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Recital
HOME RECITAL BACH COMPLETES HOLIDAY SEASON
by Terry McNeill
Saturday, December 30, 2017
The just closing 2017 year was a calamity for many, but locally in music there were joys galore, and it was fitting Dec. 30 have the balm of two Bach’s violin sonatas in a private Guerneville home recital hosted by the eminent musician Sonia Tubridy. Violinist Richard Heinberg joined Ms. Tubridy in...
Choral and Vocal
A SEASONAL MESSIAH WITH BALANCE AND HEFT
by Terry McNeill
Sunday, December 10, 2017
The mid-December concert season seems for jaded reviewers to invariably include a Messiah performance, and perhaps a Messiah in a long string of similar and mundane performances. This was decidedly not the case when San Francisco’s Philharmonia Baroque mounted Handel’s eminent three-part 1742 Orato...
Symphony
ANDREW GRAMS FINDS HIS GROOVE WITH SR SYMPHONY IN RACHMANINOFF
by Steve Osborn
Sunday, December 03, 2017
Last Sunday’s Santa Rosa Symphony concert featured two elegant and refined guests: music director candidate Andrew Grams and pianist Stewart Goodyear. Both displayed dazzling technique and consummate artistry, but Goodyear was the more consistent of the two. Some of Grams’ inconsistency may have st...
Symphony
SONIC SPLASH AND ENSEMBLE DELICACY AT SO CO PHIL CONCERT
by Terry McNeill
Saturday, November 18, 2017
Franck’s wonderful D Minor Symphony is a rarity on today’s concert programs, and I can’t remember a North Bay performance in many years from any of the six resident area orchestras. So it was good to see the Sonoma County Philharmonic feature it in their Nov. 18 and 19 concerts at Santa Rosa High S...
Chamber
TETZLAFF QUARTET'S MASTERY IN MOZART AND SCHUBERT
by Terry McNeill
Saturday, November 11, 2017
German violin virtuoso Christian Tetzlaff presented a critically successful Weill Hall recital Feb. 18, and returned to the same venue Nov. 11 with his admirable Tetzlaff Quartet in a program of Berg, Schubert and Mozart. Clarity of ensemble has always been a hallmark of this Quartet, and contrapun...
Chamber
RAVISHING SHORT OPERAS FROM FRENCH TROUPE IN WEILL
by Terry McNeill
Friday, November 10, 2017
Standard Weill Hall fall and winter classical programs are pretty routine – symphonic music, chamber, solo recitals – so it was a rare treat Nov. 10 when just two works from the 17th century were gloriously presented. With such specialized compositions, period performers with commanding authenticit...
Symphony
MEI-ANN CHEN PROVES A WORTHY CONTENDER FOR SANTA ROSA SYMPHONY CONDUCTING POST
by Steve Osborn
Sunday, November 05, 2017
These days the focus of Santa Rosa Symphony concerts is as much on the conductor candidates as on the soloists. This past weekend’s concerts featured the second of those candidates, Mei-Ann Chen, along with pianist Nareh Arghamanyan, each of whom cut an imposing figure on the stage. Chen is diminut...
Symphony
TO RUSSIA WITH BRILLIANCE
by Terry McNeill
Friday, November 03, 2017
Russian pianist Denis Matsuev’s high velocity and frequently slam-bang virtuosity came to the Green Music Center last year with a thrilling and equally perplexing solo performance. So many in Weill Nov. 3 were interested to hear if his pianistic style would mesh well in a concerto, and with a fine ...
Symphony
THUNDEROUS TCHAIKOVSKY FOURTH OPENS MARIN SYMPHONY SEASON
by Terry McNeill
Tuesday, October 31, 2017
North Coast weather is turning cool and the nights longer, ideal for Tchaikovsky’s big boned symphonies. The Santa Rosa Symphony recently programmed the Fourth (F Minor Symphony) as did the San Francisco Symphony. Norman Gamboa’s Sonoma County Philharmonic just played the Tchaikovsky First, forgoi...
Recital
RESPIGHI'S PUNGENT SONATA HIGHLIGHTS KENNEY-GUTMAN RECITAL
by Terry McNeill
Sunday, October 29, 2017
Respighi’s B Minor Violin Sonata seems never to gain conventional repertoire status. Perhaps the great Heifetz recording is intimidating, and I can recall over many years just two local performances: Jason Todorov and William Corbett-Jones years go in Newman, and a titanic reading in March by Anne S...
CHORAL AND VOCAL REVIEW
Green Music Center / Sunday, September 30, 2012
Sunrise Concert. Sonoma State University Chorus and Chamber Singers; Santa Rosa Children's Chorus; Cantiamo Sonoma; Maria Carillo High School Chamber Singers; Sunrise Chamber Players; Jeff Langley, piano

