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Chamber
CLARA SCHUMANN TRIO COMMANDS VOM CHAMBER MUSIC CONCERT AT HANNA
by Terry McNeill
Saturday, July 24, 2021
The Valley of the Moon Chamber Music Series has begun several virtual and a few live concerts in its new seventh season, some broadcast from Sonoma’s Hanna Center Hall and some in posh local venues. July 24’s video had a small live audience and a well-produced video program of three works. Titled “
Chamber
EXEMPLARY QUARTET PLAYING IN MENDO FESTIVAL FT. BRAGG CONCERT
by Terry McNeill
Wednesday, July 21, 2021
Faced with the impossibility of presenting concerts in the iconic large white tent on the bluff, the Mendocino Music Festival opted to use Ft. Bragg’s Cotton Auditorium for ten events in the abbreviated 35th season. San Francisco’s Alexander String Quartet played July 21 to a fully masked audience
Chamber
ECLECTIC PROGRAMMING AT PIANOSONOMA CONCERT IN SCHROEDER HALL
by Pamela Hicks Gailey
Tuesday, July 20, 2021
After a dark year bereft of live performance, pianoSonoma launched July 20 the first Vino & Vibrato concert of the 2021 season in Sonoma State's Schroeder Hall, albeit sadly senza vino due to Covid protocols. Three exceptional musicians showered the audience with an interesting variety of pia
Chamber
RARELY-PLAYED SCHUMANN HIGHLIGHTS HEALDSBURG RECITAL
by Terry McNeill
Saturday, July 10, 2021
Brave New Music sporadically produces concerts in and around Healdsburg, and July 10’s violin recital in downtown St. Paul’s Church must have been one of the first post-lockdown, post-be-extra-careful classical music concerts in Sonoma County's summer season. New Music Founder Gary McLaughlin with
Chamber
ECHOS ON A WARM SUMMER NIGHT
by Abby Wasserman
Saturday, July 10, 2021
ECHO Chamber Orchestra’s first concert in a year and a half, “A Musical Promenade,” was a promenade indeed. When patrons arrived at San Anselmo’s First Presbyterian Church for the 6:00 performance July 10, they were funneled through the garden to the Duncan Hall patio, where folding chairs were set
Chamber
LONG DISTANCE LOVE BEGINS VOM SUMMER FESTIVAL
by Pamela Hicks Gailey
Thursday, June 24, 2021
The Valley of the Moon Music Festival offered a 7th season preview June 24 with a stunning online concert, aptly named Long Distance Love, featuring inspired performances of Beethoven's short song cycle An die ferne Geliebte,, and selections from Brahms’ beloved Liebeslieder Wal
Recital
ROMERO'S ARTISTRY IN SLV RECITAL PROGRAMMING AND PERFORMANCE
by Terry McNeill
Wednesday, June 2, 2021
Gustavo Romero has been an admired visitor to North Bay stages, playing over a decade recitals at Dominican University, the Music at Oakmont concerts and at the Spring Lake Village Concert Series. He returned June 2 to SLV in a virtual recital, videoed from his home concert hall the University of N
RUBICON'S VIRTUAL CONCERT A MALANGE OF CONTRASTS
by Terry McNeill
Sunday, May 16, 2021
The inaugural concert of a new Mendocino County chamber group is a reason for celebration, and the Rubicon Trio made the most of a mixed musical menu during a May16 virtual concert. Presented by the Ukiah Symphony Orchestra as the last in their “Salons with the Symphony” Series, the Rubicon began w
Recital
PIANO VIRTUOSITY IN YAKUSHEV'S REDWOOD ARTS RECITAL
by Nicki Bell
Sunday, May 16, 2021
Russian pianist Ilya Yakushev’s recital for the Redwood Arts Council was perhaps the local season’s virtual music at the greatest distance, as the filming May 16 came from a church in St. Petersburg. And good filming it was, with multiple camera viewpoints of the church, full and split screens and
Chamber
STYLISH HAYDN QUARTETS CLOSE GREEN ROOM SERIES
by Terry McNeill
Sunday, May 9, 2021
Completing the Green Music Center’s spring series series of “Green Room” virtual concerts, the St. Lawrence String Quartet played May 9 a lightweight program of two Haydn works. Lightweight perhaps, but in every way satisfying. The G Major Quartet (Op. 76, No.1) began the music that was supplement
RECITAL REVIEW
Mendocino Music Festival / Wednesday, July 22, 2015
Spencer Myer, piano.

Pianist Spencer Meyer July 22 in Preston Hall

MYER'S MENDO FESTIVAL RECITAL SPOTLIGHTS MOZART TO BALCOM

by Terry McNeill
Wednesday, July 22, 2015

Completing the Mendocino Music Festival’s piano series July 22 was an energetic recital by returning Festival artist Spencer Myer. The nearly full Preston Hall audience was treated to a program, announced from the piano, that had broad musical appeal and panache.

Exploring the Festival’s Mozart theme, Mr. Myer played the G Major Sonata, K. 283, with grace, balanced scales and seamless right-hand trills. The following Adagio and robustPresto unfolded with
silky grace and speed but without compelling inner voices or unique touches.

Schumann’s C Major Fantasia, Op. 17, closed the first half, the composer’s greatest large-scale work. In the opening movement the pianist brought extremes of dynamic range and declarative themes in the right hand to the emotional score that only resolves into C Major in the final 25 measures. The tempo taken in the famous march movement was fast, tempered by judicious pedaling and an occasional solo note held in the treble to effect. The contrary motion skips that bedevil so many pianists didn’t trouble Mr. Myer.

The finale (Langsam) was played with a poetically flowing stream of sound, punctuated by two big climaxes. The final three pianissimo chords were captivating. A standing ovation ensued.

Ravel’s F-Sharp Major Sonatine began the second half and was given a polished interpretation in Modéré with the most beguiling tone color of the afternoon, especially when the artist played softly. The Animé had a shimmering quality with subtle rubato and deft pedaling. The performance had lots of charm.

In his remarks to the audience Mr. Myer noted that Chopin’s Polonaise-Fantaisie, Op. 61, was a complex tone poem pointing the way to the Polish composer’s last works. His playing underscored the rhythmic characteristics of the dance form while the music opened into novel (for 1846) harmonies and an improvisatory and meditative middle section. There was an extended pause at the end before the final loud chord.

Three of William Balcom’s popular piano rags closed the program in grand style, and the artist seemed to enjoy the excitement caused by the sprightly “Old Adam” two step and the “Graceful Ghost.” The rag fantasy “Serpent’s Kiss” was the most complex and taxing work of the three, and the audience (me too) loved the gymnastic finger technique Mr. Myer applied to “Kiss.”

One encore was offered, Earl Wild’s variations on Gershwin’s 1930 hit from “Girl Crazy,” I got Rhythm. The pianist conquered the difficult close cross-hand figurations with ease and flair.