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Recital
MTA BENEFIT CONCERT FEATURES FAURE, DVORAK, JANACEK AND BARBER WORKS
by Terry McNeill
Sunday, November 11, 2018
In a splendid concert Nov. 11 the Music Teachers Association of California, Sonoma County Chapter, presented their sixth annual benefit concert before 40 avid listeners in the Santa Rosa home of Helen Howard and Robert Yeats. Highlights of the performances, involving eight musicians in various perf...
Recital
SERKIN'S SINGULAR MOZART AND BACH PLAYING IN WEILL RECITAL
by Terry McNeill
Friday, November 09, 2018
Returning to Weill Hall following a fire-related recital cancellation in 2017, pianist Peter Serkin programmed just three works in his Nov. 7 concert, three masterworks that challenged both artist and audience alike. It needs to be said at the outset that Mr. Serkin takes a decidedly non-standard a...
Chamber
LUMINOUS FAURE TOPS LINCOLN TRIO'S SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Wednesday, November 07, 2018
Familiarity in chamber music often evokes warm appreciation, and it was thus Nov. 7 when the Chicago-based Lincoln Piano Trio made one of their many Sonoma County appearances, this time on the Spring Lake Village Classical Music Series. Regularly presented by local impresario Robert Hayden, the Lin...
Symphony
PEACE AND LOVE FROM THE SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, November 04, 2018
Before the Santa Rosa Symphony’s Nov. 4 performance of Leonard Bernstein’s “Symphonic Dances from West Side Story,” Symphony CEO Alan Silow took a moment to acknowledge the victims of the Pittsburgh synagogue attack and to observe that music offers a more peaceful and loving view of the world. Mr. ...
Chamber
ATOS TRIO IN MILL VALLEY CHAMBER CONCERT
by Abby Wasserman
Sunday, November 04, 2018
When the ATOS Piano Trio planned their all-Russian touring program at their Berlin home base, it had a strong elegiac, even tragic theme that surely resonated with their Mill Valley Chamber Music Society audience Nov. 4 in Mill Valley. Comprised of Annette von Hehn, violin; Thomas Hoppe, piano; and...
Chamber
ATOS TRIO IN OCCIDENTAL CHAMBER CONCERT
by Terry McNeill
Saturday, November 03, 2018
When the Berlin-based ATOS Piano Trio entered the cramped Occidental Performing Arts stage Nov. 3, the audience of 100 anticipated familiar works in the announced all-Russian program. What they got was a selection of rarely-plays trios, with a gamut of emotions. Then one-movement Rachmaninoff G Mi...
Symphony
MIGHTY SHOSTAKOVICH 10TH OPENS MARIN SYMPHONY SEASON
by Terry McNeill
Sunday, October 28, 2018
Just two works were on the opening program of the Marin Symphony’s 67th season Oct. 28, Tchaikovsky’s iconic D Major Violin Concerto, and Shostakovich’s Tenth Symphony. Before a full house in the Marin Center Auditorium conductor Alasdair Neale set a judicious opening tempo in the brief orchestra i...
Symphony
VIVALDI FOR ALL SEASONS IN WEILL BAROQUE CONCERT
by Sonia Morse Tubridy
Saturday, October 27, 2018
The Venice Baroque Orchestra, a dozen superb musicians that include strings, harpsichord and recorder, played an uplifting concert Oct. 27 of mostly Vivaldi sinfonias and concertos. The Weill Hall audience of 600 had rapt attention throughout, and the playing was of the highest musical level. This r...
Recital
LIN'S PIANISM AND PERSONA CHARM SCHROEDER HALL AUDIENCE
by Terry McNeill
Sunday, October 21, 2018
In somewhat of a surprise a sold out Schroeder Hall audience greeted pianist Steven Lin Oct. 21 in his local debut recital. Why a surprise? Because Mr. Lin was pretty much unknown in Northern California, and Schroeder is rarely, very rarely sold out for a single instrumentalist. But no matter, and...
Chamber
HEROIC TRUMPET AND ORGAN MUSIC AT INCARNATION
by Jerry Dibble
Friday, October 12, 2018
The strong connections between Santa Rosa’s musical community and California State University Chico were on display Oct. 12 as David Rothe, Professor Emeritus in the Chico Music Department, and Ayako Nakamura, trumpet with the North State Symphony, presented a concert titled “Heroic Music for Trumpe...
CHAMBER REVIEW
Trio Navarro / Sunday, April 24, 2011
Roy Malan, violin
Jill Rachuy Brindel, cello
Marilyn Thompson, piano

