Home  Reviews  Articles  Calendar  Presenters  Add Event     
Choral and Vocal
CANTIAMO'S VIRTUOSO SINGING INSIDE AT ST. SEREPHIM'S CHURCH
by Pamela Hicks Gailey
Sunday, June 4, 2023
Symphony
TWIN PEAKS AND TWIN PIANOS AT THE SANTA ROSA SYMPHONY
by Steve Osborn
Saturday, May 6, 2023
Symphony
ALASDAIR NEALE’S JUBILANT FAREWELL TO MARIN SYMPHONY
by Abby Wasserman
Saturday, April 22, 2023
Opera
SANTA ROSA'S MAJESTICAL MAGIC FLUTE IN WEILL
by Pamela Hicks Gailey
Saturday, April 15, 2023
Choral and Vocal
SPLENDID GOOD FRIDAY RUTTER REQUIEM AT CHURCH OF THE ROSES
by Pamela Hicks Gailey
Friday, April 7, 2023
Chamber
A JOURNEY THROUGH MUSICAL TIME
by Abby Wasserman
Sunday, April 2, 2023
Symphony
ORCHESTRA SHOWPIECES CLOSE SO CO PHIL'S SEASON
by Terry McNeill
Saturday, April 1, 2023
Symphony
FROM THE DANUBE TO PUERTO RICO
by Steve Osborn
Sunday, March 26, 2023
Chamber
SAKURA AND THE MUSICAL ART OF ARRANGEMENT
by Abby Wasserman
Sunday, March 12, 2023
Chamber
WEIGHTY RUSSIAN SONATAS IN MALOFEEV'S 222 GALLERY RECITAL
by Terry McNeill
Sunday, March 12, 2023
SYMPHONY REVIEW

Cynthia Weichel (left) and members of the North Bay Sinfonietta

AMPLE EVIDENCE OF A BRIGHT FUTURE

by Terry McNeill
Friday, March 14, 2014

An inaugural concert for a new area orchestra is a special deal, and the fledgling North Bay Sinfonietta’s March 14 concert in Santa Rosa’s First Presbyterian Church gave ample evidence of a bright future.

Organized and conducted by Cynthia Weichel, the Sinfonietta’s 30-plus members filled the cramped sanctuary stage and played four disparate works to a cheerful audience of 75. Boieldieu’s Overture to “La Dame Blanche” passed without much notice, the brass overly loud and Cynthia Shanklin’s flute playing a standout.

A Vivaldi Sinfonia in C Major (“L’incoronazione di Dario,” RV 719) came next. It was well played, but at times the ensemble was ragged. As with most amateur orchestras, the Sinfonietta's string intonation is frequently variable, entrances and cutoffs are inexact, high string sound is weak, and odd chirps can sporadically be heard that are not in the score. That said, the Vivaldi and especially the following Symphony No. 26 of Mozart, K. 184, had many lovely moments. Ms. Weichel’s direction has an easy-going stability, and the drama, sonic contrasts and pensive mood of Mozart's symphony were carefully drawn. The ensemble was most precise in the lighter sections and at lower volumes.

Schubert’s Symphony No. 8 in B Minor (“Unfinished”), D. 759, comprised the entire second half. The soft and somber beginning was elegant. Though Ms. Weichel had the score at hand, she seldom looked at it, and under her baton the Sinfonietta caught the passion and dark momentum of the opening Allegro. The climaxes were built with force and spotlighted Marc Helfman’s clarinet solos. It was the group’s best playing of the evening.

A new orchestra in the North Bay may fill a performing gap, with community musicians performing in varied small venues; the Sinfonietta has scheduled its second concert May 2 in the same church. It joins a formidable list of North Bay ensembles: American Philharmonic Sonoma County, Symphony of the Redwoods, Ukiah Symphony, Philharmonia Healdsburg, Santa Rosa Symphony, Marin Symphony, Santa Rosa Symphony Youth Orchestra, Mill Valley Philharmonic, Santa Rosa Chamber Orchestra and with four yearly concerts in Weill Hall, the San Francisco Symphony.