Symphony
MYSTICAL PLANETS AND LIVELY GERSHWIN ORTIZ AT FINAL SRS CONCERT
by Peter Lert
Sunday, May 4, 2025
Symphony
VSO'S CONCERT MUSIC OF TIME, MUSIC OF PLACE
by Peter Lert
Sunday, April 27, 2025
Choral and Vocal
VOCAL ELEGANCE AND FIRE AT THE 222'S RECITAL APRIL 26
by Pamela Hicks Gailey
Saturday, April 26, 2025
CANTIAMO SONOMA SINGS AN INSPIRED GOOD FRIDAY MOZART REQUIEM CONCERT
by Pamela Hicks Gailey
Friday, April 18, 2025
DRAMATIC SHOSTAKOVICH SYMPHONY CLOSES PHILHARMONIC'S 25TH SEASON
by Terry McNeill
Sunday, April 13, 2025
LARGE COLLEGE OF MARIN AUDIENCE GREETS STOPHER ARTISTRY
by Terry McNeill
Saturday, April 5, 2025
Chamber
FRISSON DELIVERS SHIVERS OF DELIGHT
by Abby Wasserman
Sunday, March 30, 2025
OLD AND MOSTLY NEW IN SRS MARCH CONCERT IN WEILL
by Peter Lert
Saturday, March 22, 2025
Symphony
TWO FORMIDABLE SYMPHONIES AND PURPLE MOUNTAINS AT SRS CONCERT
by Peter Lert
Sunday, February 23, 2025
Chamber
THE PARKER CAPTURES DEMANDING ADES QUARTET AT RAC SEBASTOPOL CONCERT
by Peter Lert
Saturday, February 15, 2025
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 Rubicon Trio |
RUBICON'S VIRTUAL CONCERT A MALANGE OF CONTRASTS
by Terry McNeill
Sunday, May 16, 2021
The inaugural concert of a new Mendocino County chamber group is a reason for celebration, and the Rubicon Trio made the most of a mixed musical menu during a May16 virtual concert.
Presented by the Ukiah Symphony Orchestra as the last in their “Salons with the Symphony” Series, the Rubicon began with the Op. 2 Buxtehude Trio Sonata. I can’t recall a Buxtehude piece on any North Coast program, save perhaps for a sporadic work at the Redwood Guild of Organist’s events. Pianist Ben Rueb had the continuo part, with violinist Jeff Ives and cellist Joel Cohen playing the themes, with Mr. Cohen’s instrument (originally a Gamba) adding warmth.
Each piece was recorded in a private home, and the Scherzo from Brahms’ Op. 87 Trio should have benefited from the piano’s sonic depth, generated by Mr. Rued using a rarely-encountered 278cm Fazioli. Alas, the performance was tame and felt underpowered, even allowing for the richness of the glorious middle section of the 1882 work.
Mr. Ives and Mr. Cohen played captivating duos in Suk’s Op. 23 Elegie, with Mr. Cohen’s wide vibrato perfectly suiting the lush music. The mood of nostalgia was effectively pierced by the demanding second theme, the Rubicon balancing well the contrasts. It was a concert highlight.
Mr. Ives’ introductory remarks mentioned his personal affinity for Haydn, so the ensemble playing of the second (Andante) and third (Allegro) movements of the D Major Trio (No. 38) were a lyrical success. The soft repeated chords and the slow march were well played, with accurate intonation. The single Prelude and Fugue section of Turina’s three-movement Op. 35 Trio sounded at times as a lament, with a strange "backwards" fugue at the end and a deceptively simple fantasy phrases featuring Mr. Cohen’s burnished long solo line.
Concluding was Rubicon’s playing of Paul Schoenfeld’s popular Café Music, a three-movement mélange of fetching jazz and swing rhythms written in 1987. The second Andante Moderato was given a good but at times less-than-buoyant reading. The adventuresome offbeat rhythms proved tricky to manage. Harmonic pointing in the playing was convincing.
The concert was initially marred by a 15-minute technical delay where alternating lack of sound and visuals irritated subscribers that posted comments on the video chat page. Equally pesky was the video being out of focus for the entire time, perhaps the result of the music being live and the recording tech not paying attention to the feed. Usually virtual concerts are taped to avoid this danger.
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