Composer Jeff Langley

A POPULAR INAUGURATION; THE DELIGHTFUL SUNRISE CONCERT AT WEILL HALL

by Phillip Beard
Sunday, September 30, 2012

It’s hard to imagine a more fitting setting than the Sept. 30 Sunrise Concert for the popular – as opposed to “elite” – inauguration of the palatial, pre-legendary Weill Hall in the Green Music Center at Sonoma State University. You know something special is going on when you fill a 1,400-seat hall at 7 a.m., most of those 1,400 still rubbing the sleep from their eyes.

The elite inauguration, the one with all the tux-and-gown pooh-bahs and the solitary rock star, had of course taken place the previous evening, hugely impressive with its pomp and circumstance and speeches and its stunning recital by the world’s current leading pianist Lang Lang . This Sunrise Concert, by contrast, was entirely home-grown and consciously community-oriented: a choral program created by SSU’s own composer Jeff Langley and poet/drama coach Amanda McTigue, performed by a phalanx of local choruses and soloists and a 14-piece instrumental ensemble, the Sunrise Players, drawn primarily from the Santa Rosa Symphony. The conductor was SSU choral director Jenny Bent.

Host Lynne Morrow, another SSU music faculty fixture, welcomed the crowd invitingly and inclusively, delivering her own paean to the beautiful shared space, “an instrument that tunes us,” and rehearsing the audience for its sing-along role in the ode to music that would end the concert.

Then we were launched gently, first silently (what a magic moment of shared introspection!) then with brassy fanfare into a marvelous eight-song mélange of full-choir, small-choir, solo-voice, dual-voice, and instrumental numbers sometimes merging one into the other, sometimes ending on glorious full chords. They ran the musical gamut from mild harmonic edginess (in “Fanfare: Make Music”) to hymn-like strophic loveliness (“The Loving Cup”), to pop-tune sing-along good vibes (“Every Little Minute”). The texts, each a masterly poem in its own right, roamed from the sundry roles that music plays in our lives to the love that binds us together, whether intimately (“Love Is Our Lot”) or communally (“The Loving Cup” and “Every Little Minute”).

This triple focus, the interweaving of three thematic elements – love, music, community – provided the backdrop for myriad glistening moments. My favorites included soprano Carol Menke’s several stellar solos; the velvet trio offered by Jeff Langley at the piano, soprano Jenni Samuelson, and the amazing countertenor Chris Fritzsche, serendipitously blessed by the dawn sun rising over the hills to the east at the very moment of the vocal line “It’s the angle of the light, It’s the fading of the hills”.

In the Sunrise Players both Kathleen Reynolds’ flute and Roy Zajac’s clarinet playing stood out with warm resonance, along with the descant purity of the Santa Rosa Children’s Chorus. The larger ensemble, made up of the Maria Carrillo High School Chamber Singers, the SSU Symphonic Chorus, Cantiamo Sonoma, and the aforementioned Children’s Chorus, sang with thundering richness.

A star performer throughout the concert was the hall itself and its acoustic spectrum, ranging from pianissimo delicacy and crispness to full-on Mahlerian boom.

A marvelous new facility has opened at SSU, acoustically arguably among the greatest in the country. It was memorably showcased in this Sunrise Concert, and the program was written by local artists and performed by a well-rehearsed and well-conducted ensemble of local instrumental and vocal talent. The transparent intent of the concert's producers and performers was to contribute to the establishment of a community sense of ownership of the shared architectural and cultural space. They succeeded beautifully.