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SIX GUITARISTS IN UNIQUE NAPA RECITAL
by Gary Digman
Sunday, July 25, 2021
The first Napa Valley Guitar Festival was held at Napa’s First Presbyterian Church July 25, and featured performances from six classical guitarists. The Church is an iconic structure in downtown Napa, its huge white presence dominating the scene, and the white theme continues inside punctuated by be
Chamber
CLARA SCHUMANN TRIO COMMANDS VOM CHAMBER MUSIC CONCERT AT HANNA
by Terry McNeill
Saturday, July 24, 2021
The Valley of the Moon Chamber Music Series has begun several virtual and a few live concerts in its new seventh season, some broadcast from Sonoma’s Hanna Center Hall and some in posh local venues. July 24’s video had a small live audience and a well-produced video program of three works. Titled “
Chamber
EXEMPLARY QUARTET PLAYING IN MENDO FESTIVAL FT. BRAGG CONCERT
by Terry McNeill
Wednesday, July 21, 2021
Faced with the impossibility of presenting concerts in the iconic large white tent on the bluff, the Mendocino Music Festival opted to use Ft. Bragg’s Cotton Auditorium for ten events in the abbreviated 35th season. San Francisco’s Alexander String Quartet played July 21 to a fully masked audience
Chamber
ECLECTIC PROGRAMMING AT PIANOSONOMA CONCERT IN SCHROEDER HALL
by Pamela Hicks Gailey
Tuesday, July 20, 2021
After a dark year bereft of live performance, pianoSonoma launched July 20 the first Vino & Vibrato concert of the 2021 season in Sonoma State's Schroeder Hall, albeit sadly senza vino due to Covid protocols. Three exceptional musicians showered the audience with an interesting variety of pia
Chamber
RARELY-PLAYED SCHUMANN HIGHLIGHTS HEALDSBURG RECITAL
by Terry McNeill
Saturday, July 10, 2021
Brave New Music sporadically produces concerts in and around Healdsburg, and July 10’s violin recital in downtown St. Paul’s Church must have been one of the first post-lockdown, post-be-extra-careful classical music concerts in Sonoma County's summer season. New Music Founder Gary McLaughlin with
Chamber
ECHOS ON A WARM SUMMER NIGHT
by Abby Wasserman
Saturday, July 10, 2021
ECHO Chamber Orchestra’s first concert in a year and a half, “A Musical Promenade,” was a promenade indeed. When patrons arrived at San Anselmo’s First Presbyterian Church for the 6:00 performance July 10, they were funneled through the garden to the Duncan Hall patio, where folding chairs were set
Chamber
LONG DISTANCE LOVE BEGINS VOM SUMMER FESTIVAL
by Pamela Hicks Gailey
Thursday, June 24, 2021
The Valley of the Moon Music Festival offered a 7th season preview June 24 with a stunning online concert, aptly named Long Distance Love, featuring inspired performances of Beethoven's short song cycle An die ferne Geliebte,, and selections from Brahms’ beloved Liebeslieder Wal
Recital
ROMERO'S ARTISTRY IN SLV RECITAL PROGRAMMING AND PERFORMANCE
by Terry McNeill
Wednesday, June 2, 2021
Gustavo Romero has been an admired visitor to North Bay stages, playing over a decade recitals at Dominican University, the Music at Oakmont concerts and at the Spring Lake Village Concert Series. He returned June 2 to SLV in a virtual recital, videoed from his home concert hall the University of N
RUBICON'S VIRTUAL CONCERT A MALANGE OF CONTRASTS
by Terry McNeill
Sunday, May 16, 2021
The inaugural concert of a new Mendocino County chamber group is a reason for celebration, and the Rubicon Trio made the most of a mixed musical menu during a May16 virtual concert. Presented by the Ukiah Symphony Orchestra as the last in their “Salons with the Symphony” Series, the Rubicon began w
Recital
PIANO VIRTUOSITY IN YAKUSHEV'S REDWOOD ARTS RECITAL
by Nicki Bell
Sunday, May 16, 2021
Russian pianist Ilya Yakushev’s recital for the Redwood Arts Council was perhaps the local season’s virtual music at the greatest distance, as the filming May 16 came from a church in St. Petersburg. And good filming it was, with multiple camera viewpoints of the church, full and split screens and
CHAMBER REVIEW
Mill Valley Chamber Music Society / Sunday, January 25, 2015
Manasse-Nakamatsu Duo. Jon Manasse, clarinet; Jon Nakamatsu, piano