Trio Navarro at SSU Easter Sunday Concert

ROREM'S KNOTTY SPRING MUSIC PLAYED BY TRIO NAVARRO AT SSU CONCERT

by Terry McNeill
Sunday, April 24, 2011

Continuing a stellar history of innovative piano trio programming, the resident SSU Trio Navarro closed their season April 24 in an Easter Sunday concert replete with two large novelties and a slightly more familiar work by Beethoven.

Before 90 listeners in the Green Music Center’s orchestra rehearsal room, the Navarro first tackled Rorem’s Spring Music, an eclectic 1990 work premiered by the Beaux Arts Trio. In five extended movements, the music isn’t easy to easily assimilate and in his introductory remarks violinist Roy Malan alluded to the composer’s clever compositional nature and the sobriquet of music’s “bad boy.” Both references have validity, though in at least the last century George Antheil could lay claim to both epithets. But Rorem is very much alive, each of his many books a salacious experience and his large oeuvre provocative, especially in the non-vocal pieces.

The Spring Music I found haunting, the three instrumental lines often far apart and then often in unison, and an insistent rhythmic pulse everywhere in evidence save for a lyrical Fantasia section. In this section cellist Jill Rachuy Brindel has long solos in a low register and in duos with Roy Malan’s violin line. Low frequencies in the cello were rich. Pianist Marilyn Thompson never overpowered her colleagues and the part oddly was frequently removed from the instrumental texture with loud bass chord crashes and propulsive right-hand skips for the piano and high tessitura for the violin.

This is a work of sharp contrasts and often contradictory character, and also it’s a piece of glorious instrumental sound that the composer manipulates deftly and the afternoon’s highlight for this reviewer. Was it well played? I suspect so, at least on a single hearing amid the less-than-reverberant acoustics of the room.

The first half ended with a late 19th Century novelty, Carl Frühling’s A Minor Trio, Op. 40. It’s Brahmsian from the first measure and through four movements never retreats from an initial bucolic outlook. There are continual harmonic references to Franck’s Quintet, written 20 years earlier, and to the music of Louis Vierne and St. Saens’ lush tone poem “Omphales’s Spinning Wheel.” At times thick and insurgent harmonies blurred the lyrical nature of the work and it was at turns repetitious. The Navarro played it with gusto and a sprinkle of wrong notes in the piano. The big Brahms-like phrases in the coda of the finale Allegro vivace brought this strange work to a powerful conclusion.

If Rorem could be described as clever and Frühling imitative, neither could be said of Beethoven and his E-Flat Major Trio, Op. 70, No. 2, the sole second half work. The Bonn master is endlessly inventive in this cheerful trio, a close partner in style and sound to the Op. 69 cello sonata. There was cohesive playing in the opening Poco sostenuto as well as the following two Allegretto movements. The Narvarro’s strengths were readily apparent, rhythmic security and etched vocal lines, but also some sloppy ensemble playing and persistent intonation problems from Mr. Malan. In the Allegro finale there was stylish playing, the movement’s joy readily communicated. No encore was offered.

Finishing another exemplary season the Trio Navarro continued its long string of exploration of provocative works with the Rorem’s bracing music overshadowing the lyrical Frühling and the systematic Beethoven reading. An energetic balance indeed for a warm spring day concert.