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Chamber
SPARKLING WIND, STRING, HARP MUSIC AT DEVON HOUSE GARDEN CONCERT
by Abby Wasserman
Saturday, October 9, 2021
Take a mild autumn evening, a garden gazebo with patterned rugs and lit with soft bulbs, shake in a fine chamber ensemble, add a rising new moon, and you have a recipe for the musical delight that violist Elizabeth Prior presented Oct. 9 in her Devon House Garden Concert series. The Marin Terra Li
Recital
AUTHORITATIVE BEETHOVEN SONATA IN KLEIN'S OCCIDENTAL RECITAL
by Terry McNeill
Friday, October 8, 2021
People attending the first Redwood Arts Council Occidental concert in 20 months found a surprise – a luxurious new lobby attached to the Performing Arts Center. It was a welcome bonus to a recital given by pianist Andreas Klein where the music seemed almost as familiar as was the long shuttered hal
Symphony
MOVIE MUSIC ON THE WINDSOR GREEN IN SO CO PHIL SEASON OPENER
by Terry McNeill
Sunday, October 3, 2021
People approaching the Windsor Green bandstand Oct. 3 for the Sonoma County Philharmonic’s season opening concert had some cause for concern. After 18 months of silence would the all-volunteer orchestra have enough musicians for a big movie music program? After all, performers can move, retire, or
Symphony
SANTA ROSA SYMPHONY RETURNS IN TRIUMPH
by Steve Osborn
Sunday, October 3, 2021
It is often the case that a single piece or performer steals the show at a symphony concert, but at the Oct. 3 performance of the Santa Rosa Symphony, the show itself stole the show. The concert opened with a serene 1982 tone poem by Libby Larsen, followed by a masterful performance by soloist Julia
Symphony
TWO WIND SOLOISTS CHARM AT SSU ORCHESTRA CONCERT IN WEILL
by Terry McNeill
Sunday, September 26, 2021
The house of music has many rooms. That dusty adage was never truer than when Weill Hall Sept. 25 hosted a roaring New Orleans-style musical party, and less than a day later a mostly sedate Sonoma State University student orchestra performance. Before a crowd of 200 conductor Alexander Kahn led a
Other
CLEARY'S NEW ORLEANS BAND IGNITES PARTY FOR THE GREEN AT SSU
by Terry McNeill
Saturday, September 25, 2021
A dramatic and unique start to the new Green Music’s Center’ 2021-2022 season exploded in a “Party for the Green” Sept. 25, a New Orleans (NO) style commotion featuring Jon Cleary and his Absolute Monster Gentlemen band, inside and outside of Weill Hall. Beginning with a private gourmet dinner in t
GAULIST FLAVOR IN FINAL SF PIANO FESTIVAL CONCERT AT OLD FIRST
by Terry McNeill
Sunday, August 29, 2021
Final summer music festival programs are often a mix of what has come before, with the theme and even a featured composer taking a last stage appearance, with a dramatic wrap up composition. San Francisco’s International Piano Festival defied the norm August 29 with an eclectic French-flavored prog
SPARE DUO PRECEDES MYSTEROUS DUO AT DEN BOER RECITAL
by Terry McNeill
Friday, August 27, 2021
In a departure from usual summer festival fare Julia Den Boer played an August 27 virtual recital in the San Francisco Piano Festival’s 4.5 season with four works, all mostly quiet but all in separate ways insistently demanding of artist and listener. Throughout the 40 minutes there was nary a powe
HARMONIC COMPLEXITY IN PHILLIPS' ALL-GRIFFES RECITAL
by Terry McNeill
Friday, August 20, 2021
Charles Griffes’ piano music is similar to that of Busoni, Reger and even Poulenc, in that there is a sporadic flourish of interest with concerts and scholarly work, then a quick fade into another long period of obscurity. So, it was a delight to have an all-Griffes recital August 20 on the San F
Chamber
ONE PIANO, TWO PIANO, THREE PIANO, FORE
by Terry McNeill
Thursday, July 29, 2021
Schroeder Hall was nearly full July 29 for the final pianoSonoma concert of their season, and presumably the draw and highlight for many of the 150 attending was Bach’s Concerto for Four Pianos. And that performance was probably going to be a North Bay premiere. However, it wasn’t the highl
RECITAL REVIEW

Jeffrey LaDeur July 17 at Spring Lake Village

PUNGENT WALTZES AND VIRTUOSITY IN LADEUR'S SLV RECITAL

by Terry McNeill
Wednesday, July 17, 2019

San Francisco based pianist Jeffrey LaDeur has become one of the most sought-after North Bay virtuosi, and cemented that reputation July 17 in a short but eclectic recital in Santa Rosa’s Spring Lake Village Chamber Music Series.

Before 140 in the Village’s auditorium Mr. LaDeur began with Schubert’s lovely E-Flat Major work from the Drei Klavierstücke, D. 946, a piece from the composer’s last year that juxtaposes an energetic section with modulations into with two poignant episodes. He played it at a good clip with admirable clarity, at times a little to fast with scant attention to phrase ending ritards. The pianist inserted beguiling short pauses, reminiscent of much Schubert from the early “Grazer” Fantasy to the last B-Flat Sonata. It was convincing if a tad perfunctory.

In remarks to the audience Mr. LaDeur spoke of three Schubert Waltzes from Twelve Valses Nobles, D. 969, and how they influenced Ravel. Two he played were lilting and effective, the second familiar from Liszt’s transcription in his Soirées de Vienne and beguiling in recordings of Rosenthal and Horowitz. All the Schubert was played from score, and proved that the great composer’s music should not be sentimental but full of sentiment. The pianist’s interpretation was often aggressive and right hand thirds never failed him.

Two of Ravel’s works from the early 1900s came next, the popular Valses Nobles et Sentimentales and the first part (Ondine) from the exciting Gaspard de la Nuit suite of 1908. Mr. LaDeur prefaced the seven Waltzes by showing at the piano how masterfully Ravel transfigured Schubert’s muses, with dissonances and sound that he characterized as sometimes “an out of tune guitar and a car horn.”

Playing without score the pianist’s interpretation was the evening’s highlight with many small climaxes, elegantly shaped themes, pedal point in the bass and in the one really fast dance a circus-like feeling. It was a reading that could quickly change from shrillness to a slow atmospheric sonority and finally a beautiful concluding shimmer of sound. Captivating.

Ondine is usually played quite fast (as is the last piece in the Suite, Scarbo) but Mr. LaDeur’s approach featured a judicious tempo, aiming again for clarity and artful balance between the hands. His pedaling never allowed the music to become blurred, even with the forte descending bass phrases that the hall’s piano produced with a palpable roar. Of course many in the audience wanted the two ending movements, but the time schedule did not permit it, and the pianist closed with Chopin’s Op. 46 Allegro de Concert.

It was a muscular interpretation of the rarely heard work, said to be a discarded attempt by Chopin of a third concerto. Here in 12 minutes Mr. LaDeur didn’t let much air into the piece with little consideration to slowing at phrase endings and cantilena secondary to momentum, although there was charm in the tunes that as in all Chopin are operatic, and the pianist’s clean scales and fast appoggiaturas were splendid. It’s a work than can easily be overplayed but, well, it is a scintillating showpiece, and Mr. LaDeur’s virtuosity produced a standing ovation and happy faces from Spring Lake Village residents.

No encore was offered.