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SIX GUITARISTS IN UNIQUE NAPA RECITAL
by Gary Digman
Sunday, July 25, 2021
The first Napa Valley Guitar Festival was held at Napa’s First Presbyterian Church July 25, and featured performances from six classical guitarists. The Church is an iconic structure in downtown Napa, its huge white presence dominating the scene, and the white theme continues inside punctuated by be
Chamber
CLARA SCHUMANN TRIO COMMANDS VOM CHAMBER MUSIC CONCERT AT HANNA
by Terry McNeill
Saturday, July 24, 2021
The Valley of the Moon Chamber Music Series has begun several virtual and a few live concerts in its new seventh season, some broadcast from Sonoma’s Hanna Center Hall and some in posh local venues. July 24’s video had a small live audience and a well-produced video program of three works. Titled “
Chamber
EXEMPLARY QUARTET PLAYING IN MENDO FESTIVAL FT. BRAGG CONCERT
by Terry McNeill
Wednesday, July 21, 2021
Faced with the impossibility of presenting concerts in the iconic large white tent on the bluff, the Mendocino Music Festival opted to use Ft. Bragg’s Cotton Auditorium for ten events in the abbreviated 35th season. San Francisco’s Alexander String Quartet played July 21 to a fully masked audience
Chamber
ECLECTIC PROGRAMMING AT PIANOSONOMA CONCERT IN SCHROEDER HALL
by Pamela Hicks Gailey
Tuesday, July 20, 2021
After a dark year bereft of live performance, pianoSonoma launched July 20 the first Vino & Vibrato concert of the 2021 season in Sonoma State's Schroeder Hall, albeit sadly senza vino due to Covid protocols. Three exceptional musicians showered the audience with an interesting variety of pia
Chamber
RARELY-PLAYED SCHUMANN HIGHLIGHTS HEALDSBURG RECITAL
by Terry McNeill
Saturday, July 10, 2021
Brave New Music sporadically produces concerts in and around Healdsburg, and July 10’s violin recital in downtown St. Paul’s Church must have been one of the first post-lockdown, post-be-extra-careful classical music concerts in Sonoma County's summer season. New Music Founder Gary McLaughlin with
Chamber
ECHOS ON A WARM SUMMER NIGHT
by Abby Wasserman
Saturday, July 10, 2021
ECHO Chamber Orchestra’s first concert in a year and a half, “A Musical Promenade,” was a promenade indeed. When patrons arrived at San Anselmo’s First Presbyterian Church for the 6:00 performance July 10, they were funneled through the garden to the Duncan Hall patio, where folding chairs were set
Chamber
LONG DISTANCE LOVE BEGINS VOM SUMMER FESTIVAL
by Pamela Hicks Gailey
Thursday, June 24, 2021
The Valley of the Moon Music Festival offered a 7th season preview June 24 with a stunning online concert, aptly named Long Distance Love, featuring inspired performances of Beethoven's short song cycle An die ferne Geliebte,, and selections from Brahms’ beloved Liebeslieder Wal
Recital
ROMERO'S ARTISTRY IN SLV RECITAL PROGRAMMING AND PERFORMANCE
by Terry McNeill
Wednesday, June 2, 2021
Gustavo Romero has been an admired visitor to North Bay stages, playing over a decade recitals at Dominican University, the Music at Oakmont concerts and at the Spring Lake Village Concert Series. He returned June 2 to SLV in a virtual recital, videoed from his home concert hall the University of N
RUBICON'S VIRTUAL CONCERT A MALANGE OF CONTRASTS
by Terry McNeill
Sunday, May 16, 2021
The inaugural concert of a new Mendocino County chamber group is a reason for celebration, and the Rubicon Trio made the most of a mixed musical menu during a May16 virtual concert. Presented by the Ukiah Symphony Orchestra as the last in their “Salons with the Symphony” Series, the Rubicon began w
Recital
PIANO VIRTUOSITY IN YAKUSHEV'S REDWOOD ARTS RECITAL
by Nicki Bell
Sunday, May 16, 2021
Russian pianist Ilya Yakushev’s recital for the Redwood Arts Council was perhaps the local season’s virtual music at the greatest distance, as the filming May 16 came from a church in St. Petersburg. And good filming it was, with multiple camera viewpoints of the church, full and split screens and
CHAMBER REVIEW

Romasevich, Thompson and Brindel

A BRUCH SURPRISE IN TRIO'S SCHROEDER CONCERT

by Terry McNeill
Sunday, October 26, 2014

Part of the Trio Navarro’s sterling reputation rests with the rare repertoire they perform. So it was a bit of a surprise Oct. 26 in Schroeder Hall when they programmed popular works by Beethoven and Rachmaninoff. Somehow Max Bruch pieces managed to sneak into the mix.

The Bruch in a way stole the show. Four selections were played from a work transcribed from the original Op. 83 for viola, piano and clarinet. The Navarro performed Nos. 2, 5, 6 and 7, all in a minor key save for the last. In the opening B Minor part, cellist Jill Rachuy Brindel and pianist Marilyn Thompson gave the music a surging darkness that carried over to the next part (Andante) in F Minor. This music was way out of fashion when composed in 1910, and there is no hint of Dvorak, Rubinstein or Tchaikovsky, but sporadically fleeting Schumann harmonies are heard.

The common thread in the Bruch is lush romanticism, and the Trio’s performers alternated stating the theme in the G Minor “Night Song.” Violinist Victor Romasevich’s tone is not especially rich in harmonics, but it is penetrating, and he never covers the cello line.

The concluding B Major Allegro alternated light-hearted rhythms that at times turned dark and demanding. With only 80 people in a hall seating 250, some piano runs were acoustically muddy, though the string sound was always direct and vivid.

Composed in 1811, the Beethoven B Flat Trio of Op .97 (Archduke) comprised the entire second half, and the Navarro gave it a dramatic and spacious reading. Ms. Thompson started the initial Allegro at a fast clip, and the Navarro played the iconic work in a thoroughly modern style, eschewing the heart-on-sleeve approach of past performances by trios such as Cortot, Thibaud and Casals. In the lovely Andante Cantabile, the music was a question-and-answer of plaintive voices, with Ms. Brindel’s resonant cello baritone sounding out strongly in the hall.

Rachmaninoff’s G Minor Trio (“Élégiaque”) opened the concert, an early work from 1892 that has all the seeds of the composer’s ambrosial harmonies in the later cello sonata and the famous concertos and symphonies. Again Ms. Brindel had a starring role, trading dramatic outbursts with Mr. Romasevich’s energetic violin part.

As might be expected from the great pianist-composer, the piano sound could be dominant, though Ms. Thompson attentively worked to balance her sonority with that of the ensemble.

This concert gave me no reason to alter a long-ago observation that the Trio Navarro is the finest resident classical music trio in Northern California.