Home  Reviews  Articles  Calendar  Presenters  Add Event     
GAULIST FLAVOR IN FINAL SF PIANO FESTIVAL CONCERT AT OLD FIRST
by Terry McNeill
Sunday, August 29, 2021
Final summer music festival programs are often a mix of what has come before, with the theme and even a featured composer taking a last stage appearance, with a dramatic wrap up composition. San Francisco’s International Piano Festival defied the norm August 29 with an eclectic French-flavored prog
SPARE DUO PRECEDES MYSTEROUS DUO AT DEN BOER RECITAL
by Terry McNeill
Friday, August 27, 2021
In a departure from usual summer festival fare Julia Den Boer played an August 27 virtual recital in the San Francisco Piano Festival’s 4.5 season with four works, all mostly quiet but all in separate ways insistently demanding of artist and listener. Throughout the 40 minutes there was nary a powe
HARMONIC COMPLEXITY IN PHILLIPS' ALL-GRIFFES RECITAL
by Terry McNeill
Friday, August 20, 2021
Charles Griffes’ piano music is similar to that of Busoni, Reger and even Poulenc, in that there is a sporadic flourish of interest with concerts and scholarly work, then a quick fade into another long period of obscurity. So, it was a delight to have an all-Griffes recital August 20 on the San F
Chamber
ONE PIANO, TWO PIANO, THREE PIANO, FORE
by Terry McNeill
Thursday, July 29, 2021
Schroeder Hall was nearly full July 29 for the final pianoSonoma concert of their season, and presumably the draw and highlight for many of the 150 attending was Bach’s Concerto for Four Pianos. And that performance was probably going to be a North Bay premiere. However, it wasn’t the highl
Chamber
PENULTIMATE VOM FESTIVAL CONCERT FEATURES GORGEOUS VOCALISM
by Pamela Hicks Gailey
Thursday, July 29, 2021
The 2021 Valley of the Moon Music Festival continued on July 29 with a sumptuous online offering of French songs, concluding with the second piano quartet by Fauré, Op. 45. Such a beautiful bouquet of video performances wonderfully filmed and recorded softened the disappointment of not being able to
Other
SIX GUITARISTS IN UNIQUE NAPA RECITAL
by Gary Digman
Sunday, July 25, 2021
The first Napa Valley Guitar Festival was held at Napa’s First Presbyterian Church July 25, and featured performances from six classical guitarists. The Church is an iconic structure in downtown Napa, its huge white presence dominating the scene, and the white theme continues inside punctuated by be
Chamber
BOGAS' TENURE ENDS IN OUTDOOR GUALALA CHAMBER CONCERT
by Iris Lorenzfife
Sunday, July 25, 2021
The preconcert call that music lovers should gather at Gualala Arts July 25 to attend the final Roy Bogas and Friends Concert was not quite as dire as it sounded. It seems that a year of Covid 19 and an 88th birthday had combined to convince Mr. Bogas that he was working too hard. But with cellist P
Chamber
CLARA SCHUMANN TRIO COMMANDS VOM CHAMBER MUSIC CONCERT AT HANNA
by Terry McNeill
Saturday, July 24, 2021
The Valley of the Moon Chamber Music Series has begun several virtual and a few live concerts in its new seventh season, some broadcast from Sonoma’s Hanna Center Hall and some in posh local venues. July 24’s video had a small live audience and a well-produced video program of three works. Titled “
Chamber
RARE LANG SONGS SPARKLE AT VOM FESTIVAL VIDEO RECITAL
by Pamela Hicks Gailey
Wednesday, July 21, 2021
Unexpected pleasures are often the best. Valley of the Moon Chamber Festival presented a such a pleasure last week-a July 21 recorded performance by tenor Kyle Stegall and pianist Eric Zivian in another mini-recital (very mini-just 15 minutes!) of six songs by the nineteenth century German composer
Chamber
EXEMPLARY QUARTET PLAYING IN MENDO FESTIVAL FT. BRAGG CONCERT
by Terry McNeill
Wednesday, July 21, 2021
Faced with the impossibility of presenting concerts in the iconic large white tent on the bluff, the Mendocino Music Festival opted to use Ft. Bragg’s Cotton Auditorium for ten events in the abbreviated 35th season. San Francisco’s Alexander String Quartet played July 21 to a fully masked audience
CHAMBER REVIEW

Trio Navarro April 8 in the Green Music Center's Schroeder Hall

TRIO NAVARRO'S POPULAR FARE IN SCHROEDER HALL CONCERT

by Terry McNeill
Sunday, April 8, 2018

Long time Classical Sonoma readers may recall many Trio Navarro concert reviews that lauded their virtuosity and interest in rarely played repertoire. The April 8 concert in Schroeder Hall before 85 chamber music fans featured sterling performances but had a mostly conservative menu of popular trios. Well, with three masterpieces in the trio literature, one can’t quibble.

Rachmaninoff’s early G Minor Trio (“Elégiac”) that began the second half was the only work could be said to be uncommon, and the Navarro managed to convey the hothouse but at times lugubrious harmonies in an intense 13-minute span. Similar in many ways to the composer’s 1901 Cello Sonata in the same key, the playing of the Elégiac began with a shimmering non-stopped string sound from violinist Victor Romasevich and cellist Jill Rachuy Brindel. Pianist Marilyn Thompson played the big mid-piece solo forcefully, and it’s a noble theme with lots of notes, all of them good notes. Tempos were generally judicious.

Mendelssohn’s wonderful D Minor Trio, Op. 49, closed the program, and it’s arguably the most performed classical piano trio, and fits the Navarro like an old slipper. As Ms. Brindel set out the noble first theme I thought of how many times she must have played the same notes as a student, in rehearsals and in concerts. One thousand times? Five thousand? In the molto allegro Mr. Romasevich varied his phrasing in repeats, the ensemble was balanced and the D minor key potently presented. String vibrato was deft, limited at times, and wide at times.

In the lovely andante and elfin spritzy scherzo the performance was fluid, especially in the richly poetic andante where the wistful piano line leads into music refined and grateful for each of the instruments. Nothing sounded affected or outsized. The finale (allegro assai) was also impeccably fluid, but I kept listening for more piquant inner voices, as for example in interpretations where on page 41 the performer plays an ascending piano line in triplets with two jolting dissonance chords. Dissonance in Mendelssohn? Rarely from the elegant Navarro in this music, or at least not in this concert.

In a slight programming twist, the afternoon’s major work, Schubert’s B Flat Trio, D. 898, occupied the entire first half. It’s a long work, lyrical and then dramatic at turns, and the opening allegro moderato had a beautiful second theme statement by Ms. Brindel, quickly taken over by Mr. Romasevich. The playing was muscular when needed and the manifold key modulations, lots and lots of them, made the many sections sound fresh. The radiant themes played in the andante surely tugged many listeners’ heartstrings, and recalled Anton Rubinstein’s comment: “Ah, Schubert, eternal sunshine in music.” Schroeder’s stage piano has warmly voiced hammers and Ms. Thompson was everywhere attentive to her partners and their beguiling and florid string lyricism, never covering them.

Listeners looking for an interpretation of old fashioned romanticism, such as the legendary Cortot-Thibaud-Casals recordings of the Schubert and the Mendelssohn, did not find it in the Navarro’s approach. As throughout the afternoon a warm blended sound seemed their goal, with less interest paid to sharply etched instrumental lines, extended ritards or even minimal departures from the printed score.

With the chamber music season ending there is no reason to alter the long past observation that the exalted Navarro is the preeminent resident piano trio in Northern California.