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Recital
MTA BENEFIT CONCERT FEATURES FAURE, DVORAK, JANACEK AND BARBER WORKS
by Terry McNeill
Sunday, November 11, 2018
In a splendid concert Nov. 11 the Music Teachers Association of California, Sonoma County Chapter, presented their sixth annual benefit concert before 40 avid listeners in the Santa Rosa home of Helen Howard and Robert Yeats. Highlights of the performances, involving eight musicians in various perf...
Recital
SERKIN'S SINGULAR MOZART AND BACH PLAYING IN WEILL RECITAL
by Terry McNeill
Friday, November 09, 2018
Returning to Weill Hall following a fire-related recital cancellation in 2017, pianist Peter Serkin programmed just three works in his Nov. 7 concert, three masterworks that challenged both artist and audience alike. It needs to be said at the outset that Mr. Serkin takes a decidedly non-standard a...
Chamber
LUMINOUS FAURE TOPS LINCOLN TRIO'S SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Wednesday, November 07, 2018
Familiarity in chamber music often evokes warm appreciation, and it was thus Nov. 7 when the Chicago-based Lincoln Piano Trio made one of their many Sonoma County appearances, this time on the Spring Lake Village Classical Music Series. Regularly presented by local impresario Robert Hayden, the Lin...
Symphony
PEACE AND LOVE FROM THE SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, November 04, 2018
Before the Santa Rosa Symphony’s Nov. 4 performance of Leonard Bernstein’s “Symphonic Dances from West Side Story,” Symphony CEO Alan Silow took a moment to acknowledge the victims of the Pittsburgh synagogue attack and to observe that music offers a more peaceful and loving view of the world. Mr. ...
Chamber
ATOS TRIO IN MILL VALLEY CHAMBER CONCERT
by Abby Wasserman
Sunday, November 04, 2018
When the ATOS Piano Trio planned their all-Russian touring program at their Berlin home base, it had a strong elegiac, even tragic theme that surely resonated with their Mill Valley Chamber Music Society audience Nov. 4 in Mill Valley. Comprised of Annette von Hehn, violin; Thomas Hoppe, piano; and...
Chamber
ATOS TRIO IN OCCIDENTAL CHAMBER CONCERT
by Terry McNeill
Saturday, November 03, 2018
When the Berlin-based ATOS Piano Trio entered the cramped Occidental Performing Arts stage Nov. 3, the audience of 100 anticipated familiar works in the announced all-Russian program. What they got was a selection of rarely-plays trios, with a gamut of emotions. Then one-movement Rachmaninoff G Mi...
Symphony
MIGHTY SHOSTAKOVICH 10TH OPENS MARIN SYMPHONY SEASON
by Terry McNeill
Sunday, October 28, 2018
Just two works were on the opening program of the Marin Symphony’s 67th season Oct. 28, Tchaikovsky’s iconic D Major Violin Concerto, and Shostakovich’s Tenth Symphony. Before a full house in the Marin Center Auditorium conductor Alasdair Neale set a judicious opening tempo in the brief orchestra i...
Symphony
VIVALDI FOR ALL SEASONS IN WEILL BAROQUE CONCERT
by Sonia Morse Tubridy
Saturday, October 27, 2018
The Venice Baroque Orchestra, a dozen superb musicians that include strings, harpsichord and recorder, played an uplifting concert Oct. 27 of mostly Vivaldi sinfonias and concertos. The Weill Hall audience of 600 had rapt attention throughout, and the playing was of the highest musical level. This r...
Recital
LIN'S PIANISM AND PERSONA CHARM SCHROEDER HALL AUDIENCE
by Terry McNeill
Sunday, October 21, 2018
In somewhat of a surprise a sold out Schroeder Hall audience greeted pianist Steven Lin Oct. 21 in his local debut recital. Why a surprise? Because Mr. Lin was pretty much unknown in Northern California, and Schroeder is rarely, very rarely sold out for a single instrumentalist. But no matter, and...
Chamber
HEROIC TRUMPET AND ORGAN MUSIC AT INCARNATION
by Jerry Dibble
Friday, October 12, 2018
The strong connections between Santa Rosa’s musical community and California State University Chico were on display Oct. 12 as David Rothe, Professor Emeritus in the Chico Music Department, and Ayako Nakamura, trumpet with the North State Symphony, presented a concert titled “Heroic Music for Trumpe...
CHAMBER REVIEW
Oakmont Concert Series / Thursday, October 16, 2008
LINCOLN PIANO TRIO

