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Symphony
MENDELSSOHN'S SCOTTISH SAVES THE EVENING IN SRS WEILL CONCERT
by Terry McNeill
Monday, February 11, 2019
The audience entering Weill Hall for Santa Rosa Symphony concerts Feb. 9-11 were presented with a program that on first glance appeared a curious patchwork – a great symphony mixed with a seldom heard concerto and two disparate overtures, and a guest conductor unknown locally. Monday night’s concer...
Recital
INTRIGUING BELL-HAYWOOD RECITAL BEFORE FULL HOUSE IN WEILL HALL
by Abby Wasserman
Friday, February 08, 2019
A big portion of the capacity audience in Weill Hall February 8th came to hear violinist Joshua Bell’s virtuosity, and were treated as well to splendid playing from Sam Haywood, Mr. Bell’s regular pianist since 2010. The duo performed three engaging sonatas, highlighted by Mr. Bell’s sterling techn...
Symphony
TRIPLE PLAY UKIAH SYMPHONY CONCERT AND TCHAIKOVSKY SERENADE
by Terry McNeill
Sunday, January 27, 2019
Over the years the Ukiah Symphony’s concerts have been in the Classical Sonoma Calendar sections, but rarely has this Orchestra, now in its 39th season, had a full winter season concert review. The provocative Jan. 27 program in Mendocino College’s Center Theater seemed a good reason to reacquaint ...
Symphony
JACKSON THEATER WELCOMES A NEW RESIDENT ORCHESTRA
by Terry McNeill
Saturday, January 26, 2019
Moving to a permanent new performance venue can be a perilous undertaking for an orchestra, with different acoustics, the loyal audience finding the new spot and infrastructure challenges of lighting and lobby and backstage operations. In their first concert Jan. 26 in Windsor’s Jackson Theater the...
Symphony
ECLECTIC PASSIONATE PROGRAMMING AT MARIN SYMPHONY CONCERT
by Abby Wasserman
Saturday, January 26, 2019
The Marin Symphony’s second Masterworks concert of the 2018-19 season featured works by John Adams, Sibelius and Brahms, a masterful assembly. In a spoken introduction before the program’s first half, conductor Alasdair Neale primed the audience for the “terra incognita” of Adams’ The Chairman Dance...
Symphony
A SLICE OF HEAVEN FROM THE SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, January 13, 2019
Under its vibrant new music director, Francesco Lecce-Chong, the Santa Rosa Symphony this past Sunday offered a nearly perfect afternoon of Mozart (Symphony No. 40) and Mahler (Symphony No. 4). While the two works share a common digit, the only element uniting them is genius. They made for a dazzlin...
Recital
KHOZYAINOV'S BRILLIANT PIANISM IN MILL VALLEY RECITAL
by Abby Wasserman
Sunday, January 13, 2019
In its third concert of the season the Mill Valley Chamber Music Society Jan. 13 presented Russian virtuoso Nikolay Khozyainov. His intelligent and sensitive interpretations, masterful pedal work, and virtuoso technique left the near-capacity audience in Mt. Tamalpais Methodist Church astounded and ...
Chamber
A COMPLETE MUSICAL PACKAGE IN ARRON'S OAKMONT RECITAL
by Terry McNeill
Thursday, January 10, 2019
Cellist Edward Arron has been a welcome artist at the Music at Oakmont series, and after his Jan. 10 recital it’s easy to understand his popularity. His artistry is a complete package, with potent instrumental technique wedded to integral musical conceptions. In a nearly flawless concert with pian...
Choral and Vocal
COMPELLING WEILL HALL MESSIAH ORATORIO FROM THE ABS
by Terry McNeill
Saturday, December 15, 2018
Each holiday season when a Classical Sonoma reviewer is assigned to cover a concert with Handel’s seminal Oratorio The Messiah, the question arises about what new commentary can possibly apply to the often performed choral work. Well, if it’s the American Bach Soloists performing the piece, written...
Opera
PURCELL'S DIDO IN YOUTHFUL SSU OPERA
by Abby Wasserman
Wednesday, December 05, 2018
A doomed royal love affair, the theme of Purcell’s Dido and Aeneas, was brought to lovely life at Sonoma State University Dec. 5 in the school’s Schroeder Hall. Conducted by faculty member Zachary Gordin, who also played continuo, the performance was only the second opera production presented by the...
SYMPHONY REVIEW
American Philharmonic Sonoma County / Sunday, October 13, 2013
Norman Gamboa, conductor. Bonnie Brooks, mezzo-soprano

Conductor Norman Gamboa

SMOOTH SAILING IN SEASON'S FIRST APSC CONCERT

by Terry McNeill
Sunday, October 13, 2013

In a program with water and ocean themes the American Philharmonic Sonoma County (APSC) opened their 15th season Oct. 12 and 13 in Santa Rosa High School’s Performing Arts Center. The day was sunny and dry but the music was a saturated with color and often radiance.

Mendelssohn’s charming overture Calm Sea and Prosperous Voyage, Op. 27, opened the concert with strong playing in all sections, notably in the brass and the horns playing fluttering phrases. Conductor Norman Gamboa moved the orchestra ship steadily towards home port, presaged by a blaring trumpet fanfare and fine flute playing by Emily Reynolds.

Mezzo-soprano Bonnie Brooks joined a reduced-size APSC in two melancholic works: Elgar’s Sea Pictures and Barber’s Dover Beach. Both are mostly contemplative and eschew splashy vocal lines. Ms. Brooks used the score for each and her mellow voice was secure throughout its range, with warm resonance in the chest voice. Elgar’s five Pictures are alternatively leisurely and declamatory and Ms. Brooks mastered each, especially projecting the third Picture Sabbath Morning at Sea with considerable power. The long and dramatic The Swimmer was sung in a powerful duo with the orchestra, though at places the orchestra’s sound covered the soloist.

Following intermission the early and still popular Barber work was heard, in his orchestration for strings from the original 1931 version for baritone and string quartet. Even more than the Elgar Dover Beach is a dark journey and Ms. Brooks gave it a melancholy and woeful characterization, changing often and deftly her vibrato. It was somber but assured singing.

The enlarged orchestra hit its stride with the concluding Debussy masterpiece, La Mer. Mr. Gamboa was in no hurry to get any place and throughout took tempos that underscored the rich colorations and subtlety of instrumentation. Harpists Constance Koo and Laura Simpson played lovely passages solo and supporting the strings, and Mary Kremec’s piccolo playing was lyrically distinctive. At the beginning of the second “Play of the Waves” movement the entrances were ragged but soon the conductor had all under control and this evocative scherzo became convivial.

In the finale the muted horns, including Eric Anderson resonate high G, carried to the back of the hall, along with cornetist David Lindgren's triumphant call to action near the end. Mr. Gamboa understands how to balance disparate section parts, allowing small duos from flutist Debra Scheuerman and oboist Chris Krive to be easily heard above the dense orchestral texture. Especially telling was the conductor’s control when he inserted many small crescendos. It was a richly satisfying reading of opulent music.

At intermission conductor emeritus Gabriel Sakakeeny spoke engagingly from the stage about the APSC’s librarian, Harry Fry, who died in 2011. Mr. Fry was described as a “crusader for beauty and truth” in music, and Mr. Sakakeeny’s anecdotes elicited happy memories from many of the insouciant Mr. Fry’s friends in the audience. Barbara Fry and her daughter Susan Fry Lee were present and had underwritten the Saturday and Sunday programs.