Home  Reviews  Articles  Calendar  Presenters  Add Event     
Chamber
FAMILIAR AND NEW - TRIO NAVARRO'S SPRING CONCERT IN WEILL
by Terry McNeill
Sunday, April 21, 2024
Symphony
MONUMENTAL MAHLER 5TH IN SO CO PHIL'S SEASON ENDING CONCERT
by Terry McNeill
Sunday, April 14, 2024
Chamber
OAKMONT SEASON CLOSES WITH STRAUSS' PASSIONATE SONATA
by Terry McNeill
Thursday, April 11, 2024
Chamber
MORE GOLD THAN KORN AT ALEXANDER SQ CONCERT
by Terry McNeill
Sunday, April 7, 2024
Choral and Vocal
VIBRANT GOOD FRIDAY REQUIEM AT CHURCH OF THE ROSES
by Pamela Hicks Gailey
Friday, March 29, 2024
TWO OLD, TWO NEW AT THE SR SYMPHONY'S MARCH CONCERT IN WEILL
by Peter Lert
Saturday, March 23, 2024
Chamber
NOT A SEVENTH BUT A FIRST AT SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Wednesday, March 20, 2024
THIRTY-THREE PLUS VARIATIONS AND AN OCEAN VIEW
by Terry McNeill
Saturday, March 16, 2024
Choral and Vocal
A ST. JOHN PASSION FOR THE AGES
by Abby Wasserman
Friday, March 8, 2024
Choral and Vocal
SPLENDID SCHUBERT SONGS IN SANET ALLEN RECITAL
by Terry McNeill
Saturday, March 2, 2024
RECITAL REVIEW
American Guild of Organists / Friday, January 11, 2013
Carol Menke, soprano; Harold Julander, organ

Soprano Carol Menke and Organist Harold Julander Jan. 11

MAGNIFICAT MAGNIFIQUE IN MENKE JULANDER AGO RECITAL AT INCARNATION

by Janis Dunson Wilson
Friday, January 11, 2013

Music of the Magnificat is the perfect concert theme for the closing of the liturgical year and the opening of the new, and the Redwood Chapter of the American Guild of Organists presented a wonderful program Jan. 11 in the Church of the Incarnation. This was the fifth program of the fourth season of the Twilight Pipe Organ Mini Recitals. Performing were soprano Carol Menke and organist Harold Julander.

The theme honored Mary, Mother of Jesus, and consisted of a meditative journey from the darkness of winter to the new growth of spring.

During the entire recital Ms. Menke delivered her vocal lines with clarity and beautiful tone, and Mr. Julander displayed sensitivity to the style of the period of music he played, as well as attention to organ registrations, capturing the range of each musical phrase.

The program consisted of contemplative organ music inter-woven between songs based on Latin texts of the Magnificat, “My Soul Doth Magnify the Lord”, and set by ancient and contemporary composers. It began with an organ intonation from Frescobaldi’s Toccata No. 1, which set a tone for fluidity of the plainchant modality. Following was Ms. Menke’s renditions of Dulcissima Maria, with words, “Sweetest Mary, I am sick with love for you, for you are gracious and kindly”; and Nativitas, with words, “Your birth, virgin Mother of God, announced joy to the whole world: from you was born the Sun of righteousness, Christ our God”, both composed by Ludivico Grossi da Viadana.

Organ reflections followed by Hermann Schroeder, “Intermezzi,” and the organist played beautifully.

The program continued reflectively, alternating songs in Latin and English with organ meditations, including Hohvaness’ Qui respexi (with words “For he hath regarded the low estate of his handmaiden”) and the Magnificat by Randall Thompson.

The recital ended with an inspiring setting of the psalm that embodies all hope and comfort, Creston’s Psalm XXIII.

The next program, a Jan. 20th “Midwinter Wind Storm” concert, will feature the Fifth Avenue Brass with Organist David Parsons.