Manasse-Nakamatsu Duo

SNAZZY CLARINET-PIANO WORKS IN MILL VALLEY CHAMBER CONCERT

by Terry McNeill
Sunday, January 25, 2015

Often international-level instrumental duos are pickup couplings, one virtuoso’s schedule meeting another’s with the resulting desultory concerts. An exception would be the violinist Anne Sophie Mutter with her long-time partner Lambert Orkis, and the Nakamatsu-Manesse Duo.

The latter played a provocative concert Jan. 25 in the Mill Valley United Methodist Church, and the ten years of collaborative music-making of the two Jons was everywhere in evidence. Perhaps the recital’s major work was the E Flat Sonata of Brahms, Op. 120, No. 2. Here the playing was muscular and often loud in the Church’s diffuse acoustic ambience but it never deviated from the autumnal character of late Brahms. Mr. Nakamatsu’s phrasing with inner voices and subtle rubatos was admirable.

The scherzo was suitably impassioned and the finale (a set of variations) was taken at a fleet pace, the clarinet line rising and falling over the pedal point and solid underpinning of the piano line.

Massager’s frenzied Solo de Concours, a charming six-minute romp for clarinet, opened the recital and the Chopin Andante Spianato and Grande Polonaise, Op. 22, for solo piano, ended the first half. The first was played with delicious relish by Mr. Manasse, and the second with assured virtuosity by Mr. Nakamatsu. The Chopin has been a signature piece for the San Jose-based pianist, and was featured in his 2011 Santa Rosa recital and on recordings. Virtuosos in the past played the flowing Andante fast and the following Polonaise leisurely, but the pianist adopted the modern practice with a strolling pace (“spun out”) and a quick Polish dance ending. Mr. Nakamatsu gently teased the rhythms in the Polonaise and varied the speed of the few trills and repeats. Just before the final few bars there was spot at the top of a run where the last note was held in a bravura way with the sostenuto pedal. The effect of this and the final five repeated E-Flat notes brought a standing ovation from the 350 in the Church.

Mr. Manasse’s entertaining verbal comments preceded every work in the recital and he playfully called his partner ‘Mr. Nakamazing,” alluded to his past as a piano competition winner and high school teacher of German. The pianist took it all in stride and in the Poulenc Clarinet Sonata the Duo played the charming work from 1962 with aplomb. The Romanza was especially lovely with reflections of the composer’s earlier Les Soirées de Nazelles. The clarinet and pianissimo piano lines moved in perfect balance.

A set of three brief works spotlighting Mr. Manasse concluded the program, including his playing of Stravinsky’s Three Pieces for Clarinet Solo and Charles Goodwin’s Four Views of Clarinet and Piano from 2012. The Four Views is a busy work with syncopated questions and answers from the instruments, with lyrical Coplandesque motives popping in. In places the playing was in café music style and background movie music, turning in the final section to bouncy jazz motives.

The concert ended with another work written for the Duo, John Novacek’s Full Stride Ahead from “Four Rags for Two Jons.” The Duo has been playing this work for many seasons and gave the snazzy piano-voice interplay (from the iconic Ammons/Johnson bluesy stride style) a scintillating interpretation of high-level high jinks that predictably brought down the house.

An encore was demanded and the Duo responded with an arrangement of Gershwin’s I Got Rhythm from the 1930’s musical “Girl Crazy.” Mr. Manasse made a fetching display of squeaks and skips with the clarinet, along with several long glissandos from Mr. Nakamatsu. Clearly they were having a great deal of fun with the piece.

And so did the audience, including many that had heard the duo in the Mill Valley Chamber Series four years ago and who were seen asking the producers for a third appearance of this impeccable pair.