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SIX GUITARISTS IN UNIQUE NAPA RECITAL
by Gary Digman
Sunday, July 25, 2021
The first Napa Valley Guitar Festival was held at Napa’s First Presbyterian Church July 25, and featured performances from six classical guitarists. The Church is an iconic structure in downtown Napa, its huge white presence dominating the scene, and the white theme continues inside punctuated by be
Chamber
CLARA SCHUMANN TRIO COMMANDS VOM CHAMBER MUSIC CONCERT AT HANNA
by Terry McNeill
Saturday, July 24, 2021
The Valley of the Moon Chamber Music Series has begun several virtual and a few live concerts in its new seventh season, some broadcast from Sonoma’s Hanna Center Hall and some in posh local venues. July 24’s video had a small live audience and a well-produced video program of three works. Titled “
Chamber
EXEMPLARY QUARTET PLAYING IN MENDO FESTIVAL FT. BRAGG CONCERT
by Terry McNeill
Wednesday, July 21, 2021
Faced with the impossibility of presenting concerts in the iconic large white tent on the bluff, the Mendocino Music Festival opted to use Ft. Bragg’s Cotton Auditorium for ten events in the abbreviated 35th season. San Francisco’s Alexander String Quartet played July 21 to a fully masked audience
Chamber
ECLECTIC PROGRAMMING AT PIANOSONOMA CONCERT IN SCHROEDER HALL
by Pamela Hicks Gailey
Tuesday, July 20, 2021
After a dark year bereft of live performance, pianoSonoma launched July 20 the first Vino & Vibrato concert of the 2021 season in Sonoma State's Schroeder Hall, albeit sadly senza vino due to Covid protocols. Three exceptional musicians showered the audience with an interesting variety of pia
Chamber
RARELY-PLAYED SCHUMANN HIGHLIGHTS HEALDSBURG RECITAL
by Terry McNeill
Saturday, July 10, 2021
Brave New Music sporadically produces concerts in and around Healdsburg, and July 10’s violin recital in downtown St. Paul’s Church must have been one of the first post-lockdown, post-be-extra-careful classical music concerts in Sonoma County's summer season. New Music Founder Gary McLaughlin with
Chamber
ECHOS ON A WARM SUMMER NIGHT
by Abby Wasserman
Saturday, July 10, 2021
ECHO Chamber Orchestra’s first concert in a year and a half, “A Musical Promenade,” was a promenade indeed. When patrons arrived at San Anselmo’s First Presbyterian Church for the 6:00 performance July 10, they were funneled through the garden to the Duncan Hall patio, where folding chairs were set
Chamber
LONG DISTANCE LOVE BEGINS VOM SUMMER FESTIVAL
by Pamela Hicks Gailey
Thursday, June 24, 2021
The Valley of the Moon Music Festival offered a 7th season preview June 24 with a stunning online concert, aptly named Long Distance Love, featuring inspired performances of Beethoven's short song cycle An die ferne Geliebte,, and selections from Brahms’ beloved Liebeslieder Wal
Recital
ROMERO'S ARTISTRY IN SLV RECITAL PROGRAMMING AND PERFORMANCE
by Terry McNeill
Wednesday, June 2, 2021
Gustavo Romero has been an admired visitor to North Bay stages, playing over a decade recitals at Dominican University, the Music at Oakmont concerts and at the Spring Lake Village Concert Series. He returned June 2 to SLV in a virtual recital, videoed from his home concert hall the University of N
RUBICON'S VIRTUAL CONCERT A MALANGE OF CONTRASTS
by Terry McNeill
Sunday, May 16, 2021
The inaugural concert of a new Mendocino County chamber group is a reason for celebration, and the Rubicon Trio made the most of a mixed musical menu during a May16 virtual concert. Presented by the Ukiah Symphony Orchestra as the last in their “Salons with the Symphony” Series, the Rubicon began w
Recital
PIANO VIRTUOSITY IN YAKUSHEV'S REDWOOD ARTS RECITAL
by Nicki Bell
Sunday, May 16, 2021
Russian pianist Ilya Yakushev’s recital for the Redwood Arts Council was perhaps the local season’s virtual music at the greatest distance, as the filming May 16 came from a church in St. Petersburg. And good filming it was, with multiple camera viewpoints of the church, full and split screens and
SYMPHONY REVIEW

