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Chamber
FLORESTAN TRIO'S MENDELSSOHN AT SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Friday, March 08, 2019
Spring Lake Village’s monthly concerts usually clock in under an hour, but the March 8 Florestan Trio’s performance was more extended as so much good music was on tap for the 125 residents attending at Santa Rosa’s premiere retirement residence facility. Four short pieces made up the first half, be...
Chamber
TILDEN TRIO'S BOHEMIAN ENERGY AT DOMINICAN CONCERT
by Terry McNeill
Sunday, March 03, 2019
Hard on the heels of the Trio Navarro’s late February concert in Sonoma State’s Schroeder Hall, Northern California’s other premiere resident piano trio, the Tilden, played an equally convincing program March 3 in Dominican University’s Angelico Hall. Clearly each hall’s acoustics, stage pianos and...
Recital
24 SONGS IN A MENKE-THOMPSON RECITAL ODYSSEY
by Terry McNeill
Saturday, February 23, 2019
Sonoma County pop and country singing enjoys continued popularity but it rare to see a professional classical vocal concert announced. Diva Ruth Ann Swenson was once a local star, but she has long departed and not much virtuoso recital singing can be found in the North Bay. But the exception to th...
Chamber
UNEXPECTED ARENSKY AND MENDELSSOHN BY THE NAVARRO
by Terry McNeill
Sunday, February 17, 2019
The 100 people entering Schroeder Hall Feb. 17 for a Trio Navarro concert were handed a program that appeared to feature two popular piano trios, Mendelssohn and Arensky. But continuing the Navarro’s tradition of repertoire exploration, the pieces were not the usual first Mendelssohn and first Aren...
Recital
GLOVER'S ECLECTIC PROGRAMMING HIGHLIGHT'S CINNABAR RECITAL
by Terry McNeill
Sunday, February 17, 2019
Daniel Glover is arguably the busiest virtuoso pianist in the San Francisco Bay area, but rarely is heard in North Bay concerts. So 90 local pianophiles were anxious to hear him Feb. 17 in Petaluma’s charming small Cinnabar Theater, and they were rewarded with an eclectic program of sometimes unfam...
Symphony
MENDELSSOHN'S SCOTTISH SAVES THE EVENING IN SRS WEILL CONCERT
by Terry McNeill
Monday, February 11, 2019
The audience entering Weill Hall for Santa Rosa Symphony concerts Feb. 9-11 were presented with a program that on first glance appeared a curious patchwork – a great symphony mixed with a seldom heard concerto and two disparate overtures, and a guest conductor unknown locally. Monday night’s concer...
Recital
INTRIGUING BELL-HAYWOOD RECITAL BEFORE FULL HOUSE IN WEILL HALL
by Abby Wasserman
Friday, February 08, 2019
A big portion of the capacity audience in Weill Hall February 8th came to hear violinist Joshua Bell’s virtuosity, and were treated as well to splendid playing from Sam Haywood, Mr. Bell’s regular pianist since 2010. The duo performed three engaging sonatas, highlighted by Mr. Bell’s sterling techn...
Symphony
TRIPLE PLAY UKIAH SYMPHONY CONCERT AND TCHAIKOVSKY SERENADE
by Terry McNeill
Sunday, January 27, 2019
Over the years the Ukiah Symphony’s concerts have been in the Classical Sonoma Calendar sections, but rarely has this Orchestra, now in its 39th season, had a full winter season concert review. The provocative Jan. 27 program in Mendocino College’s Center Theater seemed a good reason to reacquaint ...
Symphony
JACKSON THEATER WELCOMES A NEW RESIDENT ORCHESTRA
by Terry McNeill
Saturday, January 26, 2019
Moving to a permanent new performance venue can be a perilous undertaking for an orchestra, with different acoustics, the loyal audience finding the new spot and infrastructure challenges of lighting and lobby and backstage operations. In their first concert Jan. 26 in Windsor’s Jackson Theater the...
Symphony
ECLECTIC PASSIONATE PROGRAMMING AT MARIN SYMPHONY CONCERT
by Abby Wasserman
Saturday, January 26, 2019
The Marin Symphony’s second Masterworks concert of the 2018-19 season featured works by John Adams, Sibelius and Brahms, a masterful assembly. In a spoken introduction before the program’s first half, conductor Alasdair Neale primed the audience for the “terra incognita” of Adams’ The Chairman Dance...
SYMPHONY REVIEW
Santa Rosa Symphony / Sunday, March 23, 2014
Bruno Ferrandis, conductor. Santa Rosa Symphony Youth Orchestra. Paul Silverthorne, viola

