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Recital
MTA BENEFIT CONCERT FEATURES FAURE, DVORAK, JANACEK AND BARBER WORKS
by Terry McNeill
Sunday, November 11, 2018
In a splendid concert Nov. 11 the Music Teachers Association of California, Sonoma County Chapter, presented their sixth annual benefit concert before 40 avid listeners in the Santa Rosa home of Helen Howard and Robert Yeats. Highlights of the performances, involving eight musicians in various perf...
Recital
SERKIN'S SINGULAR MOZART AND BACH PLAYING IN WEILL RECITAL
by Terry McNeill
Friday, November 09, 2018
Returning to Weill Hall following a fire-related recital cancellation in 2017, pianist Peter Serkin programmed just three works in his Nov. 7 concert, three masterworks that challenged both artist and audience alike. It needs to be said at the outset that Mr. Serkin takes a decidedly non-standard a...
Chamber
LUMINOUS FAURE TOPS LINCOLN TRIO'S SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Wednesday, November 07, 2018
Familiarity in chamber music often evokes warm appreciation, and it was thus Nov. 7 when the Chicago-based Lincoln Piano Trio made one of their many Sonoma County appearances, this time on the Spring Lake Village Classical Music Series. Regularly presented by local impresario Robert Hayden, the Lin...
Symphony
PEACE AND LOVE FROM THE SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, November 04, 2018
Before the Santa Rosa Symphony’s Nov. 4 performance of Leonard Bernstein’s “Symphonic Dances from West Side Story,” Symphony CEO Alan Silow took a moment to acknowledge the victims of the Pittsburgh synagogue attack and to observe that music offers a more peaceful and loving view of the world. Mr. ...
Chamber
ATOS TRIO IN MILL VALLEY CHAMBER CONCERT
by Abby Wasserman
Sunday, November 04, 2018
When the ATOS Piano Trio planned their all-Russian touring program at their Berlin home base, it had a strong elegiac, even tragic theme that surely resonated with their Mill Valley Chamber Music Society audience Nov. 4 in Mill Valley. Comprised of Annette von Hehn, violin; Thomas Hoppe, piano; and...
Chamber
ATOS TRIO IN OCCIDENTAL CHAMBER CONCERT
by Terry McNeill
Saturday, November 03, 2018
When the Berlin-based ATOS Piano Trio entered the cramped Occidental Performing Arts stage Nov. 3, the audience of 100 anticipated familiar works in the announced all-Russian program. What they got was a selection of rarely-plays trios, with a gamut of emotions. Then one-movement Rachmaninoff G Mi...
Symphony
MIGHTY SHOSTAKOVICH 10TH OPENS MARIN SYMPHONY SEASON
by Terry McNeill
Sunday, October 28, 2018
Just two works were on the opening program of the Marin Symphony’s 67th season Oct. 28, Tchaikovsky’s iconic D Major Violin Concerto, and Shostakovich’s Tenth Symphony. Before a full house in the Marin Center Auditorium conductor Alasdair Neale set a judicious opening tempo in the brief orchestra i...
Symphony
VIVALDI FOR ALL SEASONS IN WEILL BAROQUE CONCERT
by Sonia Morse Tubridy
Saturday, October 27, 2018
The Venice Baroque Orchestra, a dozen superb musicians that include strings, harpsichord and recorder, played an uplifting concert Oct. 27 of mostly Vivaldi sinfonias and concertos. The Weill Hall audience of 600 had rapt attention throughout, and the playing was of the highest musical level. This r...
Recital
LIN'S PIANISM AND PERSONA CHARM SCHROEDER HALL AUDIENCE
by Terry McNeill
Sunday, October 21, 2018
In somewhat of a surprise a sold out Schroeder Hall audience greeted pianist Steven Lin Oct. 21 in his local debut recital. Why a surprise? Because Mr. Lin was pretty much unknown in Northern California, and Schroeder is rarely, very rarely sold out for a single instrumentalist. But no matter, and...
Chamber
HEROIC TRUMPET AND ORGAN MUSIC AT INCARNATION
by Jerry Dibble
Friday, October 12, 2018
The strong connections between Santa Rosa’s musical community and California State University Chico were on display Oct. 12 as David Rothe, Professor Emeritus in the Chico Music Department, and Ayako Nakamura, trumpet with the North State Symphony, presented a concert titled “Heroic Music for Trumpe...
CHAMBER REVIEW
Sonoma Classical Music Society / Friday, May 30, 2008
Elizabeth Dorman and Tanya Tomkins

Elizabeth Dorman and Tanya Tomkins

CELLO-PIANO DUO NOT QUITE RIPE

by Terry McNeill
Friday, May 30, 2008

Sonoma's Classical Music Society closed its fourth season May 30 with a program partly piano recital and partly chamber music.

Presented to 80 people in Sonoma's Burlingame Hall, cellist Tanya Tomkins joined pianist Elizabeth Dorman in Beethoven's flamboyant A Major Sonata, Op. 69, comprising the entire second half. Both artists had an exuberant view of the score and the cello sound in the hall was distinct and warm. Ms. Tomkins needed all the sound she could muster because balance problems pervaded the playing. Constantly pushing the tempo and aggressively stating the four-movement work's engaging themes, Ms. Dorman led the way to a sharply-seasoned but unsettling performance. It was frequently difficult to hear the cello line, though in the brief adagio cantabile the long-line was lovely.

The concert's first half was all piano, and this reviewer heard only the last movement of Beethoven's F-Sharp Major Sonata, Op. 78. The playing was expressive and idiomatic,
but was hampered along with the concluding Chopin works by the inadequate and fatigued house piano. Ms. Dorman, currently studying at the San Francisco Conservatory, gave extroverted readings of the F Major and F Minor Studies from Chopin's Op. 10 set, mastering the technical details of the left-hand arpeggios in No. 8 while grappling with indistinct right-hand scales. The instrument again may have been the culprit, and noisy trap work contributed to mix. The wide extensions in No. 9 were well mastered.

Arguably one of Chopin's greatest works, the titanic F-Minor Ballade, Op. 52 was convincingly played with the requisite drama and tension. Ms. Dorman has a strong rhythmic impulse and was in no hurry to get anywhere. Her rubato playing was unsubtle, but she has an innate understanding of what to do in this under-ten minute exploration of Chopin's genius. She took the pedal at measure 203, cutting off the chordal resonance, and was a wise choice. The cascade of pianistic colors in the coda was skillfully managed, inexorably driving to the final four chords. F Minor is a sinister key.

The Tomkins-Dorman duo would profit by programming more cello works of the standard literature, leaving the solo piano literature to a separate program. The two women are just beginning their collaboration, and based on this one Beethoven performance, it could be a fruitful partnership.