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Chamber
SPARKLING WIND, STRING, HARP MUSIC AT DEVON HOUSE GARDEN CONCERT
by Abby Wasserman
Saturday, October 9, 2021
Take a mild autumn evening, a garden gazebo with patterned rugs and lit with soft bulbs, shake in a fine chamber ensemble, add a rising new moon, and you have a recipe for the musical delight that violist Elizabeth Prior presented Oct. 9 in her Devon House Garden Concert series. The Marin Terra Li
Recital
AUTHORITATIVE BEETHOVEN SONATA IN KLEIN'S OCCIDENTAL RECITAL
by Terry McNeill
Friday, October 8, 2021
People attending the first Redwood Arts Council Occidental concert in 20 months found a surprise – a luxurious new lobby attached to the Performing Arts Center. It was a welcome bonus to a recital given by pianist Andreas Klein where the music seemed almost as familiar as was the long shuttered hal
Symphony
MOVIE MUSIC ON THE WINDSOR GREEN IN SO CO PHIL SEASON OPENER
by Terry McNeill
Sunday, October 3, 2021
People approaching the Windsor Green bandstand Oct. 3 for the Sonoma County Philharmonic’s season opening concert had some cause for concern. After 18 months of silence would the all-volunteer orchestra have enough musicians for a big movie music program? After all, performers can move, retire, or
Symphony
SANTA ROSA SYMPHONY RETURNS IN TRIUMPH
by Steve Osborn
Sunday, October 3, 2021
It is often the case that a single piece or performer steals the show at a symphony concert, but at the Oct. 3 performance of the Santa Rosa Symphony, the show itself stole the show. The concert opened with a serene 1982 tone poem by Libby Larsen, followed by a masterful performance by soloist Julia
Symphony
TWO WIND SOLOISTS CHARM AT SSU ORCHESTRA CONCERT IN WEILL
by Terry McNeill
Sunday, September 26, 2021
The house of music has many rooms. That dusty adage was never truer than when Weill Hall Sept. 25 hosted a roaring New Orleans-style musical party, and less than a day later a mostly sedate Sonoma State University student orchestra performance. Before a crowd of 200 conductor Alexander Kahn led a
Other
CLEARY'S NEW ORLEANS BAND IGNITES PARTY FOR THE GREEN AT SSU
by Terry McNeill
Saturday, September 25, 2021
A dramatic and unique start to the new Green Music’s Center’ 2021-2022 season exploded in a “Party for the Green” Sept. 25, a New Orleans (NO) style commotion featuring Jon Cleary and his Absolute Monster Gentlemen band, inside and outside of Weill Hall. Beginning with a private gourmet dinner in t
GAULIST FLAVOR IN FINAL SF PIANO FESTIVAL CONCERT AT OLD FIRST
by Terry McNeill
Sunday, August 29, 2021
Final summer music festival programs are often a mix of what has come before, with the theme and even a featured composer taking a last stage appearance, with a dramatic wrap up composition. San Francisco’s International Piano Festival defied the norm August 29 with an eclectic French-flavored prog
SPARE DUO PRECEDES MYSTEROUS DUO AT DEN BOER RECITAL
by Terry McNeill
Friday, August 27, 2021
In a departure from usual summer festival fare Julia Den Boer played an August 27 virtual recital in the San Francisco Piano Festival’s 4.5 season with four works, all mostly quiet but all in separate ways insistently demanding of artist and listener. Throughout the 40 minutes there was nary a powe
HARMONIC COMPLEXITY IN PHILLIPS' ALL-GRIFFES RECITAL
by Terry McNeill
Friday, August 20, 2021
Charles Griffes’ piano music is similar to that of Busoni, Reger and even Poulenc, in that there is a sporadic flourish of interest with concerts and scholarly work, then a quick fade into another long period of obscurity. So, it was a delight to have an all-Griffes recital August 20 on the San F
Chamber
ONE PIANO, TWO PIANO, THREE PIANO, FORE
by Terry McNeill
Thursday, July 29, 2021
Schroeder Hall was nearly full July 29 for the final pianoSonoma concert of their season, and presumably the draw and highlight for many of the 150 attending was Bach’s Concerto for Four Pianos. And that performance was probably going to be a North Bay premiere. However, it wasn’t the highl
CHAMBER REVIEW
Ft. Bragg Center For the Arts / Sunday, January 15, 2017
Carolyn Steinbuck, piano; Marcia Sloane, cello; Eric Kritz, clarinet