A TOUR DE FORCE OF SONIC SPLENDOR

by Terry McNeill
Sunday, March 23, 2014

On paper the Santa Rosa Symphony's March 23 concert in Weill Hall looked promising and even provocative, with a world-premiere concerto, a famous solo violist and two flashy Russian orchestral works. But as often is the case, in unexpected ways the whole was not equal to the sum of the parts.

Behzad Ranjbaran's new viola concerto was written for the Symphony and the eminent British violist, Paul Silverthorne, and closed the concert's first half before 1,200 on yet another balmy Sonoma County Sunday afternoon. Silverthorne, surprisingly playing from score, displayed in the opening Adagio a warm lower register and, for expressive effect, lots of tiny slides into notes. Ranjbaran makes use of a large orchestra, with plentiful interplay of marimba, xylophone, celesta and harp. Flutist Kathleen Lane Reynolds played prominent mellifluous short notes and what sounded like chirps. As a composer, Ranjbaran is a master orchestrator and a canny exploiter of unique tone colors.

In the central Largo movement, the solo part had double stops and virtuoso phrasing in an often sad lament, but as in the first and last movements, Silverthorne could not effectively project above the orchestra's weighty sound. There were no pyrotechnics here, and conductor Bruno Ferrandis shaped the ensemble in music reminiscent of Prokofiev's Fifth Symphony. Muted trumpets and the marimbist Stan Muncy gave the music a somber air. The duo between Silverthorne and violinist Jay Zhong was lively, the two string lines ending the movement in a captivating hush.

Without pause, the concerto was off and running into an Allegro vivace, the playing angry at times and with short snippets of themes. Instead of a conventional symphonic long line, Ranjbaran juxtaposes short melodic statements in many guises. Silverthorne played his viola splendidly but was again outgunned against the orchestral fabric. At the end, Ranjbaran joined Silverthorne and Ferrandis on stage to loud applause.

To open the concert, members of the Santa Rosa Symphony Youth Orchestra paired with the Symphony in a scrappy and boisterous performance of a chestnut, Borodin's "Polovtsian Dances" from the opera "Prince Igor." There was expert playing by oboe, English horn and harp, and even a piquant sound from the tambourine. As good as dances were, the showpiece of the day was the closing work, Rimsky-Korsakov's "Scheherazade." Ferrandis, in complete control all afternoon, was at his consummate best in this glorious display of symphonic prowess.

Hardly looking at the score, Ferrandis guided a cacophonous but shapely performance that was a feast for the first-chair players in almost every section. If the Ranjbaran was a concerto for viola, the Rimsky was one for the orchestra. Mention must be made of the glamorous playing from clarinetist Roy Zajac, cellist Adelle-Akiko Kearns, oboist Laura Reynolds, flutists Stacey Pelinka and Ms. Reynolds, hornist Caitlyn Smith, trumpeters Doug Morton and Scott Macomber, timpanist Andrew Lewis, and percussionist Allen Biggs. Concertmaster Zhong's long solo passages, depicting the young Scheherazade, were played in an understated manner and traded power for lyricism, all to a good end.

Rising above this tour de force of sonic splendor was the dominating baton and vision of the conductor. After the final tutti, Ferrandis was liberal in acknowledging the sections and leaders, each getting a roar of audience approval.