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Choral and Vocal
CELEBRATORY MARIN ORATORIO CONCERT AT THE JAMES DUNN THEATER
by Abby Wasserman
Saturday, December 14, 2024
Symphony
MAHLERTHON AT SRS WEILL HALL CONCERT
by Peter Lert
Sunday, December 8, 2024
Chamber
UNIQUE TRIO FOR THE ROMANTIC ERA IN SONG
by Pamela Hicks Gailey
Saturday, November 16, 2024
Chamber
JASPER'S LUSH PERFORMANCES OF STILL, DVORAK AND FUNG QUARTETS
by Abby Wasserman
Sunday, November 10, 2024
A SHOUT AND SONIC WARHORSES AT NOVEMBER'S SRS CONCERT
by Peter Lert
Saturday, November 9, 2024
Choral and Vocal
ECLECTIC WORKS IN CANTIAMO SONOMA'S SEASON OPENING CONCERT
by Pamela Hicks Gailey
Sunday, October 27, 2024
Symphony
FRANKENSTEIN THRILLS IN UNIQUE SO CO PHIL CONCERT IN JACKSON THEATER
by Peter Lert
Saturday, October 26, 2024
Choral and Vocal
BAROQUE EXTRAVAGANZA AT AMERICAN BACH MARIN CONCERT
by Abby Wasserman
Friday, October 25, 2024
Recital
LARGE AUDIENCE HEARS AX IN WEILL PIANO RECITAL
by Terry McNeill
Thursday, October 24, 2024
Symphony
SRS' NEW SEASON OPENS WITH BEETHOVEN AND COPLAND IN WEILL
by Terry McNeill
Saturday, October 19, 2024
RECITAL REVIEW

Pianist Judy Walker at Concerts Grand

IDIOMATIC SCHUMANN AND BEETHOVEN HIGHTLIGHT WALKER'S CONCERTS GRAND RECITAL

by Terry McNeill
Sunday, September 23, 2018

Mostly known as a concert producer and indefatigable promoter of Sonoma County music, pianist Judy Walker stepped into the soloist’s role Sept. 23 in a sold out recital for the Concerts Grand House recitals series.

Two Scarlatti Sonatas, in D Minor (K. 213) and D Major (K. 29), began the hour-long event, and she played the first slowly with a lingering character, and the presto D Major with crisp attention to flamenco guitar mood and fast repeated notes in alternating hands. The three inner parts to Schumann’s five-part Op. 26 Faschingschwank aus Wien followed. The wistful and beguiling romanze led easily into the scherzino in B Flat, both performed vigorously. Ms. Walker gave passion to the popular E Flat intermezzo, certainly echt Schumann playing.

Arguably the afternoon’s best playing came in Beethoven’s Les Adieux Sonata, Op. 81a, and according to the artist’s pithy introductory comments it was written in 1809 and was a bridge from the virtuosic Waldstein and Appassionata Sonatas to the seminal and spirited late piano works. Parts of the opening adagio-allegro with its fast staccato chords were a challenge for Ms. Walker, but she played the lovely andante (l’absence) at just the right tempo (not overly slow) and a rich tone.

One of Beethoven’s most joyful movements, the concluding vivacissimament was appropriately exultant and the phrases picked up in momentum towards the end with the cascades of descending and then ascending notes. The pianist clearly had an affinity with this humorous and sprightly music, and the playing received substantial applause.

Though no encore was provided, Balakirev’s arrangement of Glinka’s original song The Lark could have been one. Next to the novel harmonies of the short introduction the main laconic and sad theme was set out by Ms. Walker with clear trills and concise pedaling, allowing the haunting melody to be heard through the pianistic filigree. A captivating performance.

A patio buffet honoring Ms. Walker’s Concerts Grand debut followed the recital.

Among attendees was the artist’s teacher, Peggy Nance, who played a Concerts Grand recital during the inaugural 2003-2004 season in SRJC’s Newman Auditorium.