E. Kritz, C. Steinbuck and M. Sloane Bowing Before Preston Hall Audience

A MUSICAL ODYSSEY IN RIVITING PRESTON HALL RECITAL

by Terry McNeill
Sunday, January 15, 2017

A standing room audience warmly greeted pianist Carolyn Steinbuck Jan. 15 in the season’s second Ft. Bragg Center For the Arts concert in Mendocino’s plebian Preston Hall.

Ms. Steinbuck, to be joined in the program’s second half by clarinetist Eric Kritz and cellist Marcia Sloane, programmed Schubert’s big B-Flat Major Sonata, D. 960. Schubert’s piano music is seemingly now on every recital program, but this is a recent development, and the first recording of a Schubert Sonata was as late as 1928. The pianist read extensive program notes and discussed the reasons for deciding to take the first movement repeat before beginning a 40-minute musical odyssey.

But the odyssey, although long, never dragged and underscored what pianists call the Schubert’s “heavenly length.” The tempos throughout the Sonata were judicious and never hurried, leaving room for many variations in the low bass trills and voice leading. The Hall’s resident piano was voiced warmly rather than brilliantly, and through the first two movements the playing was both dramatic and poetic. There were little artistic touches everywhere, including an arpeggiated chord before the Molto moderato’s concluding chords, and a beguiling and carefully shaped three-note repeated left-hand figures (played seco) in the Andante. The playing here was a highlight in the concert.

Ms. Steinbuck, a seminal figure in Mendocino County music for many years, pushed the tempo in the concluding Allegro but the music never got out of hand, and drew a raucous standing ovation. It was a workman performance that focused on the spirituality and often-delicate repose of the composer’s last and greatest Sonata.

Following a long intermission Mr. Kritz and Ms. Sloane joined the pianist for Muczynski’s Fantasy Trio, Op. 26, the work last heard locally with the Trio Navarro in 2015. The four-movement composition from 1971 received a reading that alternated aggressive rhythms and lyrical outbursts. It’s a free wheeling trio with constantly changing meter, and sporadically the clarinet line was lost in the sonic mix. Ms. Sloane played a long opening line in the Andante over pedal point in the piano, then Mr. Kritz performed a mournful theme over drone phrases from the cello. The music is not nostalgic, just sad, with a soft and haunting last cello and clarinet notes.

Strongly syncopated rhythmic playing and clipped phrases characterized the Allegro Deciso, the music jabbing with quick thrusts, and the Finale went from a bucolic beginning to a jaunty conclusion, with whiffs of sardonic Shostakovich. Ms. Sloane’s cello had the requisite low note growl.

Brahms’ late romanticism was on display in the concluding Clarinet Trio, Op. 114. Instrumental colors were foremost here with a wider cello vibrato and some pesky string pitch wavering in the high registers. Much of the lovely Adagio was question and response phrasing between Ms. Sloane and Ms. Kritz, with a subsidiary piano line. Mr. Kritz’s deft clarinet playing dominated the Andantino with phrasing of a tender dance.

A typical raucous Brahms Allegro ended the work with a perfect instrumental interplay of the many structural sequences of falling thirds. It was short, just under five minutes, but packed with energetic and at times virtuosic playing.

Another standing ovation brought this stellar Trio back for an encore, a droll and circus like piece (“Trickster”) by Ms. Sloane that not surprisingly featured her cello playing. It was spirited and a little spooky in a refined way, with a charming long decrescendo to a quiet finish.

Clearly Ms. Steinbuck’s Trio is a North Coast favorite and presented a performance that combined provocative programing, transparent ensemble and exemplary playing.