Conductor, Soloists and the VSO March 31 in the Empress Theater

AUTUMNAL SIBELIUS 7TH HIGHLIGHTS VSO'S SEASON CLOSING CONCERT

by Terry McNeill
Sunday, March 31, 2019

Closing their 87th Season March 30 and 31 the Vallejo Symphony has moved from a single weekend concert to a set of two, and the late March response was two full houses in the charming downtown Vallejo Empress Theater.

Conductor Marc Taddei opened the Sunday program with a rousing performance of Beethoven’s Leonore Overture No. 3, Op. 72, and he drew from the orchestra many small but effective climaxes in the 16 minute work, with sterling flute and piccolo playing by Melanie Keller, and Kale Cummings’ resonant trumpet solo that seemed to come from the audience. The Hall has clear acoustics but a short reverberation time, presumably helped when each of the 432 seats is filled.

Fauré’s Op. 48 Requiem was probably the piece on the program that was the afternoon’s attraction, and Mr. Taddei introduced it from the stage with comments about the current and coming VSO seasons. He is a witty speaker. Soloists were baritone Brad Walker and soprano Shawnette Sulker, the latter frequently heard with the American Bach Soloists and at the Mendocino Music Festival. American Canyon High School’s Chamber Choir occupied the rear of the small stage, with 35 singers.

It was an earnest performance of the seven sections, but ultimately an underpowered one. The Choir, prepared by Jamie Butler, could not effectively cut through the orchestral fabric for a clear sound, despite Mr. Taddei’s deft sonic control of the Orchestra. Mr. Walker’s resonant voice in the offertoire gave underpinning, along with the small organ, to the sound where often there were no high strings employed, and he held the section’s final note with vigor.

The composer is anecdotally known as “old arpeggio,” and the sanctus produced those chordal figurations, and harpist Anna Maria Mendieta could be clearly heard, along with a lovely long trill from the first violins ending a meandering theme. Ms. Sulker sang mostly as a duo with the organ (sans violins) in the pie jesu, leading to a long descending orchestral line with indistinct choral projection in the agnus dei.

Mr. Taddei never let the pace slack in the libera me and the finale in paradisum where at key points the cellos, bass and viola sound covered the Choir. A long fermata ended the wonderful Fauré work and Mr. Butler joined the soloists on stage for loud applause.

A “call or summons” from timpani leading to rising strings began the Sibelius 7th Symphony, closing the concert’s first half and for me the event’s highlight. Harmonies in this 1924 work, the composer’s last symphony, faintly echo Wagner’s Tristan and surprisingly Howard Shore’s music to the films “The Lord of the Rings.” With Tchaikovsky and Shostakovich, Sibelius is the master of big climaxes, but in the Op 105 work the climaxes are few and not so big, and were well shaped by the conductor. The pace taken in the one-movement work, lasting 21 minutes, was generally slow and unfolded naturally.

There was a burnished feeling to Mr. Taddei’s interpretation, with lots of tympani (John Weeks) and building horn solos from Margarite Waddell’s section and unison string playing. There were faint references to the composer’s famous “Valse Triste” toward the end, in an autumnal character leading to a strange C Major key, and Mr. Taddei uniquely quickly cut off the soft ascending phrase that concludes the work. Some conductors like to have the sound linger but Mr. Taddei had perfectly logical ideas in shaping the final pianissimo mildly dissonant and restrained ending. I found his reading convincing and always beautiful.

Of course the hero of the day was Mr. Taddei, whose name appeared on the Virginia Street theater marquee alongside big VSO lettering, and who mixed with the audience and musicians in the spacious lounge after the performance, responding to arcane musical questions and his previous life in New Zealand.

The 2019-2020 season, announced during the concert and featuring the final three symphonies of Dvorák and those of Barber (No. 1), Roy Harris and Ives (both No. 3), will continue the format of two-set performances. Success breeds success.