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Recital
MTA BENEFIT CONCERT FEATURES FAURE, DVORAK, JANACEK AND BARBER WORKS
by Terry McNeill
Sunday, November 11, 2018
In a splendid concert Nov. 11 the Music Teachers Association of California, Sonoma County Chapter, presented their sixth annual benefit concert before 40 avid listeners in the Santa Rosa home of Helen Howard and Robert Yeats. Highlights of the performances, involving eight musicians in various perf...
Recital
SERKIN'S SINGULAR MOZART AND BACH PLAYING IN WEILL RECITAL
by Terry McNeill
Friday, November 09, 2018
Returning to Weill Hall following a fire-related recital cancellation in 2017, pianist Peter Serkin programmed just three works in his Nov. 7 concert, three masterworks that challenged both artist and audience alike. It needs to be said at the outset that Mr. Serkin takes a decidedly non-standard a...
Chamber
LUMINOUS FAURE TOPS LINCOLN TRIO'S SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Wednesday, November 07, 2018
Familiarity in chamber music often evokes warm appreciation, and it was thus Nov. 7 when the Chicago-based Lincoln Piano Trio made one of their many Sonoma County appearances, this time on the Spring Lake Village Classical Music Series. Regularly presented by local impresario Robert Hayden, the Lin...
Symphony
PEACE AND LOVE FROM THE SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, November 04, 2018
Before the Santa Rosa Symphony’s Nov. 4 performance of Leonard Bernstein’s “Symphonic Dances from West Side Story,” Symphony CEO Alan Silow took a moment to acknowledge the victims of the Pittsburgh synagogue attack and to observe that music offers a more peaceful and loving view of the world. Mr. ...
Chamber
ATOS TRIO IN MILL VALLEY CHAMBER CONCERT
by Abby Wasserman
Sunday, November 04, 2018
When the ATOS Piano Trio planned their all-Russian touring program at their Berlin home base, it had a strong elegiac, even tragic theme that surely resonated with their Mill Valley Chamber Music Society audience Nov. 4 in Mill Valley. Comprised of Annette von Hehn, violin; Thomas Hoppe, piano; and...
Chamber
ATOS TRIO IN OCCIDENTAL CHAMBER CONCERT
by Terry McNeill
Saturday, November 03, 2018
When the Berlin-based ATOS Piano Trio entered the cramped Occidental Performing Arts stage Nov. 3, the audience of 100 anticipated familiar works in the announced all-Russian program. What they got was a selection of rarely-plays trios, with a gamut of emotions. Then one-movement Rachmaninoff G Mi...
Symphony
MIGHTY SHOSTAKOVICH 10TH OPENS MARIN SYMPHONY SEASON
by Terry McNeill
Sunday, October 28, 2018
Just two works were on the opening program of the Marin Symphony’s 67th season Oct. 28, Tchaikovsky’s iconic D Major Violin Concerto, and Shostakovich’s Tenth Symphony. Before a full house in the Marin Center Auditorium conductor Alasdair Neale set a judicious opening tempo in the brief orchestra i...
Symphony
VIVALDI FOR ALL SEASONS IN WEILL BAROQUE CONCERT
by Sonia Morse Tubridy
Saturday, October 27, 2018
The Venice Baroque Orchestra, a dozen superb musicians that include strings, harpsichord and recorder, played an uplifting concert Oct. 27 of mostly Vivaldi sinfonias and concertos. The Weill Hall audience of 600 had rapt attention throughout, and the playing was of the highest musical level. This r...
Recital
LIN'S PIANISM AND PERSONA CHARM SCHROEDER HALL AUDIENCE
by Terry McNeill
Sunday, October 21, 2018
In somewhat of a surprise a sold out Schroeder Hall audience greeted pianist Steven Lin Oct. 21 in his local debut recital. Why a surprise? Because Mr. Lin was pretty much unknown in Northern California, and Schroeder is rarely, very rarely sold out for a single instrumentalist. But no matter, and...
Chamber
HEROIC TRUMPET AND ORGAN MUSIC AT INCARNATION
by Jerry Dibble
Friday, October 12, 2018
The strong connections between Santa Rosa’s musical community and California State University Chico were on display Oct. 12 as David Rothe, Professor Emeritus in the Chico Music Department, and Ayako Nakamura, trumpet with the North State Symphony, presented a concert titled “Heroic Music for Trumpe...
CHAMBER REVIEW
Music at Oakmont / Thursday, January 09, 2014
Boreal Trio: Uriel Vanchestein,clarinet; Juan-Miguel Hernandez, viola; Wonny Song, piano

Boreal Trio

BOREAL AURORA RISES OVER OAKMONT

by Terry McNeill
Thursday, January 09, 2014

Opening the new year Jan. 9 at Music at Oakmont the Boreal Trio played a program of two diverse and distinct parts, the emphasis on charm rather than drama.

The bucolic first half had lyrical and low-volume works by Schumann and Mozart, the latter's "Kegelstatt" Trio in E-Flat Major (K. 498) setting a tranquil tone. This trio doesn't have a menacing note throughout, but in past performances I have heard the piano and clarinet lines covering the viola. Here Juan-Miguel Hernandez' viola line was always audible, often in fetching duos with clarinetist Uriel Vanchestein. Occasionally Mr. Vanchestein sounded a bit reserved, but in many ways that approach served the serene music well.

The quiet ambiance continued in Schumann's Op. 132 "Fairy Tales," the four short sections brimming with romantic yearning. Pianist Wonny Song played the day's first real forte in the dramatic Lebhaft und sehr markiert movement, the most Brahms-like part of the 1853 composition. The Boreal's playing reached a peak in the sweet third section, a love song with unison instrumental lines and a sublime and tender ending.

Ensemble playing in the concluding Lebhaft, sehr markiert was excellent, tying together a rarely-played work of elegance and nostalgia.

Five of Bruch's eight Op. 83 Pieces were played after intermission and the rich Romanticism again recalled Brahms' autumnal works and harmonic language. The orchestral and relentless Allegro Agitato opened the set with flair, moving to a Nachtgesang (night song) where nearing the end the viola handed off the melodic line to the clarinet, with Mr. Vanchestein playing a deft descending and ascending chromatic scale in perfect legato. These were more substantial pieces than those of the first half, clearly so in the adventuresome harmonies of the Moderato that looked back to both Brahms and Schumann, and the bouncy and effervescent Allegro Vivace finale. Mr. Song was had a greater role here, sewing together the string and wind lines with bouncy rhythms.

Though the Bruch was for me the day's highlight, Alfred Uhl's neoclassical Trio "Kleines Konzert" from 1938 came close. It was a bit of a cold shower after the previous works with a bigger piano part, many off-beat accents and a snazzy viola and clarinet duet in the spooky Allegro con Brio's cadenza. It was café music played with grace. A slow march morphed into a lament, with Mr. Song sounding chimes with his left hand and Mr. Hernandez playing uniquely with the tip of his bow on the viola's C and G strings. In the concluding Vivo, the Boreal took a fast tempo and played the virtuosic and showy movement with aplomb. A sudden forte chord closed an exciting performance.

The encore, Mr. Vanchestein's "Moment Musical," was announced as a study in the style of Rachmaninoff and Scriabin, but I could find neither Russian composer's music in the short romantic study of swirling clarinet phrases. It was a bon-bon to a light and pleasurably non-traditional musical meal.