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SIX GUITARISTS IN UNIQUE NAPA RECITAL
by Gary Digman
Sunday, July 25, 2021
The first Napa Valley Guitar Festival was held at Napa’s First Presbyterian Church July 25, and featured performances from six classical guitarists. The Church is an iconic structure in downtown Napa, its huge white presence dominating the scene, and the white theme continues inside punctuated by be
Chamber
CLARA SCHUMANN TRIO COMMANDS VOM CHAMBER MUSIC CONCERT AT HANNA
by Terry McNeill
Saturday, July 24, 2021
The Valley of the Moon Chamber Music Series has begun several virtual and a few live concerts in its new seventh season, some broadcast from Sonoma’s Hanna Center Hall and some in posh local venues. July 24’s video had a small live audience and a well-produced video program of three works. Titled “
Chamber
EXEMPLARY QUARTET PLAYING IN MENDO FESTIVAL FT. BRAGG CONCERT
by Terry McNeill
Wednesday, July 21, 2021
Faced with the impossibility of presenting concerts in the iconic large white tent on the bluff, the Mendocino Music Festival opted to use Ft. Bragg’s Cotton Auditorium for ten events in the abbreviated 35th season. San Francisco’s Alexander String Quartet played July 21 to a fully masked audience
Chamber
ECLECTIC PROGRAMMING AT PIANOSONOMA CONCERT IN SCHROEDER HALL
by Pamela Hicks Gailey
Tuesday, July 20, 2021
After a dark year bereft of live performance, pianoSonoma launched July 20 the first Vino & Vibrato concert of the 2021 season in Sonoma State's Schroeder Hall, albeit sadly senza vino due to Covid protocols. Three exceptional musicians showered the audience with an interesting variety of pia
Chamber
RARELY-PLAYED SCHUMANN HIGHLIGHTS HEALDSBURG RECITAL
by Terry McNeill
Saturday, July 10, 2021
Brave New Music sporadically produces concerts in and around Healdsburg, and July 10’s violin recital in downtown St. Paul’s Church must have been one of the first post-lockdown, post-be-extra-careful classical music concerts in Sonoma County's summer season. New Music Founder Gary McLaughlin with
Chamber
ECHOS ON A WARM SUMMER NIGHT
by Abby Wasserman
Saturday, July 10, 2021
ECHO Chamber Orchestra’s first concert in a year and a half, “A Musical Promenade,” was a promenade indeed. When patrons arrived at San Anselmo’s First Presbyterian Church for the 6:00 performance July 10, they were funneled through the garden to the Duncan Hall patio, where folding chairs were set
Chamber
LONG DISTANCE LOVE BEGINS VOM SUMMER FESTIVAL
by Pamela Hicks Gailey
Thursday, June 24, 2021
The Valley of the Moon Music Festival offered a 7th season preview June 24 with a stunning online concert, aptly named Long Distance Love, featuring inspired performances of Beethoven's short song cycle An die ferne Geliebte,, and selections from Brahms’ beloved Liebeslieder Wal
Recital
ROMERO'S ARTISTRY IN SLV RECITAL PROGRAMMING AND PERFORMANCE
by Terry McNeill
Wednesday, June 2, 2021
Gustavo Romero has been an admired visitor to North Bay stages, playing over a decade recitals at Dominican University, the Music at Oakmont concerts and at the Spring Lake Village Concert Series. He returned June 2 to SLV in a virtual recital, videoed from his home concert hall the University of N
RUBICON'S VIRTUAL CONCERT A MALANGE OF CONTRASTS
by Terry McNeill
Sunday, May 16, 2021
The inaugural concert of a new Mendocino County chamber group is a reason for celebration, and the Rubicon Trio made the most of a mixed musical menu during a May16 virtual concert. Presented by the Ukiah Symphony Orchestra as the last in their “Salons with the Symphony” Series, the Rubicon began w
Recital
PIANO VIRTUOSITY IN YAKUSHEV'S REDWOOD ARTS RECITAL
by Nicki Bell
Sunday, May 16, 2021
Russian pianist Ilya Yakushev’s recital for the Redwood Arts Council was perhaps the local season’s virtual music at the greatest distance, as the filming May 16 came from a church in St. Petersburg. And good filming it was, with multiple camera viewpoints of the church, full and split screens and
CHAMBER REVIEW
Mastercard Performance Series / Saturday, January 16, 2016
Kahane-Swenson-Brey Trio. Jeffrey Kahane, piano; Joseph Swenson, violin; Carter Brey, cello

Kahane/Swenson/Brey Trio

SCINTILLATING SCHUBERT IN WEILL

by Terry McNeill
Saturday, January 16, 2016

Audience members in Weill Jan. 16 that expecting a balanced, albeit conservative chamber music evening received a slight surprise with a scintillating Schubert Trio that upstaged two otherwise splendid works.

Schubert a surprise? In the hands of violinist Joseph Swenson, cellist Carter Brey and ensemble leader Jeffrey Kahane the E-Flat Trio (Op. 100) in 39 minutes never seemed long, though all repeats were honored. Musicians refer to the composer’s “heavenly length” and this performance underscored the work’s inspired thematic development. In the first two movements there was a joyous spread of chords, the melodies and modulations unfolding naturally at a brisk tempo. Mr. Brey’s wide vibrato in the stately C Minor march theme opened the Andante, the inward agitation set against the rapid trills in the piano and Mr. Swenson’s deft bowing. The last reentry of the theme was lovely and disappeared almost mysteriously.

Elegant and jaunty dance-like music was well captured in the final two movements, the pianist impressive in the speed of repeated notes and a faint feeling of gypsy rhythms. Mr. Brey repeated with careful emphasis the Andante’s march, showcasing how the composer can so quickly turn from happy lyricism to somber propriety.

This striking and masterly reading generated a standing ovation from the audience of 500, but not the “anticipated” encore of a movement of Paul Schoenfeld’s Café Music.

Schumann’s first Trio and Mozart’s E Major Trio (K. 542) comprised the concert’s first half, with both receiving virtuoso performance. In the Mozart, as with the Schubert, the working out of primary and secondary themes and counterpoint was perfection, and the powerful role of the piano always at the fore. Nothing lags when Mr. Kahane is sailing along with Presto half-pedaled runs, but this music can handle such speed and the ensemble never faltered. The broad Cantilena of the Andante showcased luscious violin and cello interplay.

In the final Rondo a “concerto” approach was taken, broad and festive. Mr. Swenson’s thematic projection and intonation was impressive.

Schumann wrote his D Minor Trio, the first of three, in 1847, and has a feverish energy with a hint of menace and gloom. Mr. Brey had the initial leading role here with graceful abbreviated upward runs, but overall the movement, even with the tumult, seemed extended. However the vivacious Scherzo (“Lebhaft”) seemed short, even with numerous repeats of the main phrase reminiscent of constant repeats in the composer’s E Flat Quartet (Op. 44). Even the most exquisite theme can become banal with manifold repetitions.

In the concluding “Mit Feuer” movement Mr. Kahane’s boisterous pianist had several telling inner voices but handed voice leading to the violin and cello. The driving Accelerando near the end brought an exciting conclusion to what must be Schumann’s best trio, and the performers oddly appeared both exhausted and energetic when taking bows.

Nicki Bell contributed to this review