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SIX GUITARISTS IN UNIQUE NAPA RECITAL
by Gary Digman
Sunday, July 25, 2021
The first Napa Valley Guitar Festival was held at Napa’s First Presbyterian Church July 25, and featured performances from six classical guitarists. The Church is an iconic structure in downtown Napa, its huge white presence dominating the scene, and the white theme continues inside punctuated by be
Chamber
CLARA SCHUMANN TRIO COMMANDS VOM CHAMBER MUSIC CONCERT AT HANNA
by Terry McNeill
Saturday, July 24, 2021
The Valley of the Moon Chamber Music Series has begun several virtual and a few live concerts in its new seventh season, some broadcast from Sonoma’s Hanna Center Hall and some in posh local venues. July 24’s video had a small live audience and a well-produced video program of three works. Titled “
Chamber
EXEMPLARY QUARTET PLAYING IN MENDO FESTIVAL FT. BRAGG CONCERT
by Terry McNeill
Wednesday, July 21, 2021
Faced with the impossibility of presenting concerts in the iconic large white tent on the bluff, the Mendocino Music Festival opted to use Ft. Bragg’s Cotton Auditorium for ten events in the abbreviated 35th season. San Francisco’s Alexander String Quartet played July 21 to a fully masked audience
Chamber
ECLECTIC PROGRAMMING AT PIANOSONOMA CONCERT IN SCHROEDER HALL
by Pamela Hicks Gailey
Tuesday, July 20, 2021
After a dark year bereft of live performance, pianoSonoma launched July 20 the first Vino & Vibrato concert of the 2021 season in Sonoma State's Schroeder Hall, albeit sadly senza vino due to Covid protocols. Three exceptional musicians showered the audience with an interesting variety of pia
Chamber
RARELY-PLAYED SCHUMANN HIGHLIGHTS HEALDSBURG RECITAL
by Terry McNeill
Saturday, July 10, 2021
Brave New Music sporadically produces concerts in and around Healdsburg, and July 10’s violin recital in downtown St. Paul’s Church must have been one of the first post-lockdown, post-be-extra-careful classical music concerts in Sonoma County's summer season. New Music Founder Gary McLaughlin with
Chamber
ECHOS ON A WARM SUMMER NIGHT
by Abby Wasserman
Saturday, July 10, 2021
ECHO Chamber Orchestra’s first concert in a year and a half, “A Musical Promenade,” was a promenade indeed. When patrons arrived at San Anselmo’s First Presbyterian Church for the 6:00 performance July 10, they were funneled through the garden to the Duncan Hall patio, where folding chairs were set
Chamber
LONG DISTANCE LOVE BEGINS VOM SUMMER FESTIVAL
by Pamela Hicks Gailey
Thursday, June 24, 2021
The Valley of the Moon Music Festival offered a 7th season preview June 24 with a stunning online concert, aptly named Long Distance Love, featuring inspired performances of Beethoven's short song cycle An die ferne Geliebte,, and selections from Brahms’ beloved Liebeslieder Wal
Recital
ROMERO'S ARTISTRY IN SLV RECITAL PROGRAMMING AND PERFORMANCE
by Terry McNeill
Wednesday, June 2, 2021
Gustavo Romero has been an admired visitor to North Bay stages, playing over a decade recitals at Dominican University, the Music at Oakmont concerts and at the Spring Lake Village Concert Series. He returned June 2 to SLV in a virtual recital, videoed from his home concert hall the University of N
RUBICON'S VIRTUAL CONCERT A MALANGE OF CONTRASTS
by Terry McNeill
Sunday, May 16, 2021
The inaugural concert of a new Mendocino County chamber group is a reason for celebration, and the Rubicon Trio made the most of a mixed musical menu during a May16 virtual concert. Presented by the Ukiah Symphony Orchestra as the last in their “Salons with the Symphony” Series, the Rubicon began w
Recital
PIANO VIRTUOSITY IN YAKUSHEV'S REDWOOD ARTS RECITAL
by Nicki Bell
Sunday, May 16, 2021
Russian pianist Ilya Yakushev’s recital for the Redwood Arts Council was perhaps the local season’s virtual music at the greatest distance, as the filming May 16 came from a church in St. Petersburg. And good filming it was, with multiple camera viewpoints of the church, full and split screens and
SYMPHONY REVIEW
Sonoma State University Symphony Orchestra / Friday, December 11, 2015
Alexander Kahn, conductor. Marilyn Thompson, piano

Alexander Kahn and Marilyn Thompson Dec. 11

THE LITTLE ORCHESTRA THAT COULD

by Terry McNeill
Friday, December 11, 2015

Hearing a symphony’s inaugural concert is a special event, and the Sonoma State Symphony Orchestra Dec. 11 launched what should be a prosperous musical life with a Weill Hall concert. The University Music Department has had permanent chamber, band and jazz ensembles, but never a flesh-in-the-blood orchestra. Now they do.
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On paper Composer John Corigliano’s "Voyage" seemed a unique opening, but the eight-minute version for strings passed without much notice or interest. It’s reminiscent of Hovhaness and conductor Alexander Kahn led effectively with the music never rising about a mezzo piano. Eschewing the excitement of a lively season overture, it was an odd choice for a gala event.

Mozart’s D Minor Concerto, K. 466, was another matter, and pianist Marilyn Thompson joined the mix in a scrappy but ultimately satisfying reading of the work from 1785. Listeners wanting pitch-perfect playing with sharp attacks, cutoffs and integrated instrumental entrances would not have found it here, but the sonic balances were good and after the initially unsteady Allegro chords the masterful Mozart drama unfolded well.

Playing from score Ms. Thompson adopted an understated approach to the solo part, preferring elegance to high drama, and here and in the concluding movement played the cadenzas by Adolph Baller. Many (Alkan, Brahms, Beethoven, Busoni) have written cadenzas for the 20th Concerto, and I found Baller’s to be idiomatic and in places provocative, with sharp and unexpected modulations. The Romanze was performed with only limited use of rubato, and Ms. Thompson’s refined playing in the finale was her best of the evening. Marie Vizcaino was a splendid oboist, contrasting with a sporadically overly loud timpanist.

Following the shortest Weill Hall intermission in memory the concert concluded with Beethoven’s First Symphony, the Haydnesque one in C Major (Op. 21) from 1800. The opening “question and answer” pair of chords for winds, horns and plucked strings immediately caught my attention, with cadences that then emerged fully formed in focused playing of the small ensemble of 25. Mr. Kahn drew a good performance throughout, especially in the Menuetto: Allegro where there was welcome section clarity. At times in rapid upward passages the high string notes were blurred, something that will surely diminish with more performances.

Applause at the end was loud and often boisterous, as colleagues of the student musicians yelled for their favorites, and the conductor was returned three times to the stage.

Prior to the Corigliano Mr. Kahn, recently appointed to the SSU faculty, addressed the audience of 300 at length regarding the gestation of the Orchestra and opportunity to join a music department of increasing importance with the Green Center’s halls as a resplendent venue. At a post-concert reception the conductor told of plans for a May, 2016 concert, and the expectation of subsequently four concerts per season. That is a pleasurable prospect for North Bay music lovers.