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CLARA SCHUMANN TRIO COMMANDS VOM CHAMBER MUSIC CONCERT AT HANNA
by Terry McNeill
Saturday, July 24, 2021
The Valley of the Moon Chamber Music Series has begun several virtual and a few live concerts in its new seventh season, some broadcast from Sonoma’s Hanna Center Hall and some in posh local venues. July 24’s video had a small live audience and a well-produced video program of three works. Titled “
Chamber
EXEMPLARY QUARTET PLAYING IN MENDO FESTIVAL FT. BRAGG CONCERT
by Terry McNeill
Wednesday, July 21, 2021
Faced with the impossibility of presenting concerts in the iconic large white tent on the bluff, the Mendocino Music Festival opted to use Ft. Bragg’s Cotton Auditorium for ten events in the abbreviated 35th season. San Francisco’s Alexander String Quartet played July 21 to a fully masked audience
Chamber
ECLECTIC PROGRAMMING AT PIANOSONOMA CONCERT IN SCHROEDER HALL
by Pamela Hicks Gailey
Tuesday, July 20, 2021
After a dark year bereft of live performance, pianoSonoma launched July 20 the first Vino & Vibrato concert of the 2021 season in Sonoma State's Schroeder Hall, albeit sadly senza vino due to Covid protocols. Three exceptional musicians showered the audience with an interesting variety of pia
Chamber
RARELY-PLAYED SCHUMANN HIGHLIGHTS HEALDSBURG RECITAL
by Terry McNeill
Saturday, July 10, 2021
Brave New Music sporadically produces concerts in and around Healdsburg, and July 10’s violin recital in downtown St. Paul’s Church must have been one of the first post-lockdown, post-be-extra-careful classical music concerts in Sonoma County's summer season. New Music Founder Gary McLaughlin with
Chamber
ECHOS ON A WARM SUMMER NIGHT
by Abby Wasserman
Saturday, July 10, 2021
ECHO Chamber Orchestra’s first concert in a year and a half, “A Musical Promenade,” was a promenade indeed. When patrons arrived at San Anselmo’s First Presbyterian Church for the 6:00 performance July 10, they were funneled through the garden to the Duncan Hall patio, where folding chairs were set
Chamber
LONG DISTANCE LOVE BEGINS VOM SUMMER FESTIVAL
by Pamela Hicks Gailey
Thursday, June 24, 2021
The Valley of the Moon Music Festival offered a 7th season preview June 24 with a stunning online concert, aptly named Long Distance Love, featuring inspired performances of Beethoven's short song cycle An die ferne Geliebte,, and selections from Brahms’ beloved Liebeslieder Wal
Recital
ROMERO'S ARTISTRY IN SLV RECITAL PROGRAMMING AND PERFORMANCE
by Terry McNeill
Wednesday, June 2, 2021
Gustavo Romero has been an admired visitor to North Bay stages, playing over a decade recitals at Dominican University, the Music at Oakmont concerts and at the Spring Lake Village Concert Series. He returned June 2 to SLV in a virtual recital, videoed from his home concert hall the University of N
RUBICON'S VIRTUAL CONCERT A MALANGE OF CONTRASTS
by Terry McNeill
Sunday, May 16, 2021
The inaugural concert of a new Mendocino County chamber group is a reason for celebration, and the Rubicon Trio made the most of a mixed musical menu during a May16 virtual concert. Presented by the Ukiah Symphony Orchestra as the last in their “Salons with the Symphony” Series, the Rubicon began w
Recital
PIANO VIRTUOSITY IN YAKUSHEV'S REDWOOD ARTS RECITAL
by Nicki Bell
Sunday, May 16, 2021
Russian pianist Ilya Yakushev’s recital for the Redwood Arts Council was perhaps the local season’s virtual music at the greatest distance, as the filming May 16 came from a church in St. Petersburg. And good filming it was, with multiple camera viewpoints of the church, full and split screens and
Chamber
STYLISH HAYDN QUARTETS CLOSE GREEN ROOM SERIES
by Terry McNeill
Sunday, May 9, 2021
Completing the Green Music Center’s spring series series of “Green Room” virtual concerts, the St. Lawrence String Quartet played May 9 a lightweight program of two Haydn works. Lightweight perhaps, but in every way satisfying. The G Major Quartet (Op. 76, No.1) began the music that was supplement
CHAMBER REVIEW
Valley of the Moon Music Festival / Thursday, June 24, 2021
Nikki Enfeld, soprano; Emily Marsh, contralto; Kyle Stegall, tenor; Edward Nelson, baritone; Allegra Chapman and Eric Zivian, piano

Tenor Kyle Stegall

LONG DISTANCE LOVE BEGINS VOM SUMMER FESTIVAL

by Pamela Hicks Gailey
Thursday, June 24, 2021

The Valley of the Moon Music Festival offered a 7th season preview June 24 with a stunning online concert, aptly named Long Distance Love, featuring inspired performances of Beethoven's short song cycle An die ferne Geliebte,, and selections from Brahms’ beloved Liebeslieder Waltzes, Ops. 52 and 65, for vocal quartet and piano four-hands.

This delightful half-hour of pristine ensemble singing and playing was the perfect promotion for the upcoming Festival itself, which is entitled Love and Longing: Reaching Across the Distance. The Festival runs July 17 through August 1, and comprises both online zoom and in-person performances at Sonoma’s Hanna Boys Center. After 15 months of live performance deprivation, this marks a joyous return for Festival participants and patrons alike.

An die ferne Geliebte (To the distant beloved, 1816) has the distinction of being the first song cycle as we know it, serving as the model for all of the great cycles of Schubert, Schumann, Brahms and others that were to follow. For his text, Beethoven obtained a set of poems written by an acquaintance, a young Austrian doctor Alois Jeitteles. The poems describe the emotions and circumstances accompanying separation from one’s beloved, a theme presumably close to the composer's heart, and now even closer perhaps to this year's particular audience, for whom the last fifteen months of forced separation from loved ones has been a painfully odd and unfamiliar challenge. These six sparkling gems describing love's longing, joy and sadness in the context of being immersed in nature, and were brought to radiant life by the intensely romantic, thoughtful, masterful and sweet singing of tenor Kyle Stegall and the virtuosic playing of pianist (and Festival founder and director) Eric Zivian.

Although the Liebeslieder Waltzes (composed 1868- 1874) are now most familiar as literature standards for full chorus, the original intent was for them to be performed with four solo singers in quartet and four-hands piano, and they work gloriously this way. For his texts Brahms used folk songs and love poems from Georg Friedrich Daumer's collection entitled Polydora. These little songs also dwell on the difficulties of love, particularly when it is unrequited or frustrated by separation, a condition with which Brahms himself was well-acquainted.

Soprano Nikki Einfeld, contralto Emily Marvosh, tenor Kyle Stegall and bass Edward Nelson formed a robust, yet perfectly nuanced and balanced quartet, with beauty of voice and intonation, excellent German and strong intercommunication. Pianists Eric Zivian and Allegra Chapman provided a dazzling four-hand collaborative performance.
This abundance of gifts and skills made for an engrossing 30 minutes, and was the perfect teaser for the upcoming festival.

The proceedings were expertly recorded by Boby Borisov and filmed/edited by Mike Grittani, with satisfying acoustical tone and balance, lighting and atmosphere. And happily, all the festival recordings will be available to the audience for repeat listening until the end of 2021.