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SIX GUITARISTS IN UNIQUE NAPA RECITAL
by Gary Digman
Sunday, July 25, 2021
The first Napa Valley Guitar Festival was held at Napa’s First Presbyterian Church July 25, and featured performances from six classical guitarists. The Church is an iconic structure in downtown Napa, its huge white presence dominating the scene, and the white theme continues inside punctuated by be
Chamber
CLARA SCHUMANN TRIO COMMANDS VOM CHAMBER MUSIC CONCERT AT HANNA
by Terry McNeill
Saturday, July 24, 2021
The Valley of the Moon Chamber Music Series has begun several virtual and a few live concerts in its new seventh season, some broadcast from Sonoma’s Hanna Center Hall and some in posh local venues. July 24’s video had a small live audience and a well-produced video program of three works. Titled “
Chamber
EXEMPLARY QUARTET PLAYING IN MENDO FESTIVAL FT. BRAGG CONCERT
by Terry McNeill
Wednesday, July 21, 2021
Faced with the impossibility of presenting concerts in the iconic large white tent on the bluff, the Mendocino Music Festival opted to use Ft. Bragg’s Cotton Auditorium for ten events in the abbreviated 35th season. San Francisco’s Alexander String Quartet played July 21 to a fully masked audience
Chamber
ECLECTIC PROGRAMMING AT PIANOSONOMA CONCERT IN SCHROEDER HALL
by Pamela Hicks Gailey
Tuesday, July 20, 2021
After a dark year bereft of live performance, pianoSonoma launched July 20 the first Vino & Vibrato concert of the 2021 season in Sonoma State's Schroeder Hall, albeit sadly senza vino due to Covid protocols. Three exceptional musicians showered the audience with an interesting variety of pia
Chamber
RARELY-PLAYED SCHUMANN HIGHLIGHTS HEALDSBURG RECITAL
by Terry McNeill
Saturday, July 10, 2021
Brave New Music sporadically produces concerts in and around Healdsburg, and July 10’s violin recital in downtown St. Paul’s Church must have been one of the first post-lockdown, post-be-extra-careful classical music concerts in Sonoma County's summer season. New Music Founder Gary McLaughlin with
Chamber
ECHOS ON A WARM SUMMER NIGHT
by Abby Wasserman
Saturday, July 10, 2021
ECHO Chamber Orchestra’s first concert in a year and a half, “A Musical Promenade,” was a promenade indeed. When patrons arrived at San Anselmo’s First Presbyterian Church for the 6:00 performance July 10, they were funneled through the garden to the Duncan Hall patio, where folding chairs were set
Chamber
LONG DISTANCE LOVE BEGINS VOM SUMMER FESTIVAL
by Pamela Hicks Gailey
Thursday, June 24, 2021
The Valley of the Moon Music Festival offered a 7th season preview June 24 with a stunning online concert, aptly named Long Distance Love, featuring inspired performances of Beethoven's short song cycle An die ferne Geliebte,, and selections from Brahms’ beloved Liebeslieder Wal
Recital
ROMERO'S ARTISTRY IN SLV RECITAL PROGRAMMING AND PERFORMANCE
by Terry McNeill
Wednesday, June 2, 2021
Gustavo Romero has been an admired visitor to North Bay stages, playing over a decade recitals at Dominican University, the Music at Oakmont concerts and at the Spring Lake Village Concert Series. He returned June 2 to SLV in a virtual recital, videoed from his home concert hall the University of N
RUBICON'S VIRTUAL CONCERT A MALANGE OF CONTRASTS
by Terry McNeill
Sunday, May 16, 2021
The inaugural concert of a new Mendocino County chamber group is a reason for celebration, and the Rubicon Trio made the most of a mixed musical menu during a May16 virtual concert. Presented by the Ukiah Symphony Orchestra as the last in their “Salons with the Symphony” Series, the Rubicon began w
Recital
PIANO VIRTUOSITY IN YAKUSHEV'S REDWOOD ARTS RECITAL
by Nicki Bell
Sunday, May 16, 2021
Russian pianist Ilya Yakushev’s recital for the Redwood Arts Council was perhaps the local season’s virtual music at the greatest distance, as the filming May 16 came from a church in St. Petersburg. And good filming it was, with multiple camera viewpoints of the church, full and split screens and
CHORAL AND VOCAL REVIEW
Church of the Incarnation / Friday, March 25, 2016
St. Cecilia Choir, Cantiamo Sonoma, Incarnation Chamber Orchestra and soprano Claire Frydenlund. Carol Menke, conductor

Carol Menke (left) lauds performers after March 25 Requiem performance

RUTTER REQUIEM PERFORMANCE ENNOBLES GOOD FRIDAY CONCERT AT INCARNATION

by Terry McNeill
Friday, March 25, 2016

There is a lot to like in John Rutter’s Requiem. Composed in 1985, it’s arguably the most performed large choral work of recent times, and it was a labor of love for choral director Carol Menke’s musicians in a memorable Good Friday concert in Santa Rosa’s Church of the Incarnation.

Splendid Requiems seem perfectly suited to Incarnation, and I recall recent Duruflé and Cherubini versions, and another Rutter directed by effervescent Ms. Menke three years ago. The March 25 concert before a standing room audience was a radiant transversal of the short 45-minute score that involved Cantiamo Sonoma and the St. Cecilia Choir, a tiny orchestra and soloist soprano Claire Frydenlund.

Rutter’s warmly accessible work comprises seven movements with Latin liturgy and additional texts in English, and in this performance 24 singers with Robert Young’s organ (often in pedal point) combined with six musicians under Ms. Menke’s deft control. Timpanist John Weeks, harpist Wendy Tamis and flutist Jane Shelly played well in the opening Introit and Kyrie, though choir entrances sporadically were ragged and the ensemble initially unsteady but quickly settled down.

The somber “Out of the Deep” began with a moving lament from cellist Laura McLellan that wove in and out of the vocal fabric, and the antiphonal effects in the small sanctuary were clear. Ms. Frydenlund’s soprano had greater resonance and command when she sang at the top of her range, over long organ, cello and harp phrases.

The celebratory Sanctus was enlivened all the more by Tim Dent's’ glockenspiel playing, a contrast to the dirge-like Agnus Dei with an extended and haunting flute solo by Ms. Shelly. Psalm 23 is the text for the bucolic sixth part (“The Lord is My Shepherd”) where the rich Andante vocal lines blossomed out of an extended fabric of elegant oboe playing by Laura Reynolds.

In the finale Lux Aeterna Ms. Frydenlund, singing from the choir, returned with a chaste duo with the flute and soft timpani. Here the music became glowing and presented a transfiguring effect on the audience.

After the last notes Ms. Menke’s hands slowly returned to rest, and as she turned to acknowledge the rapt hearers, there was no response for at least ten seconds before ovation broke the silence. The conductor, Sonoma County’s busiest and best-known soprano, has developed a penchant for producing captivating requiem performances that ennoble their calendar season, composer and community.