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Chamber
CLARA SCHUMANN TRIO COMMANDS VOM CHAMBER MUSIC CONCERT AT HANNA
by Terry McNeill
Saturday, July 24, 2021
The Valley of the Moon Chamber Music Series has begun several virtual and a few live concerts in its new seventh season, some broadcast from Sonoma’s Hanna Center Hall and some in posh local venues. July 24’s video had a small live audience and a well-produced video program of three works. Titled “
Chamber
EXEMPLARY QUARTET PLAYING IN MENDO FESTIVAL FT. BRAGG CONCERT
by Terry McNeill
Wednesday, July 21, 2021
Faced with the impossibility of presenting concerts in the iconic large white tent on the bluff, the Mendocino Music Festival opted to use Ft. Bragg’s Cotton Auditorium for ten events in the abbreviated 35th season. San Francisco’s Alexander String Quartet played July 21 to a fully masked audience
Chamber
ECLECTIC PROGRAMMING AT PIANOSONOMA CONCERT IN SCHROEDER HALL
by Pamela Hicks Gailey
Tuesday, July 20, 2021
After a dark year bereft of live performance, pianoSonoma launched July 20 the first Vino & Vibrato concert of the 2021 season in Sonoma State's Schroeder Hall, albeit sadly senza vino due to Covid protocols. Three exceptional musicians showered the audience with an interesting variety of pia
Chamber
RARELY-PLAYED SCHUMANN HIGHLIGHTS HEALDSBURG RECITAL
by Terry McNeill
Saturday, July 10, 2021
Brave New Music sporadically produces concerts in and around Healdsburg, and July 10’s violin recital in downtown St. Paul’s Church must have been one of the first post-lockdown, post-be-extra-careful classical music concerts in Sonoma County's summer season. New Music Founder Gary McLaughlin with
Chamber
ECHOS ON A WARM SUMMER NIGHT
by Abby Wasserman
Saturday, July 10, 2021
ECHO Chamber Orchestra’s first concert in a year and a half, “A Musical Promenade,” was a promenade indeed. When patrons arrived at San Anselmo’s First Presbyterian Church for the 6:00 performance July 10, they were funneled through the garden to the Duncan Hall patio, where folding chairs were set
Chamber
LONG DISTANCE LOVE BEGINS VOM SUMMER FESTIVAL
by Pamela Hicks Gailey
Thursday, June 24, 2021
The Valley of the Moon Music Festival offered a 7th season preview June 24 with a stunning online concert, aptly named Long Distance Love, featuring inspired performances of Beethoven's short song cycle An die ferne Geliebte,, and selections from Brahms’ beloved Liebeslieder Wal
Recital
ROMERO'S ARTISTRY IN SLV RECITAL PROGRAMMING AND PERFORMANCE
by Terry McNeill
Wednesday, June 2, 2021
Gustavo Romero has been an admired visitor to North Bay stages, playing over a decade recitals at Dominican University, the Music at Oakmont concerts and at the Spring Lake Village Concert Series. He returned June 2 to SLV in a virtual recital, videoed from his home concert hall the University of N
RUBICON'S VIRTUAL CONCERT A MALANGE OF CONTRASTS
by Terry McNeill
Sunday, May 16, 2021
The inaugural concert of a new Mendocino County chamber group is a reason for celebration, and the Rubicon Trio made the most of a mixed musical menu during a May16 virtual concert. Presented by the Ukiah Symphony Orchestra as the last in their “Salons with the Symphony” Series, the Rubicon began w
Recital
PIANO VIRTUOSITY IN YAKUSHEV'S REDWOOD ARTS RECITAL
by Nicki Bell
Sunday, May 16, 2021
Russian pianist Ilya Yakushev’s recital for the Redwood Arts Council was perhaps the local season’s virtual music at the greatest distance, as the filming May 16 came from a church in St. Petersburg. And good filming it was, with multiple camera viewpoints of the church, full and split screens and
Chamber
STYLISH HAYDN QUARTETS CLOSE GREEN ROOM SERIES
by Terry McNeill
Sunday, May 9, 2021
Completing the Green Music Center’s spring series series of “Green Room” virtual concerts, the St. Lawrence String Quartet played May 9 a lightweight program of two Haydn works. Lightweight perhaps, but in every way satisfying. The G Major Quartet (Op. 76, No.1) began the music that was supplement
CHAMBER REVIEW

Boreal Trio

BOREAL AURORA RISES OVER OAKMONT

by Terry McNeill
Thursday, January 9, 2014

Opening the new year Jan. 9 at Music at Oakmont the Boreal Trio played a program of two diverse and distinct parts, the emphasis on charm rather than drama.

The bucolic first half had lyrical and low-volume works by Schumann and Mozart, the latter's "Kegelstatt" Trio in E-Flat Major (K. 498) setting a tranquil tone. This trio doesn't have a menacing note throughout, but in past performances I have heard the piano and clarinet lines covering the viola. Here Juan-Miguel Hernandez' viola line was always audible, often in fetching duos with clarinetist Uriel Vanchestein. Occasionally Mr. Vanchestein sounded a bit reserved, but in many ways that approach served the serene music well.

The quiet ambiance continued in Schumann's Op. 132 "Fairy Tales," the four short sections brimming with romantic yearning. Pianist Wonny Song played the day's first real forte in the dramatic Lebhaft und sehr markiert movement, the most Brahms-like part of the 1853 composition. The Boreal's playing reached a peak in the sweet third section, a love song with unison instrumental lines and a sublime and tender ending.

Ensemble playing in the concluding Lebhaft, sehr markiert was excellent, tying together a rarely-played work of elegance and nostalgia.

Five of Bruch's eight Op. 83 Pieces were played after intermission and the rich Romanticism again recalled Brahms' autumnal works and harmonic language. The orchestral and relentless Allegro Agitato opened the set with flair, moving to a Nachtgesang (night song) where nearing the end the viola handed off the melodic line to the clarinet, with Mr. Vanchestein playing a deft descending and ascending chromatic scale in perfect legato. These were more substantial pieces than those of the first half, clearly so in the adventuresome harmonies of the Moderato that looked back to both Brahms and Schumann, and the bouncy and effervescent Allegro Vivace finale. Mr. Song was had a greater role here, sewing together the string and wind lines with bouncy rhythms.

Though the Bruch was for me the day's highlight, Alfred Uhl's neoclassical Trio "Kleines Konzert" from 1938 came close. It was a bit of a cold shower after the previous works with a bigger piano part, many off-beat accents and a snazzy viola and clarinet duet in the spooky Allegro con Brio's cadenza. It was café music played with grace. A slow march morphed into a lament, with Mr. Song sounding chimes with his left hand and Mr. Hernandez playing uniquely with the tip of his bow on the viola's C and G strings. In the concluding Vivo, the Boreal took a fast tempo and played the virtuosic and showy movement with aplomb. A sudden forte chord closed an exciting performance.

The encore, Mr. Vanchestein's "Moment Musical," was announced as a study in the style of Rachmaninoff and Scriabin, but I could find neither Russian composer's music in the short romantic study of swirling clarinet phrases. It was a bon-bon to a light and pleasurably non-traditional musical meal.