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SIX GUITARISTS IN UNIQUE NAPA RECITAL
by Gary Digman
Sunday, July 25, 2021
The first Napa Valley Guitar Festival was held at Napa’s First Presbyterian Church July 25, and featured performances from six classical guitarists. The Church is an iconic structure in downtown Napa, its huge white presence dominating the scene, and the white theme continues inside punctuated by be
Chamber
CLARA SCHUMANN TRIO COMMANDS VOM CHAMBER MUSIC CONCERT AT HANNA
by Terry McNeill
Saturday, July 24, 2021
The Valley of the Moon Chamber Music Series has begun several virtual and a few live concerts in its new seventh season, some broadcast from Sonoma’s Hanna Center Hall and some in posh local venues. July 24’s video had a small live audience and a well-produced video program of three works. Titled “
Chamber
EXEMPLARY QUARTET PLAYING IN MENDO FESTIVAL FT. BRAGG CONCERT
by Terry McNeill
Wednesday, July 21, 2021
Faced with the impossibility of presenting concerts in the iconic large white tent on the bluff, the Mendocino Music Festival opted to use Ft. Bragg’s Cotton Auditorium for ten events in the abbreviated 35th season. San Francisco’s Alexander String Quartet played July 21 to a fully masked audience
Chamber
ECLECTIC PROGRAMMING AT PIANOSONOMA CONCERT IN SCHROEDER HALL
by Pamela Hicks Gailey
Tuesday, July 20, 2021
After a dark year bereft of live performance, pianoSonoma launched July 20 the first Vino & Vibrato concert of the 2021 season in Sonoma State's Schroeder Hall, albeit sadly senza vino due to Covid protocols. Three exceptional musicians showered the audience with an interesting variety of pia
Chamber
RARELY-PLAYED SCHUMANN HIGHLIGHTS HEALDSBURG RECITAL
by Terry McNeill
Saturday, July 10, 2021
Brave New Music sporadically produces concerts in and around Healdsburg, and July 10’s violin recital in downtown St. Paul’s Church must have been one of the first post-lockdown, post-be-extra-careful classical music concerts in Sonoma County's summer season. New Music Founder Gary McLaughlin with
Chamber
ECHOS ON A WARM SUMMER NIGHT
by Abby Wasserman
Saturday, July 10, 2021
ECHO Chamber Orchestra’s first concert in a year and a half, “A Musical Promenade,” was a promenade indeed. When patrons arrived at San Anselmo’s First Presbyterian Church for the 6:00 performance July 10, they were funneled through the garden to the Duncan Hall patio, where folding chairs were set
Chamber
LONG DISTANCE LOVE BEGINS VOM SUMMER FESTIVAL
by Pamela Hicks Gailey
Thursday, June 24, 2021
The Valley of the Moon Music Festival offered a 7th season preview June 24 with a stunning online concert, aptly named Long Distance Love, featuring inspired performances of Beethoven's short song cycle An die ferne Geliebte,, and selections from Brahms’ beloved Liebeslieder Wal
Recital
ROMERO'S ARTISTRY IN SLV RECITAL PROGRAMMING AND PERFORMANCE
by Terry McNeill
Wednesday, June 2, 2021
Gustavo Romero has been an admired visitor to North Bay stages, playing over a decade recitals at Dominican University, the Music at Oakmont concerts and at the Spring Lake Village Concert Series. He returned June 2 to SLV in a virtual recital, videoed from his home concert hall the University of N
RUBICON'S VIRTUAL CONCERT A MALANGE OF CONTRASTS
by Terry McNeill
Sunday, May 16, 2021
The inaugural concert of a new Mendocino County chamber group is a reason for celebration, and the Rubicon Trio made the most of a mixed musical menu during a May16 virtual concert. Presented by the Ukiah Symphony Orchestra as the last in their “Salons with the Symphony” Series, the Rubicon began w
Recital
PIANO VIRTUOSITY IN YAKUSHEV'S REDWOOD ARTS RECITAL
by Nicki Bell
Sunday, May 16, 2021
Russian pianist Ilya Yakushev’s recital for the Redwood Arts Council was perhaps the local season’s virtual music at the greatest distance, as the filming May 16 came from a church in St. Petersburg. And good filming it was, with multiple camera viewpoints of the church, full and split screens and
CHAMBER REVIEW

