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Chamber
SPARKLING WIND, STRING, HARP MUSIC AT DEVON HOUSE GARDEN CONCERT
by Abby Wasserman
Saturday, October 9, 2021
Take a mild autumn evening, a garden gazebo with patterned rugs and lit with soft bulbs, shake in a fine chamber ensemble, add a rising new moon, and you have a recipe for the musical delight that violist Elizabeth Prior presented Oct. 9 in her Devon House Garden Concert series. The Marin Terra Li
Recital
AUTHORITATIVE BEETHOVEN SONATA IN KLEIN'S OCCIDENTAL RECITAL
by Terry McNeill
Friday, October 8, 2021
People attending the first Redwood Arts Council Occidental concert in 20 months found a surprise – a luxurious new lobby attached to the Performing Arts Center. It was a welcome bonus to a recital given by pianist Andreas Klein where the music seemed almost as familiar as was the long shuttered hal
Symphony
MOVIE MUSIC ON THE WINDSOR GREEN IN SO CO PHIL SEASON OPENER
by Terry McNeill
Sunday, October 3, 2021
People approaching the Windsor Green bandstand Oct. 3 for the Sonoma County Philharmonic’s season opening concert had some cause for concern. After 18 months of silence would the all-volunteer orchestra have enough musicians for a big movie music program? After all, performers can move, retire, or
Symphony
SANTA ROSA SYMPHONY RETURNS IN TRIUMPH
by Steve Osborn
Sunday, October 3, 2021
It is often the case that a single piece or performer steals the show at a symphony concert, but at the Oct. 3 performance of the Santa Rosa Symphony, the show itself stole the show. The concert opened with a serene 1982 tone poem by Libby Larsen, followed by a masterful performance by soloist Julia
Symphony
TWO WIND SOLOISTS CHARM AT SSU ORCHESTRA CONCERT IN WEILL
by Terry McNeill
Sunday, September 26, 2021
The house of music has many rooms. That dusty adage was never truer than when Weill Hall Sept. 25 hosted a roaring New Orleans-style musical party, and less than a day later a mostly sedate Sonoma State University student orchestra performance. Before a crowd of 200 conductor Alexander Kahn led a
Other
CLEARY'S NEW ORLEANS BAND IGNITES PARTY FOR THE GREEN AT SSU
by Terry McNeill
Saturday, September 25, 2021
A dramatic and unique start to the new Green Music’s Center’ 2021-2022 season exploded in a “Party for the Green” Sept. 25, a New Orleans (NO) style commotion featuring Jon Cleary and his Absolute Monster Gentlemen band, inside and outside of Weill Hall. Beginning with a private gourmet dinner in t
GAULIST FLAVOR IN FINAL SF PIANO FESTIVAL CONCERT AT OLD FIRST
by Terry McNeill
Sunday, August 29, 2021
Final summer music festival programs are often a mix of what has come before, with the theme and even a featured composer taking a last stage appearance, with a dramatic wrap up composition. San Francisco’s International Piano Festival defied the norm August 29 with an eclectic French-flavored prog
SPARE DUO PRECEDES MYSTEROUS DUO AT DEN BOER RECITAL
by Terry McNeill
Friday, August 27, 2021
In a departure from usual summer festival fare Julia Den Boer played an August 27 virtual recital in the San Francisco Piano Festival’s 4.5 season with four works, all mostly quiet but all in separate ways insistently demanding of artist and listener. Throughout the 40 minutes there was nary a powe
HARMONIC COMPLEXITY IN PHILLIPS' ALL-GRIFFES RECITAL
by Terry McNeill
Friday, August 20, 2021
Charles Griffes’ piano music is similar to that of Busoni, Reger and even Poulenc, in that there is a sporadic flourish of interest with concerts and scholarly work, then a quick fade into another long period of obscurity. So, it was a delight to have an all-Griffes recital August 20 on the San F
Chamber
ONE PIANO, TWO PIANO, THREE PIANO, FORE
by Terry McNeill
Thursday, July 29, 2021
Schroeder Hall was nearly full July 29 for the final pianoSonoma concert of their season, and presumably the draw and highlight for many of the 150 attending was Bach’s Concerto for Four Pianos. And that performance was probably going to be a North Bay premiere. However, it wasn’t the highl
CHAMBER REVIEW
Sonoma State University Department of Music / Sunday, October 23, 2016
Trio Navarro and Friends. Kathleen Reynolds, flute; Jill Rachuy Brindel, cello; Roy Zajac, clarinet; Marilyn Thompson, piano

