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Chamber
FAMILIAR AND NEW - TRIO NAVARRO'S SPRING CONCERT IN WEILL
by Terry McNeill
Sunday, April 21, 2024
Symphony
MONUMENTAL MAHLER 5TH IN SO CO PHIL'S SEASON ENDING CONCERT
by Terry McNeill
Sunday, April 14, 2024
Chamber
OAKMONT SEASON CLOSES WITH STRAUSS' PASSIONATE SONATA
by Terry McNeill
Thursday, April 11, 2024
Chamber
MORE GOLD THAN KORN AT ALEXANDER SQ CONCERT
by Terry McNeill
Sunday, April 7, 2024
Choral and Vocal
VIBRANT GOOD FRIDAY REQUIEM AT CHURCH OF THE ROSES
by Pamela Hicks Gailey
Friday, March 29, 2024
TWO OLD, TWO NEW AT THE SR SYMPHONY'S MARCH CONCERT IN WEILL
by Peter Lert
Saturday, March 23, 2024
Chamber
NOT A SEVENTH BUT A FIRST AT SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Wednesday, March 20, 2024
THIRTY-THREE PLUS VARIATIONS AND AN OCEAN VIEW
by Terry McNeill
Saturday, March 16, 2024
Choral and Vocal
A ST. JOHN PASSION FOR THE AGES
by Abby Wasserman
Friday, March 8, 2024
Choral and Vocal
SPLENDID SCHUBERT SONGS IN SANET ALLEN RECITAL
by Terry McNeill
Saturday, March 2, 2024
CHAMBER REVIEW
Spring Lake Village Classical Music Series / Wednesday, January 24, 2024
Anna Maria Mendieta, harp

Harpist Anna Maria Mendieta

VIRTUOSIC HARP RECITAL AT SPRING LAKE VILLAGE SERIES

by Terry McNeill
Wednesday, January 24, 2024

Not within memory has there been a formal North Coast harp recital, but Santa Rosa’s Spring Lake Village Concert Series produced one Jan. 24 with virtuoso harpist and consummate entertainer Anna Maria Mendieta.

Before a full house Ms. Mendieta performed a catholic recital of works from mostly known composers, in classy arranges for her instrument. The tall golden Lyon and Healy concert harp was placed on the hall’s stage with a silk cloth shielding the seven pedals from view.

Sonics in the non-reverberant hall were clear and the artist gave an extended verbal introduction to her program, and then ample verbal information on each of the 11 works, beginning with the ever popular Greensleeves and Dussek’s lively and charming Sonatina. Apart from Piazzolla’s long and fascinating Introduccíon al Ángel Ms. Mendieta played without score. Three small bells were sporadically heard in the menacing Piazzolla. Finger technique and control of the instrument’s sonority were exemplary, even with the difficult high treble strings.

Highlights were frequent: Debussy’s shimmering En Bateau; Albéniz’s Asturias with flamenco flavors and potent volume from concentrated close hand technique; and the closing Lecuona Malagueña’s many tempo changes and sweeping arpeggios.

Audience favorite seemed to be the Robert Maxwell’s Ebb Tide and a spiced up variations mélange from Rogers and Hammerstein’s iconic 1959 Broadway show The Sound of Music. Schmaltzy stuff? Certainly not in Ms. Mendieta’s virtuosic and charming interpretations.