Mozart’s enchanting Overture to his opera The Magic Flute, a miniature tapestry of gems from the 1791 work, opened the Marin Symphony’s final concert of the 2018-2019 season. Under conductor Alasdair Neale, the playing of the sprightly seven-minute piece by a reduced-size classical ensemble sparkled like crystal.
It was Mozart’s practice to compose an overture after completing the respective opera score, so the piece contains intimations of all that is to come: evocation of earth and s... more
Violinist Gil Shaham may be the most modest virtuoso on the concert stage today, and it is the great music he most wishes to put forward, never himself. Generosity, a quality he is known for, was abundantly clear in Weill Hall April 26 when he performed, with pianist Akira Eguchi, a generous program spanning four centuries of music.
The duo opened the program with Kreisler’s exhilarating Praeludium and Allegro. The piece, which Kreisler pretended for years was by the Baroque composer Ga... more
Exciting timbral sound and intricate counterpoint, made possible when two artists with complementary instruments play together, were richly explored by violinist Anne Akiko Meyers and guitarist Jason Vieaux March 30 in Weill Hall. Whether in close harmony, or unison, or weaving separate melodies together, they shared exquisite music to an appreciative audience of 900.
One pleasure of hearing two master musicians is that there are seemingly few barriers to what they can do. The musical ... more
Piano quartets are relatively rare in the classical literature, and there are only about 40 compositions for the combination of piano, violin, viola and cello, mostly from the Romantic period of the mid to late 1800s. It therefore was special March 24 to hear three great works of this medium, performed by the Fauré Quartett from Germany in Mill Valley Chamber Music Society’s season closer at the Mt. Tamalpais Methodist Church.
The Fauré (Dirk Mommertz, piano; Erika Geldsetzer, violin; S... more
A big portion of the capacity audience in Weill Hall February 8th came to hear violinist Joshua Bell’s virtuosity, and were treated as well to splendid playing from Sam Haywood, Mr. Bell’s regular pianist since 2010. The duo performed three engaging sonatas, highlighted by Mr. Bell’s sterling technique, precise intonation and powerful thematic projection. An easy rapport between the two was a joy to hear and observe.
Beethoven’s enigmatic fourth Sonata 4 in A minor, Op. 23, opened the ... more
The Marin Symphony’s second Masterworks concert of the 2018-19 season featured works by John Adams, Sibelius and Brahms, a masterful assembly. In a spoken introduction before the program’s first half, conductor Alasdair Neale primed the audience for the “terra incognita” of Adams’ The Chairman Dances and Sibelius’ Symphony No. 7. The more familiar Brahms Piano Concerto No. 2 occupied the entire second half, with soloist Orion Weiss.
The Chairman Dances was composed in the 1980s while A... more
In its third concert of the season the Mill Valley Chamber Music Society Jan. 13 presented Russian virtuoso Nikolay Khozyainov. His intelligent and sensitive interpretations, masterful pedal work, and virtuoso technique left the near-capacity audience in Mt. Tamalpais Methodist Church astounded and gratified.
His program began tenderly with the opening bars of Chopin’s F Major Ballade No. 2, Op. 38, contrasting gentle passages with thunderous outbursts to evoke manifold emotions. Then h... more