Home  Reviews  Articles  Calendar  Presenters  Add Event     
Other
SIX GUITARISTS IN UNIQUE NAPA RECITAL
by Gary Digman
Sunday, July 25, 2021
The first Napa Valley Guitar Festival was held at Napa’s First Presbyterian Church July 25, and featured performances from six classical guitarists. The Church is an iconic structure in downtown Napa, its huge white presence dominating the scene, and the white theme continues inside punctuated by be
Chamber
CLARA SCHUMANN TRIO COMMANDS VOM CHAMBER MUSIC CONCERT AT HANNA
by Terry McNeill
Saturday, July 24, 2021
The Valley of the Moon Chamber Music Series has begun several virtual and a few live concerts in its new seventh season, some broadcast from Sonoma’s Hanna Center Hall and some in posh local venues. July 24’s video had a small live audience and a well-produced video program of three works. Titled “
Chamber
EXEMPLARY QUARTET PLAYING IN MENDO FESTIVAL FT. BRAGG CONCERT
by Terry McNeill
Wednesday, July 21, 2021
Faced with the impossibility of presenting concerts in the iconic large white tent on the bluff, the Mendocino Music Festival opted to use Ft. Bragg’s Cotton Auditorium for ten events in the abbreviated 35th season. San Francisco’s Alexander String Quartet played July 21 to a fully masked audience
Chamber
ECLECTIC PROGRAMMING AT PIANOSONOMA CONCERT IN SCHROEDER HALL
by Pamela Hicks Gailey
Tuesday, July 20, 2021
After a dark year bereft of live performance, pianoSonoma launched July 20 the first Vino & Vibrato concert of the 2021 season in Sonoma State's Schroeder Hall, albeit sadly senza vino due to Covid protocols. Three exceptional musicians showered the audience with an interesting variety of pia
Chamber
RARELY-PLAYED SCHUMANN HIGHLIGHTS HEALDSBURG RECITAL
by Terry McNeill
Saturday, July 10, 2021
Brave New Music sporadically produces concerts in and around Healdsburg, and July 10’s violin recital in downtown St. Paul’s Church must have been one of the first post-lockdown, post-be-extra-careful classical music concerts in Sonoma County's summer season. New Music Founder Gary McLaughlin with
Chamber
ECHOS ON A WARM SUMMER NIGHT
by Abby Wasserman
Saturday, July 10, 2021
ECHO Chamber Orchestra’s first concert in a year and a half, “A Musical Promenade,” was a promenade indeed. When patrons arrived at San Anselmo’s First Presbyterian Church for the 6:00 performance July 10, they were funneled through the garden to the Duncan Hall patio, where folding chairs were set
Chamber
LONG DISTANCE LOVE BEGINS VOM SUMMER FESTIVAL
by Pamela Hicks Gailey
Thursday, June 24, 2021
The Valley of the Moon Music Festival offered a 7th season preview June 24 with a stunning online concert, aptly named Long Distance Love, featuring inspired performances of Beethoven's short song cycle An die ferne Geliebte,, and selections from Brahms’ beloved Liebeslieder Wal
Recital
ROMERO'S ARTISTRY IN SLV RECITAL PROGRAMMING AND PERFORMANCE
by Terry McNeill
Wednesday, June 2, 2021
Gustavo Romero has been an admired visitor to North Bay stages, playing over a decade recitals at Dominican University, the Music at Oakmont concerts and at the Spring Lake Village Concert Series. He returned June 2 to SLV in a virtual recital, videoed from his home concert hall the University of N
RUBICON'S VIRTUAL CONCERT A MALANGE OF CONTRASTS
by Terry McNeill
Sunday, May 16, 2021
The inaugural concert of a new Mendocino County chamber group is a reason for celebration, and the Rubicon Trio made the most of a mixed musical menu during a May16 virtual concert. Presented by the Ukiah Symphony Orchestra as the last in their “Salons with the Symphony” Series, the Rubicon began w
Recital
PIANO VIRTUOSITY IN YAKUSHEV'S REDWOOD ARTS RECITAL
by Nicki Bell
Sunday, May 16, 2021
Russian pianist Ilya Yakushev’s recital for the Redwood Arts Council was perhaps the local season’s virtual music at the greatest distance, as the filming May 16 came from a church in St. Petersburg. And good filming it was, with multiple camera viewpoints of the church, full and split screens and
RECITAL REVIEW

Pianist Robert Schwartz

UNHURRIED COMMAND IN MENDO FESTIVAL RECITAL

by Terry McNeill
Thursday, July 17, 2014

Pianist Robert Schwartz opened Mendocino Music Festival’s piano series July 17 with a set of works in a recital made for keyboard connoisseurs. His success was doubly gratifying for the artist as he had played on the same stage at last year’s Festival, but had to cancel most of the recital due to illness.

This year he began with Mozart’s challenging B-Flat Major Sonata, K. 570. It is a late work, full of contrapuntal interest, but his writer was unable to review the playing.

Closing the first half was a selection of six Mendelssohn Songs Without Words, taken from Ops. 19, 62 and 67. These short lyric works are in eight books, written throughout the composer’s lifetime, and need to sound as fresh as the day they were composed. Most have simple titles and Mr. Schwartz began with the A Major Song, “Confidence,” from Op. 19. Here as in the subsequent five he avoided extensive rubato and focused on structural details and the tonal beauty of each. The relaxed F-Sharp Major Song (Op. 67, No. 2, “Lost Illusions”) needed a quicker tempo but the following “May Breezes” and “Funeral March” received relaxed and subtle readings.

The concluding Allegro con Fuoco Song (“Departure,” Op. 62, No. 2) was boisterously played, appropriately loud and happy. The audience of 140 loved it.

Brahms’ Op. 5 Sonata closed the program, the granitic five-movement one in F Minor that is seldom played, especially at a summer festival. The artist's witty pre-performance remarks alluded to the need at this time in his life to climbing the Brahms mountain, and perhaps rekindling a long-ago interest since a student had brought the work to a recent lesson.

The sprawling first movement tempo was contemplative, the big bass chords rounded and plush. The closing fermata was extra long. Perhaps the best playing of the afternoon came in the Andante Espressivo where Mr. Schwartz caught the mercurial shifts in mood and pedaled deftly through phrase endings. There was a captivating pause before the coda, and not a sound came from the audience or the occasional outside Main Street motorcycle snarl.

Climaxes in the stormy Scherzo were built well and the finale (Allegro Moderato) had a strong march momentum and chaste playing of the lovely second theme. The pianist’s conception was packed with drama and there was no rush to get anywhere. Brahms under Mr. Schwartz’ fingers, feet and heart never hurries.

No encore was offered to the audience of 140.

Robert Schwartz doesn’t have powerhouse technical equipment, at least at this stage in his long career, but presents magnificent music in a serious and carefully crafted manner. Piano aficionados can ask for nothing more.