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Choral and Vocal
CELEBRATORY MARIN ORATORIO CONCERT AT THE JAMES DUNN THEATER
by Abby Wasserman
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Symphony
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Chamber
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Chamber
JASPER'S LUSH PERFORMANCES OF STILL, DVORAK AND FUNG QUARTETS
by Abby Wasserman
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by Peter Lert
Saturday, November 9, 2024
ECLECTIC WORKS IN CANTIAMO SONOMA'S SEASON OPENING CONCERT
by Pamela Hicks Gailey
Sunday, October 27, 2024
Symphony
FRANKENSTEIN THRILLS IN UNIQUE SO CO PHIL CONCERT IN JACKSON THEATER
by Peter Lert
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Choral and Vocal
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by Abby Wasserman
Friday, October 25, 2024
Recital
LARGE AUDIENCE HEARS AX IN WEILL PIANO RECITAL
by Terry McNeill
Thursday, October 24, 2024
Symphony
SRS' NEW SEASON OPENS WITH BEETHOVEN AND COPLAND IN WEILL
by Terry McNeill
Saturday, October 19, 2024
RECITAL REVIEW
Green Music Center / Sunday, January 31, 2016
Robert Huw Morgan, organ

Organist Robert Huw Morgan

BACH AND BUXTEHUDE ORGAN MASTERY IN MORGAN'S SCHROEDER RECITAL

by James Harrod
Sunday, January 31, 2016

Stanford University organist Robert Huw Morgan played an exciting and interesting program of Baroque music in Schroeder Hall January 31, performing the entire concert with faultless virtuosity.

The recital’s program consisted of both familiar and unfamiliar selections, and his choices were familiar to the many organists in the audience: three each by Buxtehude and Bach.

Those of Buxtehude were two chorale preludes, BuxWV 214 and 215, based on the hymn tune “Nun lob, mein Seel, den Herren” and the Praembulum in A Minor, BuxWV 15. The selections by Bach were the Pièce d’ Orgue, BWV 572, the “Fantasia super Komm, Heiliger Geist” (BWV 651) and the Prelude and Fugue in E Minor, BWV 548. All of this music was played with total clarity, accuracy and loving familiarity.

The program selections unfamiliar to me were three short pieces for manuals only from Tudor England by Richard Wynslate (d. 1572), Thomas Preston (d. after 1559), Thomas Tomkins (1572 - 1656), and a set of excerpts from Lustiger Neuer Teutscher Gesäng by Hans Leo Hassler (1564-1612).

Mr. Morgan demonstrated his gift for teaching by giving the audience an excellent discussion of the music, its time and place, and the instruments for which the music was composed. He is a skilled and lively pedagogue.

The final gift of heavenly pleasure to the large audience was Mr. Morgan’s glorious performance of Bach’s great Prelude and Fugue in E Minor, BWV 548! Words cannot describe the thrill organists and students in the audience felt hearing this magnificent complex and very difficult piece of music played with rock steady tempo and sensitive articulation by a kindred soul of Bach.

This was a gift in recital!