Home  Reviews  Articles  Calendar  Presenters  Add Event     
Symphony
MASKED SANTA ROSA SYMPHONY CARRIES ON BRILLIANTLY
by Steve Osborn
Sunday, November 15, 2020
In some ways the Santa Rosa Symphony’s Nov. 15 concert on YouTube resembled a Conceptual Art performance from the 1970s. On display were about 30 masked orchestral musicians playing six feet apart from each other on stage, some of them separated by plexiglass barriers. In the 1970s, the concept behi...
Chamber
SPLENDID STRINGS IN A SUNLIT GARDEN
by Abby Wasserman
Sunday, November 1, 2020
A sun-drenched autumn afternoon, a Marin County garden and six superb string players from the Santa Rosa Symphony were manna from heaven to a pandemic-weary audience starved for live music. The sextet of Santa Rosa Symphony musicians performed to a small group of 20 Nov. 1, the day after Halloween....
Chamber
EXAMPLARY QUARTET PLAYING IN MARIN GARDEN CONCERT
by Terry McNeill
Thursday, October 22, 2020
Taped video concerts have pretty much dominated the recent fare for classical music fans, but sporadic live music making can still be found in the North Bay with outdoor chamber music. Of course with the obligatory social distancing and often decorative facial masks. Four San Francisco Opera Orc...
Chamber
VIDEO CHAMBER MUSIC FROM LINCOLN CENTER IN GREEN'S BROADCAST
by Terry McNeill
Saturday, October 17, 2020
Along with hosting its resident the Santa Rosa Symphony, Weill Hall has contracted to produce sporadic virtual programs of classical music, and began Oct. 17 with a charming three-part concert from the Chamber Music Society of Lincoln Center in New York. Hosted with comely introductions by CMSLC di...
Symphony
THRILLING SANTA ROSA SYMPHONY PERFORMANCE IN AN EMPTY WEILL HALL
by Steve Osborn
Sunday, October 11, 2020
Viewers of the Santa Rosa Symphony’s inaugural socially distanced YouTube concert on Oct. 11 could be forgiven for thinking they had stumbled upon a performance of Verdi’s “Un Ballo in Maschera” (A Masked Ball), given that the string players in the opening shot all wore black masks. The sole excepti...
Symphony
BROWN VIDEO GALA LAUNCHES SANTA ROSA SYMPHONY SEASON
by Terry McNeill
Saturday, September 12, 2020
Similar to many North Coast musical organizations the Santa Rosa Symphony has scheduled a series of virtual concerts on video, spotlighting sections of the orchestra and the exuberant activities of its conductor Francesco Lecce-Chong. However, as an introduction to the season, a Sept. 12 gala vide...
SONGS AND ECHOES OF HOME IN AIZURI QUARTET CONCERT
by Abby Wasserman
Sunday, March 8, 2020
From the first richly layered harmonies of Dvořák’s Cypresses, the Aizuri Quartet held the March 8th audience at Mt. Tamalpais Methodist Church in thrall. The church was more than half full, a good crowd considering present anxiety about the spread of the coronavirus. Taking precautions, the M...
COLORFUL BORN BACH AT AGAVE BAROQUE'S SCHROEDER HALL CONCERT
by Sonia Morse Tubridy
Friday, February 28, 2020
Bach’s obituary records that “Johann Sebastian Bach belongs to a family that seems to have received a love and aptitude for music as a gift of Nature to all its members in common.” Agave Baroque presented their Feb. 28 concert, Born Bach, as a partial musical story of several generations in this rem...
ECLECTIC VIOLIN AND PIANO WORKS IN VIRTUOSIC MILL VALLEY RECITAL
by Abby Wasserman
Sunday, February 23, 2020
Blending virtuosity with sublime artistry, violinist Alexander Sitkovetsky and pianist Wu Qian gave the Mill Valley Chamber Music Society audience many thrills February 23, performing four muscular and soulful works by four composers from four countries: de Falla, Schumann, Stravinsky, and Grieg. T...
PREMIER OF KAIZEN AND DRAMATIC MOZART HIGHLIGHT ECHO CHAMBER CONCERT
by Abby Wasserman
Sunday, February 16, 2020
As concertgoers took their seats in San Anselmo’s First Presbyterian Church for ECHO Chamber Orchestra’s February 16 program, they were surprised to see at center stage two bass drums, a tom-tom, bongos, high hat and cymbals. It was the occasion of the world premiere of "Kaizen," composed and perf...
RECITAL REVIEW
Green Music Center / Sunday, September 14, 2014
Juho Pohjonen, piano

Pianist Juho Pohjonen

THE BALLADE OF JUHO POHJONEN

by Terry McNeill
Sunday, September 14, 2014

Planning a piano program around a single theme or name can be tricky because cutesy connections can easily displace artistic merit. Fortunately, Juho Pohjonen's Sept. 14 recital in the inaugural "Sundays at Schroeder" concert was a textbook example of a successful theme--ballades--supported by wonderful music.

Grieg's seldom-played G Minor ballade had perhaps the most convincing performance of the afternoon. Built on 14 variations on a Norwegian folk song, the work is the composer's best extended-form piano piece. Mr. Pohjonen played it in a unhurried way with careful control of dynamics and just a hint of sadness. Pedaling was precise, and even the three most extroverted variations were clearly phrased and articulated.

Brahms' four early Op. 10 ballades completed the first half. Here again the Finnish pianist played with stable chordal weighting and fastidious thematic voicing. The gentle D Major Andante featured good staccato playing in the middle section. The Intermezzo moved from darkness to a cantabile of radiant light in the concluding Romanza. The slow playing had sentiment without a hint of sentimentality. Everything in the four components of the ballade's ersatz sonata structure was always in place.

In contrast to the efforts of Brahms and Grieg, each of the four Chopin ballades tells a story. Here Mr. Pohjonen stumbled. He is an exemplar of his musical generation in that rubatos are tight, inner voices are absent, repeats are played the same way each time, and the vocal nature of Chopin's exquisite melodies is slighted. The pianist's technique, however, is well suited to the unfolding agitation of the ballades. The F Major and the A-Flat Major received the most convincing playing benefiting from small pedal effects, fast right-hand scales and engaging rhythms.

Less compelling were the bookend ballades, arguably among the pinnacles of Chopin's genius. In both the G Minor and F Minor, pianistic frenzy often displaced thematic ardor and grandeur. The intricate and tumultuous coda of the F Minor became jumbled in the artist's rush to secure a potent finish.

Responding to a standing ovation from the audience of 160, Mr. Pohjonen played a limpid Grieg lyric piece, Op. 43, No. 6, "To the Spring." His captivating performance ended with two beguiling arpeggiated chords and a crossover left-hand pianissimo F.