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Chamber
SPARKLING WIND, STRING, HARP MUSIC AT DEVON HOUSE GARDEN CONCERT
by Abby Wasserman
Saturday, October 9, 2021
Take a mild autumn evening, a garden gazebo with patterned rugs and lit with soft bulbs, shake in a fine chamber ensemble, add a rising new moon, and you have a recipe for the musical delight that violist Elizabeth Prior presented Oct. 9 in her Devon House Garden Concert series. The Marin Terra Li
Recital
AUTHORITATIVE BEETHOVEN SONATA IN KLEIN'S OCCIDENTAL RECITAL
by Terry McNeill
Friday, October 8, 2021
People attending the first Redwood Arts Council Occidental concert in 20 months found a surprise – a luxurious new lobby attached to the Performing Arts Center. It was a welcome bonus to a recital given by pianist Andreas Klein where the music seemed almost as familiar as was the long shuttered hal
Symphony
MOVIE MUSIC ON THE WINDSOR GREEN IN SO CO PHIL SEASON OPENER
by Terry McNeill
Sunday, October 3, 2021
People approaching the Windsor Green bandstand Oct. 3 for the Sonoma County Philharmonic’s season opening concert had some cause for concern. After 18 months of silence would the all-volunteer orchestra have enough musicians for a big movie music program? After all, performers can move, retire, or
Symphony
SANTA ROSA SYMPHONY RETURNS IN TRIUMPH
by Steve Osborn
Sunday, October 3, 2021
It is often the case that a single piece or performer steals the show at a symphony concert, but at the Oct. 3 performance of the Santa Rosa Symphony, the show itself stole the show. The concert opened with a serene 1982 tone poem by Libby Larsen, followed by a masterful performance by soloist Julia
Symphony
TWO WIND SOLOISTS CHARM AT SSU ORCHESTRA CONCERT IN WEILL
by Terry McNeill
Sunday, September 26, 2021
The house of music has many rooms. That dusty adage was never truer than when Weill Hall Sept. 25 hosted a roaring New Orleans-style musical party, and less than a day later a mostly sedate Sonoma State University student orchestra performance. Before a crowd of 200 conductor Alexander Kahn led a
Other
CLEARY'S NEW ORLEANS BAND IGNITES PARTY FOR THE GREEN AT SSU
by Terry McNeill
Saturday, September 25, 2021
A dramatic and unique start to the new Green Music’s Center’ 2021-2022 season exploded in a “Party for the Green” Sept. 25, a New Orleans (NO) style commotion featuring Jon Cleary and his Absolute Monster Gentlemen band, inside and outside of Weill Hall. Beginning with a private gourmet dinner in t
GAULIST FLAVOR IN FINAL SF PIANO FESTIVAL CONCERT AT OLD FIRST
by Terry McNeill
Sunday, August 29, 2021
Final summer music festival programs are often a mix of what has come before, with the theme and even a featured composer taking a last stage appearance, with a dramatic wrap up composition. San Francisco’s International Piano Festival defied the norm August 29 with an eclectic French-flavored prog
SPARE DUO PRECEDES MYSTEROUS DUO AT DEN BOER RECITAL
by Terry McNeill
Friday, August 27, 2021
In a departure from usual summer festival fare Julia Den Boer played an August 27 virtual recital in the San Francisco Piano Festival’s 4.5 season with four works, all mostly quiet but all in separate ways insistently demanding of artist and listener. Throughout the 40 minutes there was nary a powe
HARMONIC COMPLEXITY IN PHILLIPS' ALL-GRIFFES RECITAL
by Terry McNeill
Friday, August 20, 2021
Charles Griffes’ piano music is similar to that of Busoni, Reger and even Poulenc, in that there is a sporadic flourish of interest with concerts and scholarly work, then a quick fade into another long period of obscurity. So, it was a delight to have an all-Griffes recital August 20 on the San F
Chamber
ONE PIANO, TWO PIANO, THREE PIANO, FORE
by Terry McNeill
Thursday, July 29, 2021
Schroeder Hall was nearly full July 29 for the final pianoSonoma concert of their season, and presumably the draw and highlight for many of the 150 attending was Bach’s Concerto for Four Pianos. And that performance was probably going to be a North Bay premiere. However, it wasn’t the highl
RECITAL REVIEW
Sky Hill Cultural Alliance / Sunday, September 22, 2019
Elizabeth Walter pianist

Elizabeth Walter Playing Mozart Sept. 22 in Petaluma

GINASTERA'S PERCUSSIVE SONATA SHINES IN WALTER'S PETALUMA RECITAL

by Terry McNeill
Sunday, September 22, 2019

Elizabeth Walter has had considerable impact on Petaluma’s classical music scene, actively promoting music programs in schools, producing concerts through her Sky Hill Cultural Alliance, and playing benefit concerts to raise funds for music in area schools. Sporadically she performs just for the music itself, and Sept. 22 found her in recital in the cozy Petaluma Historical Museum.

Programming four sonatas and playing from score throughout, the artist began with Mozart’s lyrical B Flat Sonata, K. 333, in a performance that featured relaxed tempos and conventional phrasing. The house piano has a bright and tonally thin top end that surprisingly added to the thematic and harmonic clarity. Trills in the charming andante cantabile were even, and in the extended rondo Ms. Walter departed from her temperate reading by letting in some musical “light” in the novel cadenza. The section is unique to Mozart’s 18 principal sonatas, and it was played with brio.

Beethoven’s early C Minor Sonata, Op. 13 (“Pathétique”) completed the first half, with Ms. Walter emphasizing some of the raw drama in the writing, with a judicious tempo in the opening grave-allegro. The held fermatas were loud and delicious. A strict tempo characterized the lovely adagio with just a little speed up in the middle, and steadfast rhythms in the rondo finale. Right-hand voices were underscored and sonic emphasis was changed where Ms. Walter wanted more sound in close hand positions.

In announcing Ravel’s Sonatine (a short sonata) from 1905, the pianist mentioned that it’s mostly a nostalgic minuet, and that her dog is named “minuet.” This playful work is seemingly uncomplicated, but the pianist’s measured rubato and direct approach lacked only richness of tone color, with the instrument both an ally and foe. The animé section had an elegant wash of sound.

A cornerstone in Ms. Walter’s repertoire, Ginastera’s Op. 22 Sonata, was the afternoon’s highlight, and extends the energetic Danzas Argentinas (composed 15 years prior) into a high-temperature percussive four-movement work of exceptional force. Ms. Walter rose to the occasion with the requisite contrary double octaves, heavy damper pedal and often-breathless potent speed. She caught the mystery of the rhapsodic adagio molto, and drove headstrong into the ostinato that concludes a wild sonic ride over fifteen minutes. There was introspection and also loud contrasts, and the small audience generated a resonant ovation at the final chord.

Ms. Walter’s pianism in this recital was secure and often forceful, and she eschewed histrionics and wayward realizations in favor of careful attention to the score and letting these majestic works unfold convincingly.