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SIX GUITARISTS IN UNIQUE NAPA RECITAL
by Gary Digman
Sunday, July 25, 2021
The first Napa Valley Guitar Festival was held at Napa’s First Presbyterian Church July 25, and featured performances from six classical guitarists. The Church is an iconic structure in downtown Napa, its huge white presence dominating the scene, and the white theme continues inside punctuated by be
Chamber
CLARA SCHUMANN TRIO COMMANDS VOM CHAMBER MUSIC CONCERT AT HANNA
by Terry McNeill
Saturday, July 24, 2021
The Valley of the Moon Chamber Music Series has begun several virtual and a few live concerts in its new seventh season, some broadcast from Sonoma’s Hanna Center Hall and some in posh local venues. July 24’s video had a small live audience and a well-produced video program of three works. Titled “
Chamber
EXEMPLARY QUARTET PLAYING IN MENDO FESTIVAL FT. BRAGG CONCERT
by Terry McNeill
Wednesday, July 21, 2021
Faced with the impossibility of presenting concerts in the iconic large white tent on the bluff, the Mendocino Music Festival opted to use Ft. Bragg’s Cotton Auditorium for ten events in the abbreviated 35th season. San Francisco’s Alexander String Quartet played July 21 to a fully masked audience
Chamber
ECLECTIC PROGRAMMING AT PIANOSONOMA CONCERT IN SCHROEDER HALL
by Pamela Hicks Gailey
Tuesday, July 20, 2021
After a dark year bereft of live performance, pianoSonoma launched July 20 the first Vino & Vibrato concert of the 2021 season in Sonoma State's Schroeder Hall, albeit sadly senza vino due to Covid protocols. Three exceptional musicians showered the audience with an interesting variety of pia
Chamber
RARELY-PLAYED SCHUMANN HIGHLIGHTS HEALDSBURG RECITAL
by Terry McNeill
Saturday, July 10, 2021
Brave New Music sporadically produces concerts in and around Healdsburg, and July 10’s violin recital in downtown St. Paul’s Church must have been one of the first post-lockdown, post-be-extra-careful classical music concerts in Sonoma County's summer season. New Music Founder Gary McLaughlin with
Chamber
ECHOS ON A WARM SUMMER NIGHT
by Abby Wasserman
Saturday, July 10, 2021
ECHO Chamber Orchestra’s first concert in a year and a half, “A Musical Promenade,” was a promenade indeed. When patrons arrived at San Anselmo’s First Presbyterian Church for the 6:00 performance July 10, they were funneled through the garden to the Duncan Hall patio, where folding chairs were set
Chamber
LONG DISTANCE LOVE BEGINS VOM SUMMER FESTIVAL
by Pamela Hicks Gailey
Thursday, June 24, 2021
The Valley of the Moon Music Festival offered a 7th season preview June 24 with a stunning online concert, aptly named Long Distance Love, featuring inspired performances of Beethoven's short song cycle An die ferne Geliebte,, and selections from Brahms’ beloved Liebeslieder Wal
Recital
ROMERO'S ARTISTRY IN SLV RECITAL PROGRAMMING AND PERFORMANCE
by Terry McNeill
Wednesday, June 2, 2021
Gustavo Romero has been an admired visitor to North Bay stages, playing over a decade recitals at Dominican University, the Music at Oakmont concerts and at the Spring Lake Village Concert Series. He returned June 2 to SLV in a virtual recital, videoed from his home concert hall the University of N
RUBICON'S VIRTUAL CONCERT A MALANGE OF CONTRASTS
by Terry McNeill
Sunday, May 16, 2021
The inaugural concert of a new Mendocino County chamber group is a reason for celebration, and the Rubicon Trio made the most of a mixed musical menu during a May16 virtual concert. Presented by the Ukiah Symphony Orchestra as the last in their “Salons with the Symphony” Series, the Rubicon began w
Recital
PIANO VIRTUOSITY IN YAKUSHEV'S REDWOOD ARTS RECITAL
by Nicki Bell
Sunday, May 16, 2021
Russian pianist Ilya Yakushev’s recital for the Redwood Arts Council was perhaps the local season’s virtual music at the greatest distance, as the filming May 16 came from a church in St. Petersburg. And good filming it was, with multiple camera viewpoints of the church, full and split screens and
RECITAL REVIEW

