Home  Reviews  Articles  Calendar  Presenters  Add Event     
Other
SIX GUITARISTS IN UNIQUE NAPA RECITAL
by Gary Digman
Sunday, July 25, 2021
The first Napa Valley Guitar Festival was held at Napa’s First Presbyterian Church July 25, and featured performances from six classical guitarists. The Church is an iconic structure in downtown Napa, its huge white presence dominating the scene, and the white theme continues inside punctuated by be
Chamber
CLARA SCHUMANN TRIO COMMANDS VOM CHAMBER MUSIC CONCERT AT HANNA
by Terry McNeill
Saturday, July 24, 2021
The Valley of the Moon Chamber Music Series has begun several virtual and a few live concerts in its new seventh season, some broadcast from Sonoma’s Hanna Center Hall and some in posh local venues. July 24’s video had a small live audience and a well-produced video program of three works. Titled “
Chamber
EXEMPLARY QUARTET PLAYING IN MENDO FESTIVAL FT. BRAGG CONCERT
by Terry McNeill
Wednesday, July 21, 2021
Faced with the impossibility of presenting concerts in the iconic large white tent on the bluff, the Mendocino Music Festival opted to use Ft. Bragg’s Cotton Auditorium for ten events in the abbreviated 35th season. San Francisco’s Alexander String Quartet played July 21 to a fully masked audience
Chamber
ECLECTIC PROGRAMMING AT PIANOSONOMA CONCERT IN SCHROEDER HALL
by Pamela Hicks Gailey
Tuesday, July 20, 2021
After a dark year bereft of live performance, pianoSonoma launched July 20 the first Vino & Vibrato concert of the 2021 season in Sonoma State's Schroeder Hall, albeit sadly senza vino due to Covid protocols. Three exceptional musicians showered the audience with an interesting variety of pia
Chamber
RARELY-PLAYED SCHUMANN HIGHLIGHTS HEALDSBURG RECITAL
by Terry McNeill
Saturday, July 10, 2021
Brave New Music sporadically produces concerts in and around Healdsburg, and July 10’s violin recital in downtown St. Paul’s Church must have been one of the first post-lockdown, post-be-extra-careful classical music concerts in Sonoma County's summer season. New Music Founder Gary McLaughlin with
Chamber
ECHOS ON A WARM SUMMER NIGHT
by Abby Wasserman
Saturday, July 10, 2021
ECHO Chamber Orchestra’s first concert in a year and a half, “A Musical Promenade,” was a promenade indeed. When patrons arrived at San Anselmo’s First Presbyterian Church for the 6:00 performance July 10, they were funneled through the garden to the Duncan Hall patio, where folding chairs were set
Chamber
LONG DISTANCE LOVE BEGINS VOM SUMMER FESTIVAL
by Pamela Hicks Gailey
Thursday, June 24, 2021
The Valley of the Moon Music Festival offered a 7th season preview June 24 with a stunning online concert, aptly named Long Distance Love, featuring inspired performances of Beethoven's short song cycle An die ferne Geliebte,, and selections from Brahms’ beloved Liebeslieder Wal
Recital
ROMERO'S ARTISTRY IN SLV RECITAL PROGRAMMING AND PERFORMANCE
by Terry McNeill
Wednesday, June 2, 2021
Gustavo Romero has been an admired visitor to North Bay stages, playing over a decade recitals at Dominican University, the Music at Oakmont concerts and at the Spring Lake Village Concert Series. He returned June 2 to SLV in a virtual recital, videoed from his home concert hall the University of N
RUBICON'S VIRTUAL CONCERT A MALANGE OF CONTRASTS
by Terry McNeill
Sunday, May 16, 2021
The inaugural concert of a new Mendocino County chamber group is a reason for celebration, and the Rubicon Trio made the most of a mixed musical menu during a May16 virtual concert. Presented by the Ukiah Symphony Orchestra as the last in their “Salons with the Symphony” Series, the Rubicon began w
Recital
PIANO VIRTUOSITY IN YAKUSHEV'S REDWOOD ARTS RECITAL
by Nicki Bell
Sunday, May 16, 2021
Russian pianist Ilya Yakushev’s recital for the Redwood Arts Council was perhaps the local season’s virtual music at the greatest distance, as the filming May 16 came from a church in St. Petersburg. And good filming it was, with multiple camera viewpoints of the church, full and split screens and
SYMPHONY REVIEW

Piccolo Solist Debra Scheüerman and the So Co Phil April 7

SO CO PHIL'S SEASON CLOSER WITH EXPANSIVE PROKOFIEV 5TH IN JACKSON

by Terry McNeill
Sunday, April 7, 2019

Closing their 20th season with their usual programming aplomb, the Sonoma County Philharmonic played a provocative set of concerts April 6 and 7 in the Jackson Theater, the Orchestra’s new home at the Sonoma Country Day School by the Sonoma County Airport.

