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SIX GUITARISTS IN UNIQUE NAPA RECITAL
by Gary Digman
Sunday, July 25, 2021
The first Napa Valley Guitar Festival was held at Napa’s First Presbyterian Church July 25, and featured performances from six classical guitarists. The Church is an iconic structure in downtown Napa, its huge white presence dominating the scene, and the white theme continues inside punctuated by be
Chamber
CLARA SCHUMANN TRIO COMMANDS VOM CHAMBER MUSIC CONCERT AT HANNA
by Terry McNeill
Saturday, July 24, 2021
The Valley of the Moon Chamber Music Series has begun several virtual and a few live concerts in its new seventh season, some broadcast from Sonoma’s Hanna Center Hall and some in posh local venues. July 24’s video had a small live audience and a well-produced video program of three works. Titled “
Chamber
EXEMPLARY QUARTET PLAYING IN MENDO FESTIVAL FT. BRAGG CONCERT
by Terry McNeill
Wednesday, July 21, 2021
Faced with the impossibility of presenting concerts in the iconic large white tent on the bluff, the Mendocino Music Festival opted to use Ft. Bragg’s Cotton Auditorium for ten events in the abbreviated 35th season. San Francisco’s Alexander String Quartet played July 21 to a fully masked audience
Chamber
ECLECTIC PROGRAMMING AT PIANOSONOMA CONCERT IN SCHROEDER HALL
by Pamela Hicks Gailey
Tuesday, July 20, 2021
After a dark year bereft of live performance, pianoSonoma launched July 20 the first Vino & Vibrato concert of the 2021 season in Sonoma State's Schroeder Hall, albeit sadly senza vino due to Covid protocols. Three exceptional musicians showered the audience with an interesting variety of pia
Chamber
RARELY-PLAYED SCHUMANN HIGHLIGHTS HEALDSBURG RECITAL
by Terry McNeill
Saturday, July 10, 2021
Brave New Music sporadically produces concerts in and around Healdsburg, and July 10’s violin recital in downtown St. Paul’s Church must have been one of the first post-lockdown, post-be-extra-careful classical music concerts in Sonoma County's summer season. New Music Founder Gary McLaughlin with
Chamber
ECHOS ON A WARM SUMMER NIGHT
by Abby Wasserman
Saturday, July 10, 2021
ECHO Chamber Orchestra’s first concert in a year and a half, “A Musical Promenade,” was a promenade indeed. When patrons arrived at San Anselmo’s First Presbyterian Church for the 6:00 performance July 10, they were funneled through the garden to the Duncan Hall patio, where folding chairs were set
Chamber
LONG DISTANCE LOVE BEGINS VOM SUMMER FESTIVAL
by Pamela Hicks Gailey
Thursday, June 24, 2021
The Valley of the Moon Music Festival offered a 7th season preview June 24 with a stunning online concert, aptly named Long Distance Love, featuring inspired performances of Beethoven's short song cycle An die ferne Geliebte,, and selections from Brahms’ beloved Liebeslieder Wal
Recital
ROMERO'S ARTISTRY IN SLV RECITAL PROGRAMMING AND PERFORMANCE
by Terry McNeill
Wednesday, June 2, 2021
Gustavo Romero has been an admired visitor to North Bay stages, playing over a decade recitals at Dominican University, the Music at Oakmont concerts and at the Spring Lake Village Concert Series. He returned June 2 to SLV in a virtual recital, videoed from his home concert hall the University of N
RUBICON'S VIRTUAL CONCERT A MALANGE OF CONTRASTS
by Terry McNeill
Sunday, May 16, 2021
The inaugural concert of a new Mendocino County chamber group is a reason for celebration, and the Rubicon Trio made the most of a mixed musical menu during a May16 virtual concert. Presented by the Ukiah Symphony Orchestra as the last in their “Salons with the Symphony” Series, the Rubicon began w
Recital
PIANO VIRTUOSITY IN YAKUSHEV'S REDWOOD ARTS RECITAL
by Nicki Bell
Sunday, May 16, 2021
Russian pianist Ilya Yakushev’s recital for the Redwood Arts Council was perhaps the local season’s virtual music at the greatest distance, as the filming May 16 came from a church in St. Petersburg. And good filming it was, with multiple camera viewpoints of the church, full and split screens and
CHAMBER REVIEW

Lincoln Trio Nov. 7 at Spring Lake Village with Robert Hayden

LUMINOUS FAURE TOPS LINCOLN TRIO'S SPRING LAKE VILLAGE CONCERT

by Terry McNeill
Wednesday, November 7, 2018

Familiarity in chamber music often evokes warm appreciation, and it was thus Nov. 7 when the Chicago-based Lincoln Piano Trio made one of their many Sonoma County appearances, this time on the Spring Lake Village Classical Music Series.

Regularly presented by local impresario Robert Hayden, the Lincoln played an abbreviated program of four works, beginning with a short “Silver Dagger”, composed for them by Stacy Garrop. Pianist Marta Asnavoorian’s tapping the strings from above started the short, atmospheric work that featured Desíree Ruhstrat’s violin line sliding in and out of notes in the high register, and cellist David Cunliff playing an often drone-like underpinning and a slow dissonant folk tune wound around pedal point piano phrase. Curiously the work didn’t sound contemporary.

Fauré’s D Minor Trio, Op. 120, followed, and though not contemporary it was at the first notes of the allegro full of softly swirling echt harmonies and rhythms that one knew it was the product the French master. Fine ensemble playing was heard and the Lincoln built the many small climaxes deftly, with often modulations seamlessly unfolding. Beautiful playing followed in the andantino where Ms. Asnavoorian played the cantando espressivo theme with charming grace and didn’t cover her colleagues. The Lincoln captured the yearning sad character of the movement.

Ms. Ruhstrat and Mr. Cunliffe dug into their strings in the finale allegro in an approach that was never jocular, but close. Urgency and wonderfully lively rhythmic breaks characterized the performance, with much spontaneous excitement that developed in the five-minute movement. A convincing Fauré performance demands a refined sensibility and an urbane sound, and the Lincoln delivered it.

Joaquin Turina’s early F Major Trio has been a Lincoln specialty, played and recorded far less than the Op. 35 and Op. 76 Turina Trios. The four-movement piece at times has reference to the two Arensky and other Russian Trios, and the playing in the opening lento – allegro had strong thematic projection in the march-like themes, and pedal point in the piano part. Slow descending passages characterized the andante, a beguiling threnody. Ms. Aznavoorian’s octave playing was forceful, and the big climax had a Spanish sound. Unison string playing was very good, often in the higher registers, and the lively scherzo with pizzicato strings was surprisingly lightweight.

Muscular and loud playing was heard in the concluding andante grandiose, a fast and impulsive romp that had echoes of the music of Franck and Bizet. Fauré chamber compositions masterfully combine throttled excitement with elegance, and the Lincoln conveyed these characteristics perfectly. Applause was generous but not loud.

A short and intense work by Juan Antonio Cuellar, a Colombian composer associated with the University of Indiana, closed then program. It was a jerky piece, menacing, dissonant and replete with repetitive phrases. A samba rhythm rolled in and the Lincoln gave the interpretation instrumental power and excitement. The specter of Gustavo Dudamel’s athletic conducting and musical juice came to mind.

On the next day the Lincoln Trio played a slightly expanded version of this program in the Music at Oakmont Series in Berger Auditorium.