A. Gabrielson and S. Myklebust Acknowledge Applause Sept. 9 in Occidental (J. McNeill photo)

DUO WEST OPENS OCCIDENTAL CONCERT SEASON

by Terry McNeill
Sunday, September 9, 2018

Before a full house at the Occidental Performing Arts Center Sept. 9 the cello-piano Duo West, playing from score throughout, presented a recital that on paper looked stimulating and thoughtful.

Beginning with MacDowell’s To A Wild Rose (from Woodland Sketches, Op. 51), the transcription by an unannounced arranger made little impact and probably was something novel to most of the audience. An odd choice not explained, but the Fauré D Minor Sonata (Op. 109) that followed was explained by the artists wielding two microphones with an extended interplay of commentary. The audience seemed to enjoy the descriptions of simplistic ideas of contrast in musical composition.

A work from late in the composer’s life, the Sonata’s charms and harmonies are complex and elusive, and cellist Sonja Myklebust’s round sound was well placed for the uneven phrases and unique rhythms. Pianist Abbie Gabrielson had good ensemble with Mr. Myklebust but her playing lacked individuality, and wasn’t helped by the hall’s sub-professional instrument with its wooden sonority and subdued treble.

The Sonata’s best playing was in the lovely andante’s long line and wandering melodies. Bow control here was good and the playing had rich tone in the many modulations. In the finale the duo chose a tempo that was too slow for bringing out the urgency of the music, especially at the end where the momentum in the cello part builds to a joyful climax. The composer’ sobriquet is “Old Arpeggio,” and Ms. Gabrielson added a few inner voices to the delightful swirl of arpeggiated chords.

Before intermission Arvo Pärt’s ten-minute Spiegel im Spiegel was an audience favorite, with Ms. Myklebust’s vibrato widening and the long minimalist exposed line captivating. Cello intonation was very good and the vital clarity of the long-held note changes was excellent. Mild dissonances in the piano part added to the piece’s mystery, with just one blurred cello entry point note and a fetching swelling of vibrato at the concluding fermata. The ovation was long and loud.

Shostakovich’s popular 2nd Sonata, Op.40, came after intermission, and echoed a performance four days earlier at Santa Rosa’s Spring Lake Village Concert Series. In both performances the tempos were on the slow side, diluting the momentum and often sarcasm of the composer. But there is rhapsody in this music, and none of the banality of the cello’s theme in the First Cello Concerto. But Shostakovich does wonders with banal themes, and Ms. Myklebust projected themes alluringly with fine control in pianissimo passages. Pitch was sporadically off when coming down from a high-register quiet notes. There were references here to the composer’s Fourth Symphony, something I had not heard a cellist do before in the D Minor Sonata.

The exciting scherzo was played with an appropriate harshness and again a judicious tempo, leading into the long phrases of the largo. The Duo West gave it a gripping reading, underscoring the dissonances and strange transitions. Sadness trumped melancholy. A program highlight

The finale’s dramatic juxtaposition with the largo followed, with a much lighter instrumental texture, acerbic tunes and a cascade of piano notes.

Ginastera’s Pampeana (Op. 21, No. 2) closed the concert, a bravura work reminiscent of the composer’s Danzes Argentinas. The playing had the right amount of frantic rhythms and heavy textures, but also some leavening fantasy. Repeated phrases and raucous sforzandos from Ms. Gabrielson were telling additions to Ms. Myklebust’s double stops and admirable virtuosity.