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Symphony
LECCE-CHONG PROVES HIS METTLE WITH SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, October 07, 2018
Francesco Lecce-Chong was handed two warhorses for his debut as conductor of the Santa Rosa Symphony, and he rode them both to thrilling victory. For the first win, Brahms’ violin concerto, he owed much to soloist Arnaud Sussman, but for the other triumph, Beethoven’s fifth symphony, he and his musi...
Chamber
THORNY BARTOK AND ELEGANT MENDELSSOHN FOR THE BRENTANO
by Sonia Morse Tubridy
Sunday, September 30, 2018
In a minor masterpiece of programming choices the Brentano String Quartet played a Sept. 30 Weill Hall program with an emphasis on refinement, even with a challenging Bartok work in the mix. Dvorák’s Miniatures for Two Violins and Viola (Op. 75a) opened the concert with charm and gentle loveliness,...
Chamber
ECHO'S RICH MUSICAL TAPESTRY IN MARIN
by Abby Wasserman
Sunday, September 30, 2018
Marin’s Echo Chamber Orchestra unfurled a glorious tapestry of Mozart, Weber and Respighi music Sept. 30 in San Anselmo’s First Presbyterian Church. The church, located on the grounds of San Francisco Theological Seminary, boasts a ceiling high enough for angels to fly, and its quiet setting and aco...
Recital
IDIOMATIC SCHUMANN AND BEETHOVEN HIGHTLIGHT WALKER'S CONCERTS GRAND RECITAL
by Terry McNeill
Sunday, September 23, 2018
Mostly known as a concert producer and indefatigable promoter of Sonoma County music, pianist Judy Walker stepped into the soloist’s role Sept. 23 in a sold out recital for the Concerts Grand House recitals series. Two Scarlatti Sonatas, in D Minor (K. 213) and D Major (K. 29), began the hour-long ...
Symphony
SAKAKEENY'S LION AND ROSE HIGHLIGHTS SO CO PHIL'S 20TH SEASON OPENER
by Terry McNeill
Saturday, September 22, 2018
Fresh from a triumphant tour in Latin America the Sonoma County Philharmonic opened its 20th season Sept. 22 in a celebratory concert in the Santa Rosa High School Auditorium. Keeping to the evening’s orchestra history and past performance, conductor emeritus Gabriel Sakakeeny, who led the So Co Ph...
Recital
DEDIK'S POTENT BEETHOVEN AND CHOPIN AT SPRING LAKE VILLAGE RECITAL
by Terry McNeill
Monday, September 17, 2018
Anastasia Dedik returned Sept. 17 to the Spring Lake Village Classical Music Series in a recital that featured three familiar virtuoso works in potent interpretations. Chopin’s G Minor Ballade hasn’t been heard in Sonoma County public concerts since a long-ago Earl Wild performance, and Beethoven’s...
Recital
DUO WEST OPENS OCCIDENTAL CONCERT SEASON
by Terry McNeill
Sunday, September 09, 2018
Before a full house at the Occidental Performing Arts Center Sept. 9 the cello-piano Duo West, playing from score throughout, presented a recital that on paper looked stimulating and thoughtful. Beginning with MacDowell’s To A Wild Rose (from Woodland Sketches, Op. 51), the transcription by an unan...
Chamber
CELLO-PIANO DUO IN HUSKY SPRING LAKE VILLAGE PROGRAM
by Terry McNeill
Wednesday, September 05, 2018
Two thirds of the way through a stimulating 22-concert season the Spring Lake Village Classical Music Series Sept. 5 presented two splendid cello sonatas before 110 people in the Village’s Montgomery auditorium. A duo for more than a decade, East Bay musicians cellist Monica Scott and pianist Hadle...
Chamber
EXTRAVAGANT FUSION OF STYLES AT CHRIS BOTTI BAND WEILL HALL CONCERT
by Jerry Dibble
Sunday, August 12, 2018
Trumpeter Chris Botti still performs in jazz venues including SF Jazz and The Blue Note, but now appears mostly in cavernous halls or on outdoor stages like the Sonoma State University’s Green Music Center. He brought his unique road show to the packed Weill Hall August 12 in a concert of effusive e...
Chamber
SCHUBERT "MIT SCHLAG" AT VOM FESTIVAL MORNING CONCERT
by Abby Wasserman
Sunday, July 29, 2018
The spirit of 19th century Vienna was present July 29 on the final day of the Valley of the Moon Music Festival. The Festival in the second half of July glittered with innovative programming and the new, old sound of original instruments played by musicians who love music with historic instruments. ...
CHAMBER REVIEW
Piano Sonoma / Sunday, August 03, 2014
Performers TBA