LINCOLN TRIO DOES HONEST ABE PROUD

by Terry McNeill
Thursday, October 23, 2008

It’s a flood tide for piano trios in the North Bay. For years SSU’s Trio Navarro has given numerous wonderful concerts, and recently the Tilden Trio (San Rafael) and the fledgling Sequoia Trio (Santa Rosa) have entered the fray. October 16 found a travelling troupe, Chicago’s Lincoln Trio, proving again the viability of the classical combination of piano, violin and cello.

Before an Oakmont Concerts Series of 200, the Lincoln began with Mendelssohn, but not the most popular of trios, the D Minor. This afternoon started with the C Minor, Op. 66, and it was a felicitous selection. Pianist Marta Aznavoorian quickly seized the leading role, the opening Allegro Energetico fleetly unfolding with just a touch of shady menace. The excellent ensemble continued through an elegant Andante Espressivo, sad and plaintive, and with a fast interplay of voices in the energetic third-movement Scherzo. Violinist Desiree Ruhstrat’s lovely pianissimo led to a bantamweight ending, and the finale Allegro Appassionato was a concentrated romp. Cellist David Cunliffe, solving some pesky pitch problems, supported the long line of the last movement. with its captivating interior Bach chorale.

Concluding the first half was “Autumn” from Piazzola’s “Four Seasons of Buenos Aires.” The Argentinean master’s music isn’t usually associated with a piano trio, but here the tango-themes made good sense, led by the cello and slow arpeggios from the piano. The long slides in the violin were sparkling, and the short work ended with a
spicy, almost lascivious piano glissando. The audience loved it.

Two works comprised the second half, one novel and one as familiar as the warm fall day outside the hall. A hybrid work, Lawrence Dillons’ “The Better Angels of our Nature,” came from a commission that required the words of Lincoln to be woven into a musical texture. Here the narrator was Oakmont’s own Victor Spear, renowned chess historian and, with his wife Jane, an avid classical-music concertgoer. There were three long passages taken from the President’s letters or public statements, titled Integrity, Humor and Vision. Each came from the podium accompanied by the Trio’s musings, more background and pastoral than an equal partner with Dr. Spear’s stentorian locution. The background texture comprised slow rolled piano chords, high register string unisons and snippets of pizzicato and sforzando phrases. Lincoln’s word had dignity and heft, the music pretty forgettable but having in a long coda the last word.

Brahms wrote at least six popular trios, the Piano Trio No. 2 in C Major, Op. 87, coming from 1882. It’s never had the emotional impact for me as the earlier B Major Trio (Op. 8), but is a great work in the form, crammed with inspiration. In four movements, there are thematic relationships between the first and fourth and the architecture is sublime.

The Lincoln gave the work careful control of dynamics, often submerging the piano in the string sound. The episodic Andante Con Moto, the center of the work, opened with an absolute equanimity of unison strings, shimmering, and the sound finally melted into a tender but terminal void.

The animated finale was played with rich scales in all three instruments, Aznavoorian’s piano frequently anticipating the other’s entrances and pushing the tempo. It must be said that Ruhstrat has a refined violin sound, but the tone is not big or especially broad, something important for Brahms. Hers is not an “Oistrakh” sound, but in all ways secure and pliant, reflecting the discipline of her teacher, Aaron Rosand. Cunliff’s cello in this glorious Allegro giocoso supplied a firm bass, lacking perhaps only lush aggressiveness of the Tilden’s Peter Wyrick on the same stage two months ago. The racehorse ending brought the audience to its feet, but no encore was offered.

Artistically able to stand comparison with our resident and guest trios, the Lincoln is a fresh and professional addition to the chamber music scene, and one hopes they can return soon.