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SIX GUITARISTS IN UNIQUE NAPA RECITAL
by Gary Digman
Sunday, July 25, 2021
The first Napa Valley Guitar Festival was held at Napaís First Presbyterian Church July 25, and featured performances from six classical guitarists. The Church is an iconic structure in downtown Napa, its huge white presence dominating the scene, and the white theme continues inside punctuated by be
Chamber
CLARA SCHUMANN TRIO COMMANDS VOM CHAMBER MUSIC CONCERT AT HANNA
by Terry McNeill
Saturday, July 24, 2021
The Valley of the Moon Chamber Music Series has begun several virtual and a few live concerts in its new seventh season, some broadcast from Sonomaís Hanna Center Hall and some in posh local venues. July 24ís video had a small live audience and a well-produced video program of three works. Titled ď
Chamber
EXEMPLARY QUARTET PLAYING IN MENDO FESTIVAL FT. BRAGG CONCERT
by Terry McNeill
Wednesday, July 21, 2021
Faced with the impossibility of presenting concerts in the iconic large white tent on the bluff, the Mendocino Music Festival opted to use Ft. Braggís Cotton Auditorium for ten events in the abbreviated 35th season. San Franciscoís Alexander String Quartet played July 21 to a fully masked audience
Chamber
ECLECTIC PROGRAMMING AT PIANOSONOMA CONCERT IN SCHROEDER HALL
by Pamela Hicks Gailey
Tuesday, July 20, 2021
After a dark year bereft of live performance, pianoSonoma launched July 20 the first Vino & Vibrato concert of the 2021 season in Sonoma State's Schroeder Hall, albeit sadly senza vino due to Covid protocols. Three exceptional musicians showered the audience with an interesting variety of pia
Chamber
RARELY-PLAYED SCHUMANN HIGHLIGHTS HEALDSBURG RECITAL
by Terry McNeill
Saturday, July 10, 2021
Brave New Music sporadically produces concerts in and around Healdsburg, and July 10ís violin recital in downtown St. Paulís Church must have been one of the first post-lockdown, post-be-extra-careful classical music concerts in Sonoma County's summer season. New Music Founder Gary McLaughlin with
Chamber
ECHOS ON A WARM SUMMER NIGHT
by Abby Wasserman
Saturday, July 10, 2021
ECHO Chamber Orchestraís first concert in a year and a half, ďA Musical Promenade,Ē was a promenade indeed. When patrons arrived at San Anselmoís First Presbyterian Church for the 6:00 performance July 10, they were funneled through the garden to the Duncan Hall patio, where folding chairs were set
Chamber
LONG DISTANCE LOVE BEGINS VOM SUMMER FESTIVAL
by Pamela Hicks Gailey
Thursday, June 24, 2021
The Valley of the Moon Music Festival offered a 7th season preview June 24 with a stunning online concert, aptly named Long Distance Love, featuring inspired performances of Beethoven's short song cycle An die ferne Geliebte,, and selections from Brahmsí beloved Liebeslieder Wal
Recital
ROMERO'S ARTISTRY IN SLV RECITAL PROGRAMMING AND PERFORMANCE
by Terry McNeill
Wednesday, June 2, 2021
Gustavo Romero has been an admired visitor to North Bay stages, playing over a decade recitals at Dominican University, the Music at Oakmont concerts and at the Spring Lake Village Concert Series. He returned June 2 to SLV in a virtual recital, videoed from his home concert hall the University of N
RUBICON'S VIRTUAL CONCERT A MALANGE OF CONTRASTS
by Terry McNeill
Sunday, May 16, 2021
The inaugural concert of a new Mendocino County chamber group is a reason for celebration, and the Rubicon Trio made the most of a mixed musical menu during a May16 virtual concert. Presented by the Ukiah Symphony Orchestra as the last in their ďSalons with the SymphonyĒ Series, the Rubicon began w
Recital
PIANO VIRTUOSITY IN YAKUSHEV'S REDWOOD ARTS RECITAL
by Nicki Bell
Sunday, May 16, 2021
Russian pianist Ilya Yakushevís recital for the Redwood Arts Council was perhaps the local seasonís virtual music at the greatest distance, as the filming May 16 came from a church in St. Petersburg. And good filming it was, with multiple camera viewpoints of the church, full and split screens and
CHAMBER REVIEW
Valley of the Moon Music Festival: MENDELSSOHN PIANO TRIO / Sunday, August 2, 2015
Monica Huggett, violin

Cynthia Freivogel, violin

Tanya Tomkins, cello

Eric Zivian, fortepiano

Pianist Eric Zivian and Cellist Tanya Tomkins

FROTHY CHAMBER WORKS CONCLUDE VALLEY OF THE MOON FESTIVAL AT HANNA CENTER

by Terry McNeill
Sunday, August 2, 2015

A closing concert for a summer music festival, even a new series such as the Valley of the Moon Music Festival (VMMF), should be a capstone for the series. The recent Chamberfest Concerts at the Green Music Center, with all six Bach Brandenburgs as the finale, are an example.

Artists at the Festival finished the seven-event set August 2 with three mostly light-hearted works that underscored the period instrumental Festival sound. An oddity began the concert, Mozartís B-Flat Major Piano Sonata (K. 570), with a violin obbligato part from an unknown composer. Spohr? Brdgetower? VMMF co-director Eric Zivian was at the replica 1795 piano and Cynthia Miller Freivogel played the violinís reinforcing line without providing any counterpoint.

Ms. Freivogel played constant interjections into the lovely fabric of Mozartís opening Allegro and Adagio with ritards only at the end of phrases and more projection in the concluding Allegretto. Though the new Hanna Boys Center hall is not large, the timid pre-1800 piano sound could be improved by moving the instrument in the future (it can be carried by four people) far closer to the audience.

Chopinís Introduction et Polonaise Brillante, Op. 3, was a surprise addition to the program, and received a performance of infectious rhythmic lift that played off a judicious tempo. Much more rubato and instrumental leaning into the delicious Polish dance cadences than the Mozart came from cellist Tanya Tomkins and Mr. Zivian. The subtle slides in the cello were a perfect fit for this frothy piece, and the audience of 150 responded with a standing ovation.

The Festivalís 1841-era piano was used for the Chopin as well as the Mendelssohn C-Minor Trio, Op. 66, that comprised the second half of the program.

The C Minor Trio is not as popular as the composerís famous D Minor Trio, and though it lacks none of Mendelssohnís signature ebullience and smooth panache, but with gut strings in the violin and cello and a fortepiano the music had small dimensions. But thatís okay and some clangor from the piano is effective. Violinist Monica Huggett joined Ms. Tomkins and Mr. Zivian in the opening Allegro energico that had drama but also for Ms. Huggett intonation problems. The dreamy Andante featured subtle string portamento and pensive interludes, and Ms. Tomkins played delicate crescendos and diminuendos and a fetching ending similar to many of the endings of Mendelssohnís Songs Without Words for solo piano.

The Scherzo was appropriately fleet and resembled the finale of the D Minor Trio in virtuosity. The finale of the C Minor had authority even when the bass register of the piano rattled, and tuning in the gut strings wavered. It was a vigorous finale, moving effortlesly in the coda to C Major and a compelling conclusion that elicited loud applause. There was a substantial sprinkling of young musicians in the audience and Mendelssohnís charming music proved seductive.

Contributing to the Festivalís success was professional management with attractive printed materials, a five-student apprentice program, computerized ticketing and an attentive staff. An encore Festival in 2016?