(L to R) J. Brindel, K. Reynolds, M. Thompson and R. Zajac Oct. 23

TASTY TRIO NAVARRO CONCERT WITH SRS WIND VIRTUOSI

by Terry McNeill
Sunday, October 23, 2016

SSU’s resident Trio Navarro has a long history of presenting diverse programs in the piano trio format, with occasional out-of-area artists joining the mix. This familiar configuration was altered in an Oct. 23 Schroeder Hall concert with the deletion of the violin part and the addition of two sterling local wind players.

The “newbies” jumped right in with pianist Marilyn Thompson in a transcription of Fauré’s six-part Dolly Suite, Op. 56. In the opening “Berceuse” the flute (Kathleen Reynolds) and clarinet (Roy Zajac) parts carried perfectly to the audience of 125, the rich lines covering a tinckeling piano part. The balance improved in the “Mi-a-ou” and “Le Jardin de Dolly” movements, the first with a boisterous ending and the second wholly belonging to Mr. Zajac with his rendering a lovely theme taken from the same composer’s A Major Violin Sonata.

This was everywhere a fetching performance, especially in the “Tendresse” part that featured a slow and melancholic flute-clarinet interplay. The fast Chabrier-like finale (Le Pas Espagnol) was dominated by the piano part and brought the beguiling music to a chirpy end.

Trio co-founder cellist Jill Rachuy Brindel stepped out of her customary ensemble role to play Beethoven’s C Major Sonata, Op. 102, No. 1. Ms. Brindel’s performance was never forceful in power or tone, but featured a focused and lyrical sound that in the Andante-Allegro sporadically was covered in the low register by the piano. This is a piece far removed from the composer’s preceding and dramatic A Major Sonata, but some of it’s energy spilled over into the concluding Allegro Vivace. The duo’s deliberate tempo and strong accents highlighted the movement that had accurate instrumental pitch and elegant phrasing.

French composer Phillipe Gaubert, an early 20th Century colleague of flute master Georges Barrère, wrote his delectable “Trois Aquarelles” for flute, cello and piano, and the work is atmospherically French. Ms. Reynolds, principal Santa Rosa Symphony flutist, played extravagantly in the “Par un clair matin” with a rippling piano part and the cello line uncovering mild dissonances. Ms. Brindel’s vibrato widened and became richer in the “Soir d’automne” with a chaste minor-key ending.

An outdoor and waltz-like “Pipes of Pan” character was heard in the concluding “Sérénade” with Ms. Thompson’s rippling Arpeggios gently supporting the other two instruments.

Mr. Zajack, also a SRS principal, rejoined Ms. Thompson and Ms. Brindel to cap the afternoon with Nino Rota’s Trio, a 16-minute work from 1973 that is individual in ways that the composer’s 150 film scores are not. The Allegro was played percussively and in spots the pace was quite pushed. Unlike this movement, the following Andante had references to seamless film music with lush romantic themes, many slow climaxes and colorful melodies projected by Mr. Zajac and echoed by Ms. Brindel. It was some of the most choice playing of the day.

The concluding Allegrissimo was indeed light and “kittenish,” one instrument playing catch up to another with frequent tasty interjections. It’s derivative music in many ways, with touches of Milhaud and even a lighter sardonic Shostakovich, but no less enjoyable for that. The ensemble was assured and elicited and noisy ovation.