Peter Duggan and Charles Yang

PIANO SONOMA JAMS IN FINAL WEILL CONCERT

by Terry McNeill
Sunday, August 03, 2014

PianoSonoma concluded its artist-in-residence performances August 3 in a sparkling Weill Hall concert where mostly new music overshadowed conventional fare.

Mendelssohn’s popular D Minor Trio began the program in a workmanlike performance that never quite caught fire. Tempos throughout were judicious, supported by the warm bottom register of cellist Julian Schwartz, and pianist David Aladashvili’s legato scale passages were, as usual for chamber music in Weill, often indistinct.

The lyrical Andante was lovely with fetching piano duos with violinist Yevgeny Kutik, the latter’s sound having pitch problems and a thin treble tone. The Scherzo was lively and the headlong rush of the finale well controlled. It was trio playing that was light on thematic projection and rubato but deserved the loud applause from the audience of 300.

A seven-section Thomas Cabaniss work, “Movements for Tiny Bits of Outrageous Love,” was boisterously played four hands from score by PianoSonoma directors Jessica and Michael Shinn. In his pre-performance remarks, Mr. Shinn asked the audience to make connections between the work’s witty titles and their own lives. Virtuosity was on display in every piece, from the quotidian “One and One” through “Flutter Flutter” (long shimmering trills and tremolos) and the new age and minimalist “Love Song.” In the nocturne-like “Respite” there was an air of nostalgic Brahms that quickly moved to a brief toccata and a charming slow waltz.

The only astringency was “Crossings,” wild at times with each pianist crossing both hands and making verbal shouts and looks of feigned surprise. The “Two” finale had relaxed playing with a deft rise and fall of phrase. Here the control of dynamics was perfect and the playing was justly received with one of the afternoon’s many ovations. What a showpiece “Movements” is!

A local premiere followed, composer-in-residence Paul Frucht’s unnamed piece for two pianos. Peter Duggan and Mr. Aladashvili played it wonderfully. At turns percussive, rumbling and busy, Mr. Frucht (in the audience and shouting “bravos” at the end) has written a work with cascades of notes and some inside-the-piano string plucking. The artists made the most of the short lyrical sections amid the raucous grand sweep that grew inexorably to a powerful conclusion.

Violinist Charles Yang and Mr. Duggan concluded the program with Ravel’s exciting Tzigane, the long solo violin introductory passage carrying clearly in the hall. Though sporadically clipping off phrase endings. Mr. Yang took his time in the 1924 piece, eschewing the often seen flamboyant body motions for lithe leaning into the gypsy harmonics and rhythms. Liszt’s Hungarian Rhapsodies (6, 9 and 12) for piano seemingly were models for this impassioned work. Both artists played off the other’s energy and conveyed a bit of menace in the scintillating score, a staple for virtuosi. The string pizzicato was convincingly forceful, as were Mr. Duggan’s even trills and athletic right hand skips. The acceleration of the coda to presto was dramatic.

Speaking of skips, after an unprogrammed five-minute piano-violin jam session that finished the concert to a standing ovation, Mr. Yang skipped off the stage with a full cartwheel.

PianoSonoma’s final concert was a cheerful event with serious and genial music captivatingly played.