Local composer Nolan Gasser’s Sonoma Overture, Op. 20, began the Sunday concert, only the second hearing of the work that premiered at the Santa Rosa Symphony’s gala Weill Hall opening event in 2013. It proved to be a bustling and busy work with big sections brass fanfare and snazzy sound from five percussionists and timpanist Tony Blake. Tempos selected by conductor Norman Gamboa in the interlocking sections were brisk, and piquant music came from chimes, snare drum, marimba, piano (Carol Schindler), harp and soprano saxophone. All this musical commotion overwhelmed the string sections, albeit with a lovely cello solo from Hans Brightbill and beautiful sounds from three flutes.

Copland from the 1930s and more recently John Williams’ music were compositional influences for the composer, and a strident loud climax ended the 14-minute work.

Frisky musical momentum continued with a unique concerto, Israeli composer Yosef Hamami’ s “Freakollo” for piccolo and orchestra. The Orchestra’s principal flutist Debra Scheüerman triumphed in the 15-minute piece, playing from the sheet music though having to wait to enter for an extended orchestra introduction. Much of the solo part is integrated into the Orchestra’s score, though there was a cadenza and a lengthy held note ending the first part, leading to more music with a Middle East/Egyptian flavor and a sunny harp part (Kristina Kopriva) and ample horns.

Ms. Scheüerman moved the solo part along with many agogics and florid runs, mostly descending. There was little variation in the solo instrument’s volume and the artist alternated lyrical phrases with short melodic lines and speedy scales. The Hamami piccolo concerto was probably a North Bay premiere, effective in its smallish size and this perceptive performance.

It comes as no surprise that the impact of the two pieces in the first half were quickly swept away with the arrival of the second half’s mighty Prokofiev 5th Symphony, Op. 100, in B-Flat Major. Mr. Gamboa’s forces got off to a shaky start in the opening andante and throughout the 49 minutes in four movements he was content with judicious tempos, slower than many other conductors prefer. Not ponderous, but in no hurry to get anywhere with this richly orchestrated formidable music from 1944. Balcony acoustics in Jackson have short reverberation and dryness, but admirable clarity, and the andante exhibited flute (Valerie White) and piccolo (Mary Kemnec) duets with oboist Chris Krive and band-like brass playing from trombones and trumpets. An extended fortissimo twice ended a dramatic coda.

Wind instrument virtuosity in the scherzo had some of the best playing of the afternoon (oboes, Nick Xenelis’ magical clarinet, bassoonist Miranda Kincaid) juxtaposed with a theme in the violas (Robby Morales) coming out of the middle of the Orchestra. Mr. Gamboa sits his strings conventionally, cellos and basses stage left, and the exciting and sometimes sinister music was extra effective as he took phrase repeats at slightly different tempos and volume. Changing from a pokey pace to an accelerando gave this movement lift and punch.

Expansive themes characterized the great adagio, as did persuasive individual performers: tubist Floyd Reinhart, Mr. Xenelis and Mr. Krive, Ms. Kopriva and Ms. Kincaid. Mr. Gamboa spotlighted the music’s dissonances and mystery in the dark march section with piquant flute, cymbal, gong, much trombone artistry and finally a faint arpeggiated chord from the clarinet.

The conductor drew an energetic reading in the allegro finale and each new theme seemed to sweep over the preceding ones, almost all joyous except for some solemn interludes. There was a “fate” theme in the cellos and scrappy horn and snare drum playing towards the end, with a trumpet flourish that sped the movement to a tumultuous and propulsive ending.

Many in the audience of 300 rose in raucous appreciation, and used the opportunity in this season’s final concert to chat with the musicians in the large and picturesque Jackson lobby.

Orchestra member (oboist) Anthony Perry doubled as the program’s insouciant announcer, and presented information concerning the coming 2019-2020 season that will differ from past years with more conventional repertoire. There will be two sets in each of four concerts, beginning Sept. 28 and ending April 5. Mr. Gamboa will direct all eight during his eighth season with the Philharmonic.