Violinist/Violist Victor Romasevich

PUNGENT GALLIC WORKS IN WEILL CHAMBER MUSIC CONCERT

by Terry McNeill
Sunday, January 26, 2014

Sonoma State’s resident Trio Navarro presented an all-French program Jan. 26 but somehow the German Baroque composer Telemann’s Quartet in E Minor managed to open the concert before 150 in Weill Hall.

Featuring a flute, violin, cello and the University’s cute green harpsichord, the Telemann work from 1733 was a perky beginning, though the modern flute seemed novel after recently hearing American Bach Soloists Marin Concert that had lots of the mellower Baroque flute sound. Each of the six movements was alternatively jolly and stately, the ensemble perfect even in past passages. In places the melodic lines of the flute (Julie McKenzie), cello (Jill Rachuy Brindel) and violin (Victor Romasevich) descended and ascended in unison, only to gracefully soar apart. Trio founder Marilyn Thompson was the harpsichordist. The performance was a highlight of the evening.

Soprano Carol Menke joined Ms. Brindel and McKenzie and pianist Ms. Thompson for Ravel’s intriguing song cycle Chansons Madécasses from 1926. The performance was a sea change from the tame Telemann, as the flute often played as a drone, the cello reacquired vibrato and Ms. Thompson’s tone was always colorful and full. Ms. Menke French diction was as convincing as her command of the score’s many vocal outbursts. The quartet perfectly managed the manifold moods of this intense work: a mournful dirge, an oriental flute cadence, a piccolo beginning and mystery in the final Il est doux de se coucher part. At time Ms. Menke’s voice was covered by the other three instruments, but just as often she called forth a ringing forte note or phrase that had considerable power.

Duruflé’s lovely Prelude, Recitative and Variations (flute, viola, piano) completed the first half, another jump in texture and sound. Known in America mostly for his Requiem, the composer in less than 12 minutes wrote a beguiling piece that began enigmatically with a piano introduction and a short theme given to the violin. However, the sun came out with Ms. McKenzie’s warm and resplendent playing, the long phrases sailing into a high register and contrasting Mr. Romasevich’s rich low register viola notes. The piece was reminiscent of Ravel but more of Faure, though Ms. Thompson’s piano playing was more forceful than one usually encounters in Faure.

A short and bucolic Une flûte invisible from St. Saëns opened the second half. It was lovely lullaby for soprano, flute and piano, with echoes of St. Saëns’ late clarinet sonata. Ms. Menke sang it very well, as she did in the idiosyncratic Poulenc song cycle for soprano and piano, Fiançailles Pour Rire. Here her energetic singing captured the six-part cycle’s vacillating sections, sometimes flighty, sometimes soft, sometimes a hot-house torch song familiar to Edith Piaf fans. The piano part provided subtle harmonic endings to the last three sections.

With Dukas, Ravel must have the highest percentage of masterpieces among modern French composers (maybe all composers) and his A minor Trio that closed the program is deservedly a classic. The Navarro adopted a brisk first movement tempo with Mr. Ramasevich’s burly resonance bringing to this trio a different sound than has been heard with perennial Navarro violinist Roy Malan. And the Ravel calls for an intense reading, at times in the Animé finale there was almost chaotic music making. In the lovely but sad Passacaille Ms. Brindel and Mr. Romasevich often played close thematic lines with Ms. Thompson’s piano deftly finishing phrases. The final movement was played with zeal and potent driving rhythms, built around loud piano chords over quick violin trills. It was a decisive performance, not for the timid.

The addition of Mr. Romasevich and sterling guest musicians have continued the Navarro’s artistry, guided for so many years by Roy Malan. It is our area’s preeminent chamber music ensemble.