 19 Festival opera production he produced a unique coupling of lecture and music, set against the framework of a rarely-mounted 1813 opera.

As a way of extending Rossini’s frothy farce “Il Signor Bruschino” (the accidental son) Mr. Pollack preceded the one-act opera by speaking about enjoying opera to the audience from the stage, spotlighting Rossini and the composer’s famous quips and gourmet triumphs, and finally speculating why the Rossini didn’t compose much in his final 30 years. It was an enlightening speech but almost totally unrelated to the opera, which came after a short intermission.

Well, this opera and its inane plot really didn’t need much description. The common operatic switching of personages and people hiding behind the sofa prevailed, though unique moments were enjoyed when a motorized golf cart made several appearances on stage, driving in and out of a black curtain separating the singers and minimal sets from the small orchestra at the rear of the tent. I heard Erin Neff’s voice amplified at times, but the rest of eight-person cast was “au natural” and the orchestra’s volume and balances were excellent in the tent. Singing was in Italian and supertitles were projected on a drape above the stage. Recitatives (in English) were stylishly accompanied by an electric harpsichord

Baritone Eugene Brancoveanu and bass baritone Paul Thompson both sang convoluted parts with conviction, as did tenor Sergio R. Gonzalez and soprano Kelly Britt in the roles of young lovers Florville and Sofia. Michael Jankosky sang briefly as the long incarcerated Bruschino Jr., and doubled as a comic gendarme in short pants who tries to unravel the several impersonations. There was local interest as the setting was announced as the nearby Little River Inn. Locals were pleased.

Most of the Festival’s 27 seasons have featured an opera, though last year was dark, and the bantamweight Bruschino’s warm reception from the audience of 500 invites a stage work of more dramatic heft and musical interest in 2014.