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SIX GUITARISTS IN UNIQUE NAPA RECITAL
by Gary Digman
Sunday, July 25, 2021
The first Napa Valley Guitar Festival was held at Napa’s First Presbyterian Church July 25, and featured performances from six classical guitarists. The Church is an iconic structure in downtown Napa, its huge white presence dominating the scene, and the white theme continues inside punctuated by be
Chamber
CLARA SCHUMANN TRIO COMMANDS VOM CHAMBER MUSIC CONCERT AT HANNA
by Terry McNeill
Saturday, July 24, 2021
The Valley of the Moon Chamber Music Series has begun several virtual and a few live concerts in its new seventh season, some broadcast from Sonoma’s Hanna Center Hall and some in posh local venues. July 24’s video had a small live audience and a well-produced video program of three works. Titled “
Chamber
EXEMPLARY QUARTET PLAYING IN MENDO FESTIVAL FT. BRAGG CONCERT
by Terry McNeill
Wednesday, July 21, 2021
Faced with the impossibility of presenting concerts in the iconic large white tent on the bluff, the Mendocino Music Festival opted to use Ft. Bragg’s Cotton Auditorium for ten events in the abbreviated 35th season. San Francisco’s Alexander String Quartet played July 21 to a fully masked audience
Chamber
ECLECTIC PROGRAMMING AT PIANOSONOMA CONCERT IN SCHROEDER HALL
by Pamela Hicks Gailey
Tuesday, July 20, 2021
After a dark year bereft of live performance, pianoSonoma launched July 20 the first Vino & Vibrato concert of the 2021 season in Sonoma State's Schroeder Hall, albeit sadly senza vino due to Covid protocols. Three exceptional musicians showered the audience with an interesting variety of pia
Chamber
RARELY-PLAYED SCHUMANN HIGHLIGHTS HEALDSBURG RECITAL
by Terry McNeill
Saturday, July 10, 2021
Brave New Music sporadically produces concerts in and around Healdsburg, and July 10’s violin recital in downtown St. Paul’s Church must have been one of the first post-lockdown, post-be-extra-careful classical music concerts in Sonoma County's summer season. New Music Founder Gary McLaughlin with
Chamber
ECHOS ON A WARM SUMMER NIGHT
by Abby Wasserman
Saturday, July 10, 2021
ECHO Chamber Orchestra’s first concert in a year and a half, “A Musical Promenade,” was a promenade indeed. When patrons arrived at San Anselmo’s First Presbyterian Church for the 6:00 performance July 10, they were funneled through the garden to the Duncan Hall patio, where folding chairs were set
Chamber
LONG DISTANCE LOVE BEGINS VOM SUMMER FESTIVAL
by Pamela Hicks Gailey
Thursday, June 24, 2021
The Valley of the Moon Music Festival offered a 7th season preview June 24 with a stunning online concert, aptly named Long Distance Love, featuring inspired performances of Beethoven's short song cycle An die ferne Geliebte,, and selections from Brahms’ beloved Liebeslieder Wal
Recital
ROMERO'S ARTISTRY IN SLV RECITAL PROGRAMMING AND PERFORMANCE
by Terry McNeill
Wednesday, June 2, 2021
Gustavo Romero has been an admired visitor to North Bay stages, playing over a decade recitals at Dominican University, the Music at Oakmont concerts and at the Spring Lake Village Concert Series. He returned June 2 to SLV in a virtual recital, videoed from his home concert hall the University of N
RUBICON'S VIRTUAL CONCERT A MALANGE OF CONTRASTS
by Terry McNeill
Sunday, May 16, 2021
The inaugural concert of a new Mendocino County chamber group is a reason for celebration, and the Rubicon Trio made the most of a mixed musical menu during a May16 virtual concert. Presented by the Ukiah Symphony Orchestra as the last in their “Salons with the Symphony” Series, the Rubicon began w
Recital
PIANO VIRTUOSITY IN YAKUSHEV'S REDWOOD ARTS RECITAL
by Nicki Bell
Sunday, May 16, 2021
Russian pianist Ilya Yakushev’s recital for the Redwood Arts Council was perhaps the local season’s virtual music at the greatest distance, as the filming May 16 came from a church in St. Petersburg. And good filming it was, with multiple camera viewpoints of the church, full and split screens and
RECITAL REVIEW
Mastercard Performance Series / Saturday, January 24, 2015
Yo Yo Ma, cello

Cellist Yo Yo Ma

MESMERIZING BACH AND CASALS IN MA'S WEILL HALL RECITAL

by Terry McNeill
Saturday, January 24, 2015

Cellist Yo Yo Ma’s warm friendship with North Coast audiences entered a new chapter Jan. 24 in a standing-room only and stage seats Weill Hall recital. Playing three Bach Suites for solo cello, Mr. Ma could have echoed the young Liszt’s famous comment, “the concert is me.”

But the concert was really about Bach, and Mr. Ma’s dedication and mastery for these ever-fresh works composed in the early 1720s in Cöthen, Germany. Wearing a simple dark suit he walked quickly on stage to first of four ovations, and with his trademark grin got down to business with the G Major (No. 1), BWV 1007.

The lack of winter audience coughs was a surprising bonus, and the cellist made the most of the hall’s silence to fashion an evening’s Bach that spotlighted rhythmic virtuosity rather than a constantly speedy bow and work on the fingerboard. It seemed there was never an extended presto the entire night, and Mr. Ma was in no hurry to get anywhere in this Suite and the No. 5 in C Minor (BWV 1011) that closed the first half.

All through both works the pianissimo playing was superb with varied attacks and textures in the repeats and a fluid legato with minimal vibrato. Often there was no vibrato at all in long-held notes at the end of silken phrases. These were carefully balanced interpretations, often restrained and emphasizing the subtlest changes in tempo and inflection. The crescendos were long and beautifully paced.

Mr. Ma drew a warm geniality in the concluding C Major Suite (No. 3, BWV 1009) and the sonority was underscored in his cello by the use of low open C string in chords. His control of multiple stops was sovereign in this seven-movement suite. The plaintive and magisterial Sarabande was at the center of his reading, and the Gigue came forth as a rustic dance with pedal point.

Responding to a spirited standing ovation Mr. Ma eschewed in an encore something popular and fast (the Gigue from the E Flat Suite) or popular and slow (St. Saëns’ “Swan”) and paid homage in audience remarks to Pablo Casals, who in modern times first played the six Suites together and first recorded them in 1936. He played a mesmerizing “The Song of the Birds” that the Catalan cellist wrote in the 1930s. The shimmering long phrases and luminous trills sounded out in a Weill Hall where nearly 1,500 people breathed as one with the extraordinary musician.