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SIX GUITARISTS IN UNIQUE NAPA RECITAL
by Gary Digman
Sunday, July 25, 2021
The first Napa Valley Guitar Festival was held at Napa’s First Presbyterian Church July 25, and featured performances from six classical guitarists. The Church is an iconic structure in downtown Napa, its huge white presence dominating the scene, and the white theme continues inside punctuated by be
Chamber
CLARA SCHUMANN TRIO COMMANDS VOM CHAMBER MUSIC CONCERT AT HANNA
by Terry McNeill
Saturday, July 24, 2021
The Valley of the Moon Chamber Music Series has begun several virtual and a few live concerts in its new seventh season, some broadcast from Sonoma’s Hanna Center Hall and some in posh local venues. July 24’s video had a small live audience and a well-produced video program of three works. Titled “
Chamber
EXEMPLARY QUARTET PLAYING IN MENDO FESTIVAL FT. BRAGG CONCERT
by Terry McNeill
Wednesday, July 21, 2021
Faced with the impossibility of presenting concerts in the iconic large white tent on the bluff, the Mendocino Music Festival opted to use Ft. Bragg’s Cotton Auditorium for ten events in the abbreviated 35th season. San Francisco’s Alexander String Quartet played July 21 to a fully masked audience
Chamber
ECLECTIC PROGRAMMING AT PIANOSONOMA CONCERT IN SCHROEDER HALL
by Pamela Hicks Gailey
Tuesday, July 20, 2021
After a dark year bereft of live performance, pianoSonoma launched July 20 the first Vino & Vibrato concert of the 2021 season in Sonoma State's Schroeder Hall, albeit sadly senza vino due to Covid protocols. Three exceptional musicians showered the audience with an interesting variety of pia
Chamber
RARELY-PLAYED SCHUMANN HIGHLIGHTS HEALDSBURG RECITAL
by Terry McNeill
Saturday, July 10, 2021
Brave New Music sporadically produces concerts in and around Healdsburg, and July 10’s violin recital in downtown St. Paul’s Church must have been one of the first post-lockdown, post-be-extra-careful classical music concerts in Sonoma County's summer season. New Music Founder Gary McLaughlin with
Chamber
ECHOS ON A WARM SUMMER NIGHT
by Abby Wasserman
Saturday, July 10, 2021
ECHO Chamber Orchestra’s first concert in a year and a half, “A Musical Promenade,” was a promenade indeed. When patrons arrived at San Anselmo’s First Presbyterian Church for the 6:00 performance July 10, they were funneled through the garden to the Duncan Hall patio, where folding chairs were set
Chamber
LONG DISTANCE LOVE BEGINS VOM SUMMER FESTIVAL
by Pamela Hicks Gailey
Thursday, June 24, 2021
The Valley of the Moon Music Festival offered a 7th season preview June 24 with a stunning online concert, aptly named Long Distance Love, featuring inspired performances of Beethoven's short song cycle An die ferne Geliebte,, and selections from Brahms’ beloved Liebeslieder Wal
Recital
ROMERO'S ARTISTRY IN SLV RECITAL PROGRAMMING AND PERFORMANCE
by Terry McNeill
Wednesday, June 2, 2021
Gustavo Romero has been an admired visitor to North Bay stages, playing over a decade recitals at Dominican University, the Music at Oakmont concerts and at the Spring Lake Village Concert Series. He returned June 2 to SLV in a virtual recital, videoed from his home concert hall the University of N
RUBICON'S VIRTUAL CONCERT A MALANGE OF CONTRASTS
by Terry McNeill
Sunday, May 16, 2021
The inaugural concert of a new Mendocino County chamber group is a reason for celebration, and the Rubicon Trio made the most of a mixed musical menu during a May16 virtual concert. Presented by the Ukiah Symphony Orchestra as the last in their “Salons with the Symphony” Series, the Rubicon began w
Recital
PIANO VIRTUOSITY IN YAKUSHEV'S REDWOOD ARTS RECITAL
by Nicki Bell
Sunday, May 16, 2021
Russian pianist Ilya Yakushev’s recital for the Redwood Arts Council was perhaps the local season’s virtual music at the greatest distance, as the filming May 16 came from a church in St. Petersburg. And good filming it was, with multiple camera viewpoints of the church, full and split screens and
CHAMBER REVIEW
Valley of the Moon Music Festival / Sunday, July 19, 2015
Eric Hoeprich, clarinet; Elizabeth Blumenstock, violin; Tanya Tomkins, cello; Eric Zivian, fortepiano

Eric Hoeprich, Eric Zivian, Tanya Tomkins July 19 at Sonoma's Hanna Boys Center

CLARINET MUSIC LAUNCHES NEW FESTIVAL IN SONOMA VALLEY

by Terry McNeill
Sunday, July 19, 2015

Among the several North Coast summer festivals in 2015 is a new one, the Valley of the Moon Music Festival, directed by San Francisco-area artists Tanya Tomkins and Eric Zivian. It’s unique in presenting seven concerts of the Classical and Romantic eras with instruments designed and mostly built when the music was written.

Held in the new auditorium of Sonoma’s Hanna Boys Center, the series was inaugurated July 19 with a splendid afternoon of chamber works featuring clarinetist Eric Hoeprich. In the opening Haydn F-Sharp Minor Trio, H. XV: 26, Mr. Zivian and Ms. Tomkins were joined by stellar Baroque violinist Elizabeth Blumenstock.

The piano in the Haydn, owned by Mr. Zivian, was a reproduction of a 1795 Dutch design and allowed the pianist’s fast on-top-of-the-key scales to sound well in the somber opening Allegro and the songful Adagio with its lovely decrescendo ending. As in many of Haydn’s trios the minuet finale received playing of a breezy manner and jocular rhythms.

Ms. Tomkins and Messrs Zivian and Hoeprich then played Beethoven’s early Clarinet Trio in B-Flat Major (Op. 11) with sharply contrasting melodic fragments and an elegant interplay of instrumental voices. The piano here was a restored 1841 Viennese instrument which was best heard in the yearning slow pace of the Adagio and the variations that made up the finale. The inane theme of the latter was often played softly with a comely cello-clarinet duo and Mr. Zivan’s long virtuosic interlude before the coda.

After intermission Weber’s Clarinet Variations in B Flat, Op. 33, was heard from Mr. Hoeprich and Mr. Zivian, and Glinka’s Trio Pathétique (1832). A lovely theme characterized the Weber work, and it turned frothy as each variation unfolded. There were long solo variations for the piano where at frequent places Mr. Zivian dropped his left shoulder to accentuate a phrase ending. Both artists were adept in the syncopated dance variations. It was the concert’s highlight.

Graceful cello solos were featured in the Glinka Trio, a period piece written not in the composer’s Russia but in Italy. It received a polished performance with big down-keyboard skips by Mr. Zivian and dramatic clarinet phrases that carried the work above its rather routine external refinement. The piano sound here was significantly more powerful than the tiny instrument used for Haydn, and had a resonate bass and a predictably weak treble register. It seemed well suited to the three featured compositions.

Mention needs to made of the Center’s hall, a new auditorium with a wide and low stage, direct acoustics and flat-floor seating for perhaps 250. Parking and access are excellent and Hanna may well become a key Sonoma Valley musical venue. Additional Festival concerts, listed on the Classical Sonoma Calendar, are July 31 (young artists, free admission, 7:30 p.m.), August 1 (4 p.m., Mozart’s Viola Quintet) and a Mozart Sonata for Violin and Mendelssohn’s C Minor Trio, Op. 66, for the Festival-ending event August 2 at 4 p.m. Tickets are $40 (General) and $